Sometimes you get lucky. You come up with a pretty good idea for a novel, something you think is a little different, a little interesting, a little exciting, and possibly a little relevant. You spend a year working on the manuscript, and then there’s another chunk of time waiting for your agent to sell the book—maybe six months or so—and then it’s another nine months to a year before the book finally hits shelves.
And here’s the lucky part: In that time the subject you’re writing about, the thing you thought was a pretty good idea, possibly relevant and kind of under the radar, suddenly becomes front-page news and now you’re not behind the wave, you’re not ahead of the wave, you are the wave. And it’s a big wave—so big that people who don’t know how slowly publishing tends to move might think you simply took advantage of a wave everyone knew about.
“How much time do I have left to live?” asked the man.
“We’ll tell you when to die,” was the reply to his question by his handlers.
Once, he had engineered the election of the first black American President. Now, the year is 2016. The Presidency is up for grabs, again. After eight years of the oblivion, he is back to prevent losing it to an outsider. Just like before, death, destruction, and a trail of assassinations follow him.
This time, it hits close to home. When the man learns that his KGB handlers are after an innocent young woman, he sets out to save her life. Soon he finds that she too joined the assassin’s trade to avenge the deaths of her own.
There was no need for the meddling. It has been going on much longer than most people realize.
The novel is a sequel to The American Deluge, published in 2014.
The Big Thrill spent some time with author Uri Norwich discussing his latest novel, THE AMERICAN DOSSIER:
Jeffrey Layton continues his Yuri Kirov military thriller series with book three, THE FAITHFUL SPY—a tale of intrigue, double-cross, and of course, submarines.
And who better to write about submarines and underwater warfare than a professional engineer who is an expert in waterfront and coastal engineering? Layton uses his expertise in diving, yachting and offshore engineering to bring submarine espionage and warfare to life.
A Russian spy disappearing within the United States. Double-agents from Russia and China. An American woman caught in the middle. How could a story be more relevant in today’s climate?
Layton says, “The present tension between the United States and the Russian Federation is an integral element of THE FAITHFUL SPY. Russia remains exceedingly dangerous and has embarked on an aggressive plan to regain its status as a military superpower. Perhaps even more dangerous… the People’s Republic of China has emerged as both an economic and military rival to the United States.”
What makes THE FAITHFUL SPY (and The Good Spy series) so different from other military thrillers? According to Layton, it’s because “the protagonist… is a Russian naval intelligence officer.”
As a result, we get to experience political turmoil and military strategy from the perspective of a non-American. Yuri Kirov, disillusioned with Russia because it abandoned him after a failed mission, is living as an American, alias John Kirkwood, and works as a consultant at Northwest Subsea Dynamics, part of Cognition Consultants, an American world-class IT company. Not only has he built a new life, but he’s also created a family with American Laura Newman—Chief Operating Officer of Cognition Consultants—and her infant daughter.
By Azam Gill
The moral dilemmas that bind the suspense and action in Charles Kowalski’s THE DEVIL’S SON will keep the reader awake long into the night.
A United States Secret Service agent faces a conflict of interest between protecting the presidential candidate and respecting the findings of the Nuremberg Trial which upheld the call of conscience over blind obedience. Somehow, he must decide whether his professional commitment is an infinite moral value or subject to his conscience.
The agent has probable cause to believe that his principal is the son of a Nazi fugitive. It is unknown whether the candidate is repelled by or committed to his father’s affiliation. If elected president, is he liable to use his powers to protect his father? Or exonerate him? Or worse still, infiltrate neo-Nazis into the highest levels of the US government?
And then, to cap it all, the Secret Service agent meets a ravishing Israeli secret agent who is determined to stop the candidate from becoming president.
The classic enemy-within theme and inner-conflict management unfold at a brisk pace, prompting several of Charles Kowalski’s peers—such as Jeff Edwards, bestselling author of Sea of Shadows and Steel—to lavishly praised his debut novel, Mind Virus: “The kind of pulse-pounding, adrenaline-pumping thriller that I associate with the best of Clive Cussler and Ken Follett.”
Hardly surprising, then, that the novel went on to win the Rocky Mountain Fiction Writers’ Colorado Gold Award, and was a finalist for the Killer Nashville Claymore Award and the Clive Cussler Grandmaster Award.
But THE DEVIL’S SON goes further than Mind Virus.
Washington, DC, 1945. Lieutenant Ellis Voigt of the Office of Naval Intelligence is desperate to keep the secrets that threaten his life. The war overseas is going well for America, but Voigt can’t escape a web of double-agents and undercover spies who follow his every move.
The FBI suspects that he is the communist who murdered a naval officer in a Washington back alley. The Soviets believe he’s holding back information from their contacts, and they’re willing to use any means necessary to extract it.
When Voigt is sent to New Mexico on a secret mission to identify a Soviet spy, he is tailed by both the FBI and the Russians, and is running out of people he can trust. As the team at Los Alamos prepares to test an atomic bomb in the desert, Voigt faces the dilemma he’s been trying to avoid: he can stop the Soviets from getting the bomb or he can save himself―but he might not be able to do both.
RIP THE ANGELS FROM HEAVEN author David Krugler took time out of his busy schedule to discuss his novel with The Big Thrill:
If you’re looking for a truly gripping work of suspense, you should check out Dan Fesperman’s SAFE HOUSES, a spy novel wrapped around a murder mystery set in Cold War-era Berlin.
