By Jon Land
Truth really IS stranger than fiction.
Swearing off nonfiction forever after the amount of time I had to invest to complete my first effort, Betrayal, lasted all of two weeks. That’s when I got a call from friend and noted ghost writer Lindsay Preston who’d been offered a book she thought was too big to do for just a payday.
Was I interested? Well, like anytime the words “big” and “book” are used in the same sentence, you bet I was! And when Lindsay told me the book followed a Midwestern cop who toppled a drug gang consisting of the Hells Angels out of Canada, a corrupt Indian reservation in upstate New York, and the Russian mob, I started pacing the room with cell phone in hand.
“Did you know more drugs come into the US over the Canadian border than the Mexican border?” Lindsay asked me.
I stopped pacing with visions of dollar signs and the New York Times bestseller list dancing in my head because I had my hook, the magic fact that can drive nonfiction in a way fiction can only dream of. And if all the facts didn’t substantiate the sell job I was giving myself, I’d deal with that later.
I’m a thriller writer, remember?
And that’s the great dividing line between fiction and nonfiction. When you write fiction, your job is to make your characters seem real. When you write nonfiction, your job is to make your characters seem fictional. It’s all about finding the subject’s voice, a fact I somehow disregarded when Lindsay and I crafted the initial portions of the book in third person. When the proposal constructed around those chapters was met with rejections across the board, I licked my wounds, climbed back on the horse, and rewrote all those pages in first person to find the voice of the book’s hero, Jeff Buck.
The recent shooting spree at Umpqua Community College in Oregon could have been prevented. The lives of ten people could have been spared. The same is true of almost every massacre, including the mass murder of seventy-seven people on July 22, 2011, by Anders Behring Breivik.
Breivik holds the key to understanding what former FBI profiler Dr. Kathleen M. Puckett calls the lone wolf killer. He is the only one of these lone wolves who is still alive and willing to discuss his crimes.
As I began searching for answers as to how Breivik became a mass murderer, I learned that he, like Oklahoma City bomber Timothy McVeigh and Unabomber Theodore Kaczynski, is a lone wolf. Breivik used McVeigh’s recipe to make his bomb. He copied much of Kaczynski’s manifesto in his own. Each had a political message. However, the similarities go much further:
- Disconnected―Someone, most likely a parent, failed him at an early age, and as a result, he has difficulty establishing meaningful relationships. He is not even capable of connecting or keeping a connection with an extremist group.
- Intelligent―He possesses medium to high intelligence. Because of his intelligence, he has the capacity to connect to an ideology, as a replacement for human relationships.
- Abused—He is the victim of bullying or some other form of injustice.
- Angry―He has a need to strike back.
- Narcissist―He believes he is the most important person in his world.
- Need for recognition—It is not enough for him to kill a neighbor or former teacher. He strikes on a societal level to be seen, to matter.
The year is 1936. Charles “Lucky” Luciano is the most powerful gangster in America. Thomas E. Dewey is an ambitious young prosecutor hired to bring him down, and Cokey Flo Brown–grifter, heroin addict, and sometimes prostitute–is the witness who claims she can do it. Only a wily defense attorney named George Morton Levy stands between Lucky and a life behind bars, between Dewey and the New York governor’s mansion.
As the Roaring Twenties give way to the austere reality of the Great Depression, four lives, each on its own incandescent trajectory, intersect in a New York courtroom, introducing America to the violent and darkly glamorous world of organized crime and leaving our culture, laws, and politics forever changed.
Based on a trove of newly discovered documents, Tom & Lucky (and George & Cokey Flo) tells the true story of a singular trial in American history: an epic clash between a crime-busting district attorney and an all-powerful mob boss who, in the crucible of a Manhattan courtroom, battle for the heart and soul of a dispirited nation. Blending elements of political thriller, courtroom drama, and hard-boiled pulp, author C. Joseph Greaves introduces readers to the likes of Al Capone, Dutch Schultz, Meyer Lansky, and Bugsy Siegel while taking readers behind the scenes of a corrupt criminal justice system in which sinners may be saints and heroes may prove to be the biggest villains of all.
Murder of a Mafia Daughter is a story about a path to murder that begins in old Las Vegas with gangsters and the boys from the Jewish mob. It moves to San Francisco with the movers and shakers, to New York City with its literati, and ends in Beverly Hills with the glitterati.
The slaying of Susan Berman in the winter of 2000 had all the earmarks of a professional hit aimed at a person born into the Mafia. Or was that just what the killer intended everyone to think, to lead investigators to the assumption that it was a Mob hit when it was not?
Or was it her best friend Robert Durst who wanted her dead?
“Cathy Scott is a star writer in the crowded field of true crime.” ~Ann Rule
“Murder in Beverly Hills is intense tale of an eccentric murder victim with a colorful history and how one of her friends has likely gotten away with not just her murder but others as well. Who doesn’t love a real life whodunit?”~Kim Cantrell, Editor, True Crime Zine
Anne Rule crowned Kathryn Casey one of the best true crime writers today, and called DELIVER US, “A true crime classic! A chilling study where both the victim and the stalker are bizarre and inscrutable.”
In DELIVER US, Casey delivers a riveting account of the brutal murders of eighteen young women in the I-45/Texas Killing Fields. Over a three-decade span, more than twenty women—many teenagers—died mysteriously in the small towns bordering Interstate 45, a fifty-mile stretch of highway running from Houston to Galveston. The victims were strangled, shot, or savagely beaten. Six met their demise in pairs. They had one thing in common: being in the wrong place at the wrong time.
In this harrowing true crime exposition, award-winning journalist Kathryn Casey tracks these tragic cases, investigates the evidence, interviews the suspects, and pulls back the cloak of secrecy in search of elusive answers.
