In the not-so-distant future, an explosion on the moon generates a world-crippling electromagnetic pulse. Tensions between the US and China mount to an all-time high, as the two countries begin a renewed space race to discover what tore a huge gash into the moon’s surface. Renegade archeologist Dr. Elias Zell and his protégé, Alan Donovan, join NASA astronauts and train for the trip that could finally answer the question of whether we are alone in the universe. International conspiracy and intrigue force cooperation between the superpowers to give the mission any shot at success. For Donovan, completing the mission will give him closure with his father, a disgraced former astronaut from the Apollo program, as well allowing him to be first on an earth-shattering discovery that will change mankind forever. This fast-paced read will keep readers engaged to the final twist and turns as the conspiracy unfolds. Mari and Brown’s first SF collaboration is a good pick for those new to the genre as well as more seasoned readers.
Authors Christopher Mari and Jeremy K. Brown recently spent some with The Big Thrill discussing their novel, OCEAN OF STORMS:
What do you hope readers will take away from this book?
Christopher Mari: The fact that people have in the past and can in the future work together to successfully complete ambitious projects. We did it before—in abolishing slavery, in World War II, in curing polio, during the Civil Rights movement, landing on the Moon. And I genuinely believe we can do great things again if we set clear goals and apply ourselves.
Jeremy K. Brown: I second what Chris said and would add that the book is a reminder that we are all in this together. From coming together to return humans to the Moon to facing the future together with hope, optimism and a better plan for humanity, the book illustrates that we are all united and this little ball of mud and rock is all we’ve got. So we’d better make our stand here and make it count.
By David Healey
H.W. “Buzz” Bernard has just the sort of resume you might expect from an author of weather-related disaster thrillers. He has a degree in atmospheric science, spent a career in the Navy as a weather officer, was a senior meteorologist for The Weather Channel, and has gone in search of tornadoes with professional storm chasers. He has even flown into a hurricane aboard a hurricane hunter, an experience that helped prompt his best-selling thriller, Eyewall.
Now, Bernard has decided to shake things up.
His newest novel is CASCADIA, set in the Pacific Northwest town of Manzanita. The plot focuses on Dr. Rob Elwood, a geologist who makes a startling prediction. Not only will a cataclysmic earthquake strike the region once again, but the event will be followed by an epic tsunami. Elwood knows this from his study of the geological record, which indicates that another “big one” is on the way.
Elwood puts his career, and even his marriage, on the line by making a very specific prediction: disaster will strike the Cascadia Subduction Zone over the busy July Fourth weekend.
The scariest part of the story may be that Bernard’s book, like his others, is based on fact.
“I try to stay within the realm of possibility,” Bernard explained.
Much of CASCADIA is based on current geoscience, he said, which points toward a natural disaster much like the one imagined in those pages.
“Unfortunately, that is a worst-case scenario that is going to happen someday,” he said. “When it happens, it’s going to be the worst natural disaster in the United States.”
By Dawn Ius
Meet Addison Gunn. Military genius. Recluse. And a real tyrant. But, of course, completely fictional.
Gunn is the shared pen name of Anne Tibbets and Malcolm Cross, the co-authors of a thrilling new science fiction series featuring jaded military recruit Alexander Miller. In EXTINCTION BIOME: INVASION, Miller and his men are pulled into service to stop a deadly parasite that is infecting humans, and threatening to destroy the Earth, one eco-system at a time.
EXTINCTION BIOME: INVASION is bloody (really bloody!), action-packed, and science fiction at its finest—everything I’ve never loved in a novel. Until now. This month, Anne Tibbets talks to The Big Thrill about writing for a tyrant to co-write a thrilling military sci-fi that grabs you from the first page and doesn’t let go until the very bloody end.
I really enjoyed EXTINCTION BIOME—but wow! I can’t even imagine all of the research that went into this book. What safeguards have you put in place to insure the government isn’t tracking you?
I’m fairly certain the governments of the world have Malcolm and I on some sort of watch list someplace, given the extensive and troubling research that was involved in preparing and writing EXTINCTION BIOME.
I am a huge fan of military sci-fi, but I’m no expert and have no personal experience in battle, so I tried to research every detail—from the parts of the weapons, to the number of rounds it carried, to battle strategy, technology and the advancements happening in that field, as well as coming advancements in medical research, touching on parasites, insects, and cult psychology. Given all those Google searches, and all the reading material delivered to my house, I don’t blame the government for keeping a close watch on me. The good news is, I have nothing to hide. So although I should probably be more paranoid, like “Addison”—I mean, Addison is completely off the grid—I’m assuming once the book is released the government will realize I had a theoretical curiosity and not a practical one.
By far the grossest part of the research was the discovery of orange oil as an insect repellent, and the medical research I did on the application of said oil to the brain. That scene made me physically gag when I wrote it. I’m not going to apologize however—looking back now, it might be my favorite.
Harnessing Dangerous Technology for a Thriller
By J.H. Bográn
In one of Casino Royale’s most memorable quotes, Vesper Lynd tells Bond: There are dinner jackets and dinner jackets, this is the latter. The same principle applies to book series. There are book series that cite the previous entries almost on every page, and then there are book series—like Jon McGoran’s DUST UP—that are a joy to read and that stand on their own without depending on the early books. DUST UP is the third entry in the Doyle Carrick series and this time trouble literally comes knocking to his door.
