This week we’re joined by ITW Members John Hegenberger, Christina Hoag, Charlaine Harris, Alexia Gordon, C. E. Lawrence and James Marshall as they discuss the question: Can Halloween be a good setting for a thriller, or is it destined to be the genre of horror forever?
“How do you develop scientific/technological plots? How far can imagination go and not fall into the realm of science fiction?” These are the questions on tap this week when we’re joined by ITW Members Benjamin Dancer, John Hegenberger, Stephanie Osborn, Rich Zahradnik and James Marshall Smith.
This week we’re joined by ITW Members Benjamin Dancer, John Hegenberger, Christina Hoag, Margo Kelly, Mona Karel, Barbara Nickless, Lisa Turner, R.G. Belsky and Arthur Kerns as they discuss print books vs. E-Readers: Do you prefer to read a print book, or on an E-Reader, and why?”
Can there be too many surprises in a thriller plot? Must each thrill help move the plot? These are the questions posed to this week’s ITW Members Paul McGoran, Arlene Kay, Judy Penz Sheluk, Ron Parham, Wendy Walker and Maynard Sims. You won’t want to miss it!
Social media is all the rage (and sometimes causes rage), but has been proven to bring authors and readers closer together. This week we ask ITW Members Judy Penz Sheluk, Sheila Lowe, Wendy Walker, Robert Dunn and Don Helin: Do you interact with readers on Goodreads, or any other social media?
Have you created characters with moral ambiguity? This week ITW members Paul McGoran, Arlene Kay, Shannon Baker, Judy Penz Sheluk, Michael J. Martinez, Ian Truman, Ann Parker, Wendy Walker and Charles Salzberg discuss writing characters with moral ambiguity and how difficult are they to make believable?
What is the best point of view for a thriller? This week we’re joined by ITW Members Paul McGoran, Judy Penz Sheluk, Sheila Lowe, Ron Parham, Wendy Walker and David McCaleb as they discuss the best point of view for a thriller.
This week we’re joined by ITW Members Lynn Cahoon, Michael Byars Lewis and Christina Hoag to answer the question: Do thriller writers have a responsibility not to put ideas into the heads of would-be criminals?
Some writing teachers suggest that tone is about attitude and that tone should be consistent throughout a book. But doesn’t consistency counter the unexpected and suspense? This week we hear from Elaine Viets and John F. Dobbyn discussing tone.
This week we’re discussing developing your antagonist when a love interest goes bad. ITW Members Lynn Cahoon, J.C. Lane, Terrence McCauley and Charles Atkins answer the question on everyone’s mind: Are broken-hearted villains suspenseful?
Dialogue can be tricky, as the author has to give each character a unique voice that is also distinct from his or her own. This week we’re joined by ITW Members Jean Harrington, Arthur Kerns, Bernard Maestas, L.S. Hawker, Shaun Harris, Lynn Cahoon, Terrie Farley Moran, J. C. Lane, Stephen Morrill, Steven Kuehn, Sharon Potts, Kat Martin, Elizabeth Noble, Susan Israel, Charles Atkins, D. P. Lyle, Joel Fishman, Jerry Kennealy and Alan Jacobson, to ask: How do you do it?