Kathryn Casey is an award-winning journalist and an author, who has written for Rolling Stone, TV Guide, Reader’s Digest, Texas Monthly and many other publications. She’s the author of seven previous true crime books and the creator of the highly acclaimed Sarah Armstrong Mystery series. Casey has appeared on Oprah, Oprah Winfrey’s Oxygen, Biography, Nancy Grace, E!, truTV, Investigation Discovery, the Travel Channel, and A&E. Casey is based in Houston, where she lives with her husband and their dog, Nelson.
By Basil Sands
Edgar-nominated Diane Fanning is the author of six novels in the thrilling Lieutenant Lucinda Pierce series. The inspiration for her fiction is firmly rooted in her writing experience with another genre, true crime. SLEEP MY DARLINGS, her twelfth non-fiction book, is a journey into the darkness of a mother’s heart.
She’s here today to talk with us about her new book, and her work in general.
Describe your new true crime release, SLEEP MY DARLINGS, for us.
SLEEP MY DARLINGS is the tragic story of the death of teenagers Calyx and Beau at the hand of their mother, Julie Schenecker. Julie was an accomplished 50-year-old woman, star of her university volleyball team and an army Russian intelligence analyst during the Cold War. Married to Colonel Parker Schenecker, still in a military intelligence unit, they lived with her two children in an upscale community in North Tampa, Florida.
The book explores the essential questions behind the crime. Did Julie Schenecker commit the double homicide of her children because of a lethal combination of severe mental illness and substance abuse? Or did she pre-mediate the crime, knowing exactly what she was doing? Is she deserving of mercy or is she just another cold-blooded, heartless murderer?
Murders come in all shapes and sizes, whether in fact or in fiction, and the motivations of killers can be as varied as the crimes they commit. Getting inside the head of a real-life murderer is an essential part of creating a believable fictional character, but that’s a task easier said than done. After all, few writers have an opportunity to sit down with a killer and chat. For everyone else, author R. Barri Flowers offers the next best thing.
THE DYNAMICS OF MURDER: KILL OR BE KILLED, the prolific author’s most recent effort, is part criminology text and part true crime book. It’s “an indispensable sourcebook for anyone interested in American homicide, from law-enforcement professionals to armchair criminologists,”according to Harold Schechter, Professor of American Literature and Culture at the City University of New York’s Queens College and a bestselling author of both fiction and non-fiction in his own right.
It’s also a guidebook of sorts for authors who want to probe the minds of people who kill others.
By Ian Walkley
MASTERS OF TRUE CRIME: Chilling Stories of Murder and the Macabre is a true crime anthology, edited by bestselling crime writer R. Barri Flowers and published by Prometheus books. It features seventeen spine-tingling stories by award-winning and bestselling true crime writers, including ITW member and forensic psychologist Katherine Ramsland, Edgar Award winner Burl Barer, Harold Schechter, Carol Ann Davis, Ronald J. Watkins, Amanda Lamb, Robert Scott, and Michele McPhee.
Steven A. Egger, PhD, associate professor and chair of the Criminology Program at the University of Houston, describes MASTERS OF TRUE CRIME as: “Written by a talented and gifted group of writers. In my opinion, this book should be a mandatory purchase and read for any true crime buff. It is, indeed, an exceptional collection of true crime stories.”
By Jeff Ayers
Kathryn Casey’s 7th true crime book, DEADLY LITTLE SECRETS, explores the Matt Baker case out of Waco, TX. Matt was a Baptist minister, and was convicted of murdering his wife, Kari, and staging it to look like a suicide. At the time, Matt was having an affair with the music minister’s daughter, a beautiful young blonde named Vanessa Bulls. In the end it became apparent that Matt Baker had never been the man he pretended to be. He’d been living a double life since college: a man of God who preyed on women.
By Amy Shojai
Twenty-three years ago Cathy Scott worked as a secretary at Pacific Bell. “No offense to big corporations,” Cathy says, “but they have a tendency to kind of suck the passion out of you. I always wanted to be a writer and I saw that slipping away from me.”
So Cathy quit her day job and took a buyout to fund her leap of faith. “People told me I was nuts,” Cathy says. She lived lean like a poor college student for the next two years, got her degree, and wrote for anyone who would have her. As she gathered clips, Cathy set a goal to land a job with a daily newspaper in five years. She made it in 3½.
“The Las Vegas Sun offered me a job,” Cathy says. “Then Tupac Shakur was killed on my watch, and that was my first book—THE KILLING OF TUPAC SHAKUR.” Her second book, THE MURDER OF BIGGIE SMALLS, further established her as a bestselling true crime writer.
Gary C. King’s Rage tells the story of Darren Mack, a man who had it all. A Beautiful home in Reno. A lovely wife. Three children. And a million-dollar business. Then his wife Charla filled for divorce, winning a large settlement in a heated courtroom battle.
According to friends, Mack was ‘angry’. They had no idea how far his fury would take him. Over the next year, the rage only intensified. Finally, Darren Mack snapped, stabbing and killing his ex-wife in her condo. Hours later, he stalked and shot their divorce judge in broad daylight.
In the new book THE MEASURE OF MADNESS-Inside the Disturbed and Disturbing Criminal Mind (Citadel Press/July 2010), forensic psychologist Dr. Cheryl Paradis draws back the curtain on that fascinating world and revisits twenty-one of the most intriguing, puzzling, and challenging cases she has handled in her multifaceted, twenty-five year career including that of a battered woman, a psychotic arsonist, an accused cannibal and a wide range of liars. Paradis relays these real-life whodunits with much of the dialogue relayed verbatim from her records and presents a compelling account of the relationships between mental illness and violence, innocence and guilt, criminal and victim, and individual and society.