Ron Hartwell, a complete stranger, is dying on Doyle’s doorstep. A halfhearted investigation labels the murder a domestic dispute, with Miriam, Ron’s widow, the sole suspect. When Doyle discovers the Hartwells both worked for a big biotech company, he suspects something else is going on, but it’s not his case. Miriam tracks him down and tells him her story, landing them in Haiti. Working with Miriam, he must untangle a web of deceit and unconscionable corporate greed in order to stop an epidemic of even greater evil before it is released on the world.
The Big Thrill had the opportunity to catch up with McGoran about his new book.
What can we expect from Doyle Carrick on this new adventure?
It’s definitely the same Doyle Carrick, but the action unfolds on a bigger stage, the issues he is confronting are more expansive, and the events of the first two books, and this one, are weighing on him. His awareness of larger forces around him has grown, and his world view is changing. He’s seeing things on a bigger scale and losing what little patience he has with the smaller scale BS he has to deal with on a day to day basis.
Alien Life in Manhattan? Get Ready!
If you’ve ever wondered whether intelligent life exists on other planets, THE ORION PLAN may well convince you that it does. This heart-stopping, page-turning thriller tells a story that feels not only possible, but terrifyingly probable.
Mark Alpert is a contributing editor at Scientific American and an internationally bestselling author of science thrillers such as Final Theory, The Omega Theory, Extinction, and The Furies. In THE ORION PLAN, he has crafted a fascinating cast of characters whose vast differences would prevent their paths from crossing on an ordinary day. But the arrival of a space probe in the heart of Manhattan is anything but ordinary. A homeless drunk, the head of a street gang, and a discredited scientist will be forced to draw on inner reservoirs of strength to find a way to prevent the destruction of the human race.
Your protagonist, Joe, is a deeply flawed character—a throwaway of society. How did he develop?
It was a process of elimination. The premise of THE ORION PLAN is that the most probable alien visitor to our planet would be a small automated space probe, about the size of a bowling ball, because it would be prohibitively difficult (even for the most advanced alien civilizations) to propel a larger spacecraft across the vast distances between the stars. I wanted this alien probe to land in a part of Manhattan where its arrival might go largely unnoticed, at least at first.
The only places in Manhattan where this could happen are the steep, wooded slopes of Inwood Hill Park at the northern tip of the island. And so the first person to stumble upon the small probe would most likely be one of the homeless people who bed down on those slopes in the summer. I imagined Joe as an alcoholic because many of the homeless people in the park have substance-abuse problems, and then I started thinking about why Joe became an alcoholic. Where did he come from? Does alcoholism run in his family? (It often does.) What setbacks in his life caused him to start drinking heavily? And does he have any hope of overcoming his addiction? Answering those questions helped me develop his character.
All of your main characters are disenfranchised in some fashion. Is there a message you wish to convey by using such paradigms?
I like to write about disenfranchised characters because they usually want something badly. Joe wants to beat his addiction and get his old life back. Emilio, the gang member, feels like he’s been screwed by society, and so he wants revenge. Dorothy, the dying minister, wants to understand why God has given her such a raw deal. And Sarah, the NASA scientist, wants to make a discovery that will restore her reputation and change the world. Because the characters have strong desires, they can move the plot along at a fast clip.
THE SAVANTS is Patrick Kendrick’s first foray into Young Adult thrillers. The book is a techno/political thriller and Kendrick usually writes gritty, crime sagas. But, the author tells us, it has one element common to all of his books: a conspiracy. He answered a few questions for The Big Thrill.
THE SAVANTS seems like a big departure from your other works, including the recently released noir thriller, Acoustic Shadows, released by HarperCollins this summer. Tell us how the book came about?
Honestly, the book came about because I wanted to write something my own teenagers could read. My first three books contain significantly graphic violence. I encourage reading among young people and often go to elementary schools to promote reading. I usually hand out comic books to inspire the children to read, many of whom have no other resource. But, given the nature of my work, I am not comfortable promoting my own books to young people. When I won the Florida Book Award for my first book back in 2008, I promised my sons I would write a book that they could read. THE SAVANTS was always a techno/political thriller but in the first drafts the characters were a little older and I could see myself going down the same path I usually do. I realized with the nature of the plot, characters using their intellect to resolve a catastrophic crisis, readers would have to be more flexible with their beliefs in wondrous achievements. Young adults are more willing to do that, to believe in things that are beyond their scope of normal learning. The book is about faith, believing in people who do not seem capable of extraordinary achievements, and believing in those forces in nature that are speaking to us if we only know how to listen. It’s a very positive message disguised in the form of a thriller. Young adults are not jaded yet and are more willing to accept miracles and believe in the underdogs.
Yes, the story’s main heroes are people who are typically outcasts, gifted but with undeveloped social skills. Can you tell us more about them?
Michael Ransom’s THE RIPPER GENE, as strongly suggested by its title, is the fictional existence of a pattern of DNA that indicates someone has the potential for extreme psychopathy.
The reader is guided through the story by the protagonist, Lucas, who is not your average sleuth, but an FBI profiler with a scientific background—expect to come across scalpel-edged forensic and medical detail.
The entire backdrop of the novel cleverly forms a sinister commentary on the nature of a killer: is murder a biological predisposition, beyond conscious control? Pretty dark stuff, but more fascinating as a result.
Ransom’s clever writing manages to impart more emotions beside those of the spine-tingling variety. Early on in the book, there is personal loss, which adds a layer of sadness that helps to develop the main character’s motivation. Anger also abounds, along with resulting profanities; for some there may be a little too much heated language, but for others this may positively add realism, tension, and grit.
The book will make you think, which I strongly suspect is the author’s intention, seeing as he is a man of science and reason. Fortunately, a gene for murder doesn’t really exist—unless the author knows something we don’t…
I was lucky to speak to him about the creation of the book and his entry into the world of thriller writing.
Growing up in the 1960s, I enjoyed watching science-fiction TV, like Land of the Giants, The Time Tunnel, and especially The Invaders. Those shows gave me everything I wanted. They took me to another world filled with adventure and thrilling escapades.
In the 1970s, I started reading science fiction instead of just watching it on TV. I loved books like The Forever War, Dune, and The Stand. They had the adventure I longed for, but they also portrayed larger-than-life battles that pitted good against evil.
Then one day I checked The Andromeda Strain out from the library. It was about a microorganism from space that invaded our world. I loved it. A few weeks later I borrowed The Terminal Man, and then Congo. Michael Crichton became one of my favorite authors. His books made my body tingle with fear, but I couldn’t figure out why I felt that way.
I later realized there’s a fundamental difference between science fiction and science thrillers—real science.
I’d venture that many science fiction writers are futurists who like to explore the possibilities of tomorrow. Crichton, and today’s top science-thriller writers, explore what is scientifically possible, here and now.
After writing two standard thrillers of my own, Pursued and Deadly Cult, I longed to explore the scientific aspects of the thriller, stories and plots that that would make my reader’s mind reel with what was possible. In this world. Today.
I think on some level, we all believe we’re going to live forever. There’s a kind of mental block we share that keeps us from looking too far down to the end of that road.
I’m not exempt. I’ve always had a suspicion in the back of my mind that I would outlive everyone I loved, that I would survive as everyone around me passed on. Then I held my newborn daughter in my hands. At that moment, it dawned on me that my clock was ticking faster than hers, and that she would see a world that I could only imagine.
That’s why I wanted to write what would become THE ETERNAL WORLD. There’s nothing like the prospect of your own mortality to get you thinking about eternal life.
In the book, the three main characters are all given a chance to sample the water from the Fountain of Youth. In 1527, a young conquistador named Simon stumbles upon the Fountain and the Native American tribe, the Uzita, who guard it. He betrays Shako, the woman who loves him and saves his life, and as a result, her entire tribe is slaughtered. Almost five centuries later, when the water runs out, Simon hires a brilliant researcher named David Robinton to duplicate it. David is faced with the greatest medical triumph of all time, if he can make it work. He could cure death itself—but only if he survives the centuries-old battle between Simon and Shako.
I’ve been very lucky: I’ve had very little direct experience with death. Aside from my grandparents, I haven’t lost anyone I love. And even my grandparents held on long past any reasonable expectations. My grandfather made it to 90 despite heart attacks and a broken back. My grandmother made it to 93. My father is still hammering up drywall in his seventies. My mother does more before breakfast than I manage to accomplish in an entire day.
A scientist’s outlandish claims about the true nature of reality are initially met with cynicism by former colleague Jacob Kelley, until darker events unfold that force Jacob to take them seriously as he is thrust into a frantic dual reality where he is both the accused and the investigator.
SUPERPOSITION is cleverly written to reflect the quantum world, with parts separated and yet entangled in alternating chapters. This is a truly fascinating approach to thriller writing, allowing the reader a wonderful double view of the entire situation. For example, the story allows us to examine the protagonist’s development in two parallel settings, each providing different challenges to be overcome and thus causing divergent effects.
The story’s strength lies in its ingenious structure that neatly unfolds against an impressive backdrop of science. But fear not, this is no academic quagmire, but a readily digestible thriller.
So, if you are looking for a unique spin on a murder thriller, this could be the one for you—or your quantum twin.
Now, I will hand over to the author David Walton as he answers my questions about the book, the writing process, science, and science fiction.
By Amy Lignor
When it pertains to words and visuals, Eric Red has written and directed projects that have become memorable to many generations. People lose themselves in his heart-racing worlds of action, horror, and sci-fi—plots that cause pulse rates to beat out of control. A creative marvel, Eric knows what delivering goose bumps is all about, and now he has brought a new book to the scene—IT WAITS BELOW—that’s yet another notch on his ‘genius belt’ that will have audiences engaged and engrossed until the final page has come and gone.
Today, we’re lucky enough to speak with Eric Red about his string of accomplishments, and delve into an imagination that simply doesn’t stop.
Let’s begin with the mass question: movie directing, novels, screenwriting, comics… Do you sleep and, if so, where do you get all these incredible ideas?
I sleep very well, actually. And my wife tells me nothing wakes me up. It’s hard to say where ideas come from. I’ve gotten film and book ideas at the market, taking a walk, playing with the dog—almost always doing some ordinary everyday thing.
As a young man, how exactly did you begin this creative path?
I was a total movie, book, and comic geek as a child. Movies, mainly. I dragged my folks to every genre movie that came to drive-ins in Philadelphia or Times Square in New York City…the two locations where I grew up. I also spent all my spare time at stores that sold film stills, comics, and paperbacks. That was before the days of VHS, let alone DVD or Netflix, so if you were a young horror movie fan like me, you purchased fifty-foot 8MM selected scenes of monster flicks and ran them on projectors; or, watched whatever they showed on late night TV.
By Dan Levy
For nearly forty years, Jonathan Maberry has created fiction as a catharsis for himself (at least at first), a mirror for his readers, a microscope for the human condition, and, at times, to offer a laugh that uncorks the pressures of everyday life. He has built a career that includes titles such as author, anthology editor, comic book writer, magazine feature writer, playwright, content creator, and teacher/lecturer. Among his many accolades are New York Times bestselling author, multiple Bram Stoker Awards, and being named one of Today’s Top Ten Horror Writers. With literally thousands of works to his credit, we wanted to learn more about him and his latest novel FALL OF NIGHT.
Why do characters like vampires, zombies, and other supernatural beings continue to find themselves at the center of your writing?
Zombies represent a massive shared threat—something so comprehensive that it destroys the infrastructure. Everything we rely upon is gone, no help is coming, and we have had our affectations stripped away. What remains, then, for the story is an exploration of people in a crisis. That’s pretty much the core of drama. Because the zombies have no discernible personality—certainly none that impact the story—they serve as the threat that propels the action without drawing attention away from the human experiences of the characters. On a canvas like that you can paint any kind of story, and because the monster is easy to understand, it allows the reader to “get” the level of threat without becoming otherwise distracted.
For those who read and write about the living, what unique opportunities does writing about the supernatural give you? What challenges does it present?
The supernatural speaks to our core beliefs, the primitive within the shell of the civilized person. Whether we’re talking about the darker aspects of world religion (and remember, demons and Satan come straight out of the Bible), or beliefs in ghosts, vampires, witches, and so on, these are things our ancestors believed. In many cases they’re things people believe today. Even the most skeptical of us wonder if there is a larger and much more complex world than what is concrete and measurable. So telling tales about this larger world is an actual connection point.
The challenge in writing about the supernatural and unnatural is to make it interesting to modern, sophisticated—and yes, even jaded—readers. That’s why most of my fiction is built on a scaffolding of 90% realism. That allows the reader and me to get in agreement on many things, so when I open a door to let something fantastical in, the reader is already in the room with me.
By Basil Sands
Ladies and Gents, may I introduce to you Jon McGoran and his newly released Eco-Thriller, DEADOUT.
If you are worried about genetic modification, transgenics, cloning, irradiation, and the release of genetically engineered foods into the environment may become a nightmare for the world, rest assured Jon’s got enough real life science mixed with heart pumping action to make your fears leap off the page, then get clobbered.
Jon, tell us about DEADOUT.
DEADOUT is the sequel to my previous novel, DRIFT. It’s a biotech thriller about genetically engineered foods and Colony Collapse Disorder, which is killing the world’s honeybees. Detective Doyle Carrick is visiting his girlfriend Nola, who is working on a farm on the island of Martha’s Vineyard, and something mysterious starts killing the island’s bees. A biotech company brings in genetically engineered bees that are supposedly immune to Colony Collapse, dividing the island’s farmers. As the protests turn violent, Doyle realizes the bees aren’t the only thing being modified, and he has to figure out what’s really going on and stop it before it can spread to the mainland, and the world.
When folks think of thrillers, they easily conjure up pictures of terrorists, spies, cops, and even mad-scientists, but seldom do they think of food, and bees even less. How did you land on this topic as a thriller plot?
Thrillers have always drawn on real threats to make their plots more compelling—Nazis, the cold war, terrorists. Today, I see the dangers to our food systems and the environment—and the corporate misbehaviors that aggravate them—as serious and potentially existential threats. And whereas the public has often perceived threats like terrorism as greater than they really are, in these areas, I think the danger is actually under-perceived. Hopefully, the fact that the scary and dangerous issues in DRIFT and DEADOUT are also real will make the dangers encountered by the characters in the books seem more real, as well.
By John Raab
A BETTER WORLD is the second book in Marcus Sakey’s Brilliance Saga series, with his newest character Nick Cooper.
Marcus was born in Flint, Michigan, and attended the University of Michigan. He mentions that he had two majors, both promptly ignored. He spent ten years in advertising and marketing, which gives him the perfect experience to write about thieves and killers. He is the writer and host of HiddenCity, which can be seen on the Travel Channel.
Other books by Marcus include BRILLIANCE, the first book in the new series, as well as THE TWO DEATHS OF DANIEL HAYES, THE BLADE ITSELF, ACCELERANT, THE GOOD PEOPLE, and THE AMATEURS.
THE BIG THRILL was lucky enough to catch up to Marcus and ask him some questions.
What can you tell us about A BETTER WORLD that is not on the back cover?
The Brilliance Saga is the story of an alternate present, a world very much like ours with one fundamental difference: since 1980, one percent of the population has been born with exceptional abilities, akin to savants. Many of the talents aren’t much more than curiosities—able to instantly multiply huge numbers, or play perfectly a song heard only once. But some of them are world-changing, capable of spotting patterns in the stock market, or reading your darkest thoughts from body language.
But this isn’t a superhero novel; to me, the brilliants aren’t the point. The point is how the world reacts to them. What would happen if one percent of the population was objectively better than the rest of us? How would society adapt, or fail to adapt? Would we become dependent on them? Would we enslave them? Would they, in fear for their own safety, work against us?
By Linda Davies
Linda Davies explains how she got the ideas that collide to make her novel ARK STORM, and the fascinating and terrifying true-life science behind it.
What if you could control the weather?
Some years ago, I lived in Peru. Every so often I would escape the mayhem of Lima for Punta Sal, a little fishing village on the border with Ecuador. Hemingway used to fish there for marlin. Framed photographs of him grinning beside his huge catches adorn the walls of the ramshackle bars.
I went not to fish but to swim in the sea, body surfing the huge Pacific rollers. Normally you could only stay in for ten or fifteen minutes without a wetsuit because the Humboldt Current kept the waters cold, but one Christmas, the waters were balmy. I stayed in for two hours, marveling at the difference. El Nino had come, bringing with it warm waters. That’s where it is first felt, in the seas off that remote and under-populated border. Typically, the Nino phenomenon is felt around Christmas time and hence acquired its name—El Nino—the Christ Child.
The fishermen’s children, playing in the unusually warm waters, knew El Nino had come. As did I. But none of the world’s media seemed to have picked up this event, and did not do so for months.
It made me think, what if you or your business had a superior weather prediction system to the competition? With my financial background, I next thought, you could make out like a bandit using weather derivatives. It planted the seeds of a novel. It was a good idea, but not the big idea.
As a thriller writer, I’m always on the lookout for a real-life factual nugget around which I can spin a tale.
By Josie Brown
If A. J. Colucci’s latest novel, SEEDERS, is anything, it is timely, especially with scientists’ latest warnings that human-induced climate change will cause even further extinction of both animal and plant life as we know it.
Colucci uses this conclusion as the starting point for a scientific thriller that has the most unusual villains. Then again, if the goal is to stop the destruction of life on Earth, who is the “bad guy?”
Colluci’s answers will surprise you.
You are living proof that if a steady diet of horror movies and a career as a science journalist doesn’t prepare you for writing this kind of thriller, then nothing will. Still the premise of this book both surprises and horrifies. How did the concept of SEEDERS come to you?
As a small kid, I pulled an Alfred Hitchcock anthology off my mom’s shelf. It was a bunch of scary short stories that were not age appropriate, but my mom didn’t care what I read as long as there was a book in my hands. One of the stories was The Sound Machine by Roald Dahl, about an engineer who invents a device that allows him to hear high-frequency sounds, including the scream of a rose as its being cut by a neighbor. It was so damn frightening and changed the way I thought about nature. So a few years ago, while I was surfing the web and read about all the new breakthroughs in plant signaling, I knew that was going to be my next book.
DUALISM continues Bill De DeSmedt’s exploration of scary science and near-future developments in artificial intelligence and quantum computation. Author and futurist Vernor Vinge calls the book, “An exciting tale of another path to superintelligence.”
When the six-year-old daughter of a billionaire industrialist is kidnapped, ueber-consultant Jonathan Knox and counterterrorism agent Marianna Bonaventure must team up with an experimental artificial intelligence to rescue her, never suspecting the little girl is the key to a plot that could destroy the NSA’s most advanced cryptanalysis capability—and go on to kill every man, woman, and child in the United States.
Tell us something about DUALISM that isn’t mentioned in the publisher’s synopsis.
Okay here’s something almost nobody knew (till now): When I first started to write DUALISM, I had only two short scenes in mind. I knew they both had to be in the book, although I couldn’t figure out where in the book they should go. All the rest of the writing was really about trying to tie those two scenes together.
(Readers: you’re welcome to guess which two scenes those are, and what’s more to email your guesses to email@example.com. The first reader to write in and correctly name the chapters and scene numbers for those two literally seminal scenes will win a coveted ticket to join me at the FanFest party being held during this year’s ThrillerFest. For details, see my website.
By A.J. Colucci
Think science thriller, and you think Douglas Preston. His masterfully crafted, heart-pounding stories take readers slightly past the cutting-edge of science into terrifying “what if” scenarios that sometimes beg the question; do we really want to go there? The latest novel in his Wyman Ford series, THE KRAKEN PROJECT, delves into the world of Artificial Intelligence and the possible consequences of machines outsmarting humans.
Doug began his career as an editor at the American Museum of Natural History in New York, which led to RELIC, his first best-selling novel with co-author Lincoln Child. Since then, Doug has authored twenty-six books, nonfiction and fiction, several of which have been #1 NEW YORK TIMES bestsellers. He continues an active career in journalism, contributing to THE NEW YORKER, SMITHSONIAN, NATIONAL GEOGRAPHIC, HARPER’S and THE ATLANTIC. His most recent nonfiction book, THE MONSTER OF FLORENCE, is being made into a movie starring George Clooney.
In THE KRAKEN PROJECT, former CIA agent Wyman Ford becomes trapped in a technological nightmare after NASA builds a probe to be splashed down in the Kraken Mare, the largest sea on Saturn’s great moon, Titan. The probe has been outfitted with artificial intelligence software, but miscalculations lead to a catastrophe during testing and the software, nicknamed Dorothy, flees into the Internet. Ford gears up to track down Dorothy, but realizes that her horrific experiences in the wasteland of the Internet have changed her in ways he can barely imagine. Traumatized and angry, Dorothy devises a plan. As the pursuit of Dorothy converges on a deserted house on the coast of Northern California, Ford questions whether saving Dorothy is the right thing to do. Is the AI bent on saving the world—or on wiping out the cancer that is humankind?
By A.J. Colucci
Just try to take a breath while reading CODE ZERO, Jonathan Maberry’s latest novel in the Joe Ledger series, a high-octane suspense thriller that pulls you in from start to finish and never lets up on the action. Maberry is a master at weaving complex, yet tightly woven stories that are full of larger-than-life characters, fascinating science, and the vilest villains.
In CODE ZERO, the Department of Military Sciences has been fighting for years to stop terrorists from using radical bioweapons—designer plagues, weaponized pathogens, genetically modified viruses, and even the zombie plague that first brought Ledger into the DMS. These terrible weapons have been locked away in the world’s most secure facility. Until now. Joe Ledger and Echo Team are scrambled when a highly elite team of killers breaks the unbreakable security and steals the world’s most dangerous weapons. Within days there are outbreaks of mass slaughter and murderous insanity across the American heartland. Can Joe Ledger stop a brilliant and devious master criminal from turning the Land of the Free into a land of the dead?
Switching gears has worked very well for Jonathan Maberry, who has written everything from plays to comic books to greeting cards. He’s a New York Times bestselling author of eighteen novels and a four-time Bram Stoker Award winner. Besides the Joe Ledger thrillers, he also writes the Rot & Ruin series, the Nightsiders series, the Dead of Night series, and the Watch Over Me series; as well as the monthly comics V-WARS and ROT & RUIN. Two of his novels are in development for film, and another for TV. He teaches Experimental Writing for Teens, is the founder of the Writers Coffeehouse, and co-founder of The Liars Club.
Jonathan took some time to talk about his latest book, CODE ZERO, and his prolific writing career.
By Ethan Cross
Bestselling author Jeremy Robinson has become one of the most prolific thriller writers in the world, publishing fourteen books in 2013 alone. His newest novel, XOM-B, has been described as “drawing on elements of The Wizard of Oz, Star Wars, and Sam Raimi’s Evil Dead movies” and proceeding “at a nonstop pace as former slaves survive one cliffhanger after another.” From an author who effortlessly blends the worlds of action, adventure, sci-fi, and horror, XOM-B puts a “fresh twist on the zombie apocalypse.”
Freeman is a genius with an uncommon mixture of memory, intelligence, and creativity. He lives in a worldwide utopia, but it was not always so. There was a time known as the Grind—when Freeman’s people lived as slaves to another race referred to simply as “Master.” They were property. But a civil rights movement emerged. Change seemed near, but the Masters refused to bend. Instead, they declared war. And lost. Now, the freed world is threatened by a virus, spread through bites, sweeping through the population. Those infected change—they are propelled to violence, driven to disperse the virus. Uniquely suited to respond to this new threat, Freeman searches for a cure, but instead finds the source—the Masters, intent on reclaiming the world. Freeman must fight for his life, for his friends and for the truth, which is far more complex and dangerous than he ever imagined.
Tell us about XOM-B in one line.
In a near future, post-apocalyptic world populated by freed slaves, a man named Freeman must prevent the return of “the masters” while fending off hordes of zombies and killer robots.
A down-and-out thug meets a mysterious woman, and he finds himself dragged into a war between a society of ancient witches and a rebellious faction of assassins. At stake is a genetic secret that could alter the course of human history. Alpert’s newest thriller blends science, fantasy, and action into a high-octane must read.
THE FURIES had an intricate plot with a lot of characters with competing agendas. How did you keep track of so many parts?
The novel has an unusually large number of characters because the extended family at the center of the plot—the Furies—has been multiplying for centuries. The family is very ancient indeed, dating back to the Neolithic era, and over the millennia the family’s leaders—all women—have used their accumulated wisdom to steer civilization in the right direction during times of crisis. Four hundred years ago, however, the family was nearly annihilated by the witch-hunters in Europe, who recognized that the clan was different because all their women had red hair and green eyes—the classic signs of a witch in pre-modern times. The survivors fled to America and found a hiding place in the wilderness of what is now Michigan’s Upper Peninsula. In the present day, almost two thousand Furies live in the hidden compound of the matriarchal clan, enough to populate a small town. They even have their own government and security force.
I thought it would be interesting to describe both the leaders and ordinary folks in this secret community, called Haven. And in any community this large, divisions are bound to emerge, which explains the competing agendas. But it wasn’t so difficult to keep track of all the moving parts because everything is described from the perspective of an outsider, John Rogers, the book’s narrator. John learns about the Furies in a step-by-step way; first he meets the mysterious Ariel in a Greenwich Village bar, then he and Ariel are nearly killed by the Fury named Sullivan and his band of sadistic rebels. Only later does John discover Haven and start to learn the family’s history and secrets. Structuring the plot this way made it easier to tell the story without bewildering readers.
By Don Helin
In NEW YORK TIMES best-selling author Daniel Suarez’s latest thriller, INFLUX, particle physicist Jon Grady is ecstatic when his team achieves what they’ve been working toward for years: a device that can reflect gravity. Their research will revolutionize the field of physics—the crowning achievement of a career. Grady expects widespread acclaim for his entire team. The Nobel Prize. Instead, his lab is locked down by a shadowy organization whose mission is to prevent at all costs the social upheaval sudden technological advances bring. This Bureau of Technology Control uses the advanced technologies they have harvested over the decades to fulfill their mission.
Presented with the opportunity to join the BTC and improve his own technology in secret, Grady resists, and is instead thrown into a nightmarish high-tech prison built to hold rebellious geniuses like himself. With so many great intellects confined together, can Grady and his fellow prisoners conceive of a way to usher humanity out of its artificial dark age? And can they hope to defeat an enemy who wields a technological advantage half a century in the making?
Daniel Suarez is also the author of DAEMON, FREEDOM™, and KILL DECISION. His fiction focuses on technology-driven change. He is a past speaker at TED Global, MIT Media Lab, NASA Ames, the Long Now Foundation, Google, Microsoft, and Amazon.
I had the opportunity to catch up with Daniel and ask him a few questions.
By Nate Kenyon
Patrick Lee burst onto the thriller scene in 2009 with his explosive bestseller THE BREACH, which was billed as a cross between the T.V. shows 24 and X-FILES and was compared to the works of Dean Koontz and Michael Crichton. Bestselling author Lee Child called it “audacious and terrifying—and uncannily believable.”
After two sequels, Lee is back again this year with RUNNER, the first in a new thriller series—and this one promises to be his best yet:
Sam Dryden, ex-Special Forces, lives a quiet life in a small town on the coast of Southern California. Out for a run in the middle of the night, he encounters a young girl named Rachel, who is running for her life from a group of armed men. Dryden helps her escape, and soon learns that Rachel has an ability that should be impossible, and which makes her a target for people who can move heaven and earth to find her.
The Big Thrill sat down with Patrick to learn more about the new novel and his writing life.
RUNNER begins with one of the most compelling scenes in recent memory—a man out for a run at night who encounters a young girl trying to escape from men who want to kill her. Was that scene where this story first began in your mind—your “what if” moment—or did it come later during the writing process?
In the case of this book, it really did begin with this first scene, and at the time I didn’t know where else it was leading. As I got a few chapters further along, and came up with the premise of the book, I made changes in chapter one that would hint at it. But yeah, in the beginning I just had this opening, by itself. I usually try not to outline stories; I still get a sense of where they’re going, in my head, but I really don’t write anything down. I try to let the book go where it wants to, as I’m writing it. The important counterpart to that approach, though, is that I’m constantly going back and revising the earlier material to fit any twists and turns that show up later on. So it ends up looking like the result of a fairly involved outline. I guess you could call it retroactive outlining.
A series of unexplained phenomena create shock-waves across the globe – a huge religious statue moves its arm, and there’s a spate of floods and earthquakes. Many think it’s the end of the world…
Investigative journalist Alyssa Durham receives a call from an old friend claiming that these phenomena may not be entirely natural, but when he is assassinated in front of her, she finds herself on the run for her life.
Alyssa teams up with Jack Murray, a scientist from a secretive government research laboratory, to uncover the truth. But who wants them dead, and what are they trying to protect?
As chaos descends, Alyssa and Jack are drawn into a battle against an unknown enemy with the highest possible stakes, because one thing they’ve learnt is that nothing is safe from extinction…
By A.J. Colucci
Steven James is the bestselling author of the award-winning Patrick Bowers and Jevin Banks series. James has received wide critical acclaim for his work; including two PUBLISHER’S WEEKLY starred reviews and three Christy Awards for best suspense, and was a finalist for an International Thriller Award. His psychological thriller THE BISHOP was named SUSPENSE MAGAZINE’S book of the year.
Steven is an active member of International Thriller Writers and serves as a contributing editor for WRITER’S DIGEST. Steven lives in the foothills of the Blue Ridge Mountains of Tennessee with his wife and three daughters. You can visit him on his website.
In SINGULARITY, illusionist Jevin Banks returns. This time to search for a killer – and answers to terrifying questions he never even thought to ask.
When his friend is murdered, Jevin is determined to find out what really happened. Drawn deep into a web of conspiracy and top-secret research on human consciousness, Jevin won’t stop digging until the truth is revealed. Soon he uncovers a dark secret that could change the very fabric – and future – of human life on the planet.
Based on frightening scientific realities and bristling with mystery, suspense, and intrigue, SINGULARITY is the riveting sequel to PLACEBO.
H.W. “Buzz” Bernard’s new science thriller, SUPERCELL, is his third novel and comes out this month as a trade paperback from BelleBooks.
Can you give us an elevator pitch for SUPERCELL?
Sure. And you can have your choice of the second-floor and out-the-door “quickie” pitch, or the slow-ride-to-the-penthouse pitch.
Quickie: They’ll pay him a fortune to find a violent tornado for their movie. He knows the risks all too well, but he never imagined just how dangerous the perfect storm could get.
Slow Ride: Chuck Rittenburg was the most renown storm chaser in the country until a bad decision resulted in the death of a young couple who’d paid to ride along. A decade later, broke, divorced, and estranged from his college-age children, he’s got nothing left to lose. When a film producer offers Chuck one-million dollars to help find and photograph a devastating tornado in Oklahoma, Chuck sees a chance to earn his kids’ respect again—and maybe his own.
The situation quickly becomes about more than tracking a monster tornado for Hollywood. FBI Agent Gabi Medeiros insists on riding along. A burglary ring is targeting tornado-ravaged neighborhoods, and their tactics now include murder.
With the stage set for a major heist, a deadly supercell, and a confrontation between Man and Nature on an epic scale, Chuck and his crew will be lucky to escape in one piece.
You were a meteorologist before, does that background and knowledge of weather and how it really happens come through in your writing? Can the reader assume the technical “stuff” in SUPERCELL is correct?
Absolutely. In fact, a lot of people mentioned to me how much they learned about hurricanes and hurricane hunters in EYEWALL. The same will be true in SUPERCELL. It’s not science fiction, it’s science fact . . . stretched to the extreme, of course. The chase sequences in SUPERCELL are the real deal and—ah, I can see you’re champing at the bit to ask the next question.
By AJ Colucci
Nate Kenyon brings us his latest novel, DAY ONE. A three-time Bram Stoker Award finalist and P&E Horror Novel of the Year award winner, Nate’s books have received starred reviews from PUBLISHERS WEEKLY and BOOKLIST. Two of his novels, THE REACH and SPARROW ROCK, have been optioned for film.
Nate has written several novels for Blizzard Entertainment’s bestselling videogame franchises, including STARCRAFT GHOST: SPECTRES and DIABLO III: THE ORDER. He has had dozens of stories published in magazine and anthologies including SHROUD MAGAZINE, MONSTROUS, HORROR WORLD, DEAD LINES, THE HARROW, HORROR LIBRARY, THE MONSTER’S CORNER and the upcoming DARK DUETS. You can visit him on his website.
DAY ONE introduces us to scandal-plagued hacker journalist John Hawke, who is hot on the trail of the explosive story that might save his career. James Weller, the former CEO of giant technology company Eclipse, has founded a new start-up, and he’s agreed to let Hawke do a profile on him. But after he arrives in Weller’s office in New York City, a seemingly normal day quickly turns into a nightmare as anything with an Internet connection begins to malfunction. Soon Hawke and a small band of survivors are struggling for their very lives as they find themselves thrust into the middle of a war zone—with no obvious enemy in sight.
Erin Palmer had a devastating encounter with a psychopath as a child. Now a grad student and scientist, she’s devoting her life to studying these monsters. When her research catches the attention of Hugh Raborn, a brilliant neuroscientist who claims to have isolated the genes responsible for psychopathic behavior, Erin realizes it may be possible to reverse the condition, restoring souls to psychopaths. But to do so, she’ll not only have to operate outside the law, but violate her most cherished ethical principles.
As Erin becomes further involved with Raborn, she begins to suspect that he harbors dark secrets. Is he working for the good of society? Or is he intent on bringing humanity to its knees?
“THE CURE will keep you turning the pages all night long.”
–Douglas Preston, NEW YORK TIMES #1 bestselling author of IMPACT
“Richards is a tremendous new talent. THE CURE is an extraordinarily good novel that will keep you riveted . . . and thinking.”
–Stephen Coonts, NEW YORK TIMES bestselling author of PIRATE ALLEY
Douglas E. Richards is the NEW YORK TIMES and USA TODAY bestselling author of WIRED, its sequel, AMPED, and THE CURE. He has been widely praised for his ability to weave action, suspense, and science into riveting novels that straddle the thriller and science fiction genres. A former biotech executive, Richards earned a BS in microbiology from the Ohio State University, a master’s degree in genetic engineering from the University of Wisconsin (where he engineered mutant viruses now named after him), and an MBA from the University of Chicago.
To learn more about Douglas, please visit him on Facebook.
In 1959, in an underground laboratory in a remote region of West Virginia, a secret government experiment went terribly awry. In desperation, President Eisenhower ordered the lab sealed shut and all records of its existence destroyed. Now, fifty-four years later, something from the lab has emerged.
When mysterious events begin occurring along the New River Valley in West Virginia, government agents Mike Califano and Ana Thorne are sent to investigate. What they discover will shake the foundations of science and religion and put both agents in the crosshairs of a deadly, worldwide conspiracy. A powerful and mysterious force has been unleashed, and it’s about to fall into the wrong hands. To prevent a global catastrophe, Califano and Thorne must work together to solve a biblical mystery that has confounded scholars for centuries. And they must do so quickly, before time runs out . . . forever.
By George Ebey
Author Nina Croft’s latest novel, THE DESCARTES LEGACY, blends science with thrills to bring you one of her most harrowing stories yet.
Lucas Grafton has spent the last ten years hunting the Conclave, a secret organization who took everything from him, his wife, his child, his very identity. Now he has a lead—an imminent terrorist attack on London—codenamed Descartes.
Born with a genetic illness, Jenna Young has always known she is different. Then the unexpected death of her father catapults her into a world of murder and terrorism. To stay alive, she must solve a twenty-five year old mystery—her only ally, a hard bitter man in search of retribution, her only clue—Descartes.
When Luke’s need for revenge collides with Jenna’s hunt for the past, together they must stand against the Conclave, and in doing so uncover the truth behind Jenna’s illness. A truth that will make Jenna question her very humanity.
I recently caught up with Nina to learn more about what she has in store for readers of THE DESCARTES LEGACY.
Your book is a thriller with science at its core. How did you approach blending both themes into one story?
I think thrillers and science blend together naturally. Advances in science, whether in medicine, bio-weapons, cloning or whatever can be a great source of suspense and conflict for a story and this is definitely the case with THE DESCARTES LEGACY. The book also has a hint of science-fiction, which means I had limitless possibilities. Once I’d decided on the central idea, then the hardest thing was deciding which of those possibilities to go with.