The story kicks off in 1979, with a low-level CIA official discovering a cover-up that has lethal consequences. In her duties overseeing a network of CIA safe houses in West Berlin, Helen Abell overhears two unauthorized encounters. While one merely hints at a shadowy situation, the other puts her in the crosshairs of one of the CIA’s most ruthless and powerful operatives.
Helen is a capable woman but she doubts herself, mostly because she has grown accustomed to being underestimated. No surprise since she wants to be a field operative for the CIA in the late ’70s, when women were rarely offered those kinds of jobs.
“It’s easier for us to recognize her heroism and her abilities—she’s smart, savvy, bold, persistent—than for her,” says Fesperman. “If we met her at a party, we’d enjoy her subversive wit, although we might not notice her right away. She’d be keeping to the margins, a keen observer awaiting her moment.”
He’s not a supercool guy in a tuxedo or a crazed loner who does nothing but kill and drive fast. He’s just a regular guy with some skills for a job that needs doing. He also has a wife, a teenaged kid, a mortgage, and all the mundane problems associated with life.
In his latest mission, Dick is teamed with Acacia (“Ace”) Zyreb, a young female agent from the East European office of the Subsidiary, to deal with the mystery behind coordinated hacking of the braking systems of several car models.
Doing his best to maintain his vows to his wife, Dick struggles to deal with the inexperience and provocative attitude of Ace on her first non-European mission. Their somewhat combative investigation takes a left turn by uncovering a much more sinister threat to the world and to Dick’s family. He’s willing to risk his job, his partner, and his life to eliminate the threat, but the clock is ticking.
Award-winning author Donald J. Bingle discussed the latest installment of the Dick Thornby series, WET WORK, with The Big Thrill:
Jonathan Hunter, a rogue CIA consultant AWOL from his Middle East assignment, returns home to witness his brother’s horrific murder. Launched into the hunt for Kevin’s killer, Hunter stumbles into a series of horrifying terrorist attacks—all at the hands of Middle Eastern refugees—that spark a backlash across the country and threaten another war. In the shadows, Hunter’s mentor, the omnipotent Oscar LaRue, is playing a dangerous game with Russian Intelligence. All the while, neither Hunter nor LaRue understand that a new threat—the Iranian threat—has entered the game. As stakes rise, two shadowy players are one-step ahead of Hunter—Khalifah, a dangerous terrorist mastermind, and Caine, a nomadic assassin who only dances with the highest bidder. As the attacks escalate and the country drifts toward another Middle East war, innocent refugees become the victims between the terrorists and the terrorized. Prejudice, hate, and fear vent everywhere—is this who we’ve become? Before the country explodes, Hunter must find Khalifah, learn the target of the next terrorist attack, and pray he’s in time to stop it.
The Big Thrill caught up to T.J. O’Conner to gain some insight into his first thriller, THE CONSULTANT:
It’s early morning in Florida, that time before the heat really sets in, and Max Karpov, author of the political thriller THE CHILDREN’S GAME, is writing under the canopy of trees in his yard and listening to the canal flowing behind his house. A runner, traveler, and journalist, Karpov always finds inspiration from the outdoors, which is why he initially plans his books at the beach. Some of those books are for HarperCollins as part of the Bowers-Hunter mystery series, which he pens under the name James Lilliefors.
But Karpov tells me the stimulus for his latest novel THE CHILDREN’S GAME “started almost as an investigative story, with an idea. Russia’s disinformation industry and its cyber-warfare capabilities were topics that have long interested me. It seemed pretty clear four years ago, when I started researching the book, that Russia was making preparations for a war against the West that the United States, and other nations, weren’t really ready to fight. We’re in that war now.”
Since Karpov is a career journalist who is used to working with facts, I wondered where the line is between fiction and non-fiction in a novel like this.
“Much of the story is drawn from real events or, in some cases, real ‘fake’ events,” he says. “For example: when the Malaysian Airlines MH17 was shot down over eastern Ukraine in July 2014 (killing 283 passengers and 15 crew members) Russia circulated false ‘news’ stories saying the attack had been a botched attempt by the Ukrainian government to assassinate President Putin, whose plane was returning to Russia from South America that same day. In truth, of course, Russia itself has now been tied to the attack. I used those details and fictionalized them in the novel.”
By J. H. Bográn
In John Lutz’s new thriller, THE HONORABLE TRAITORS, Thomas Laker, top agent of the elite, super-secret agency The Gray Outfit, investigates the death of a long-time Washington insider. Teaming up with NSA code breaker Ava North, he delves into secrets buried since World War II in order to prevent an act of domestic terrorism. His opponent is a man of many deadly skills and disguises. And the chase extends from Hawaii to New York City, culminating in a countdown to unimaginable destruction that only Laker can prevent.
An ability to write in different crime genres is a staple of Lutz’s career, but they all have one thing in common—the books are about people doing bad things. And when it comes to the espionage genre, Lutz says his characters will be doing BIG bad things. “I’ve become interested in evil-doing on a global scale.”
Lutz likes unique heroes, both independent and self-reliant. His earlier series characters were private investigators in one-man agencies and retired cops who were so good the NYPD had to call them back to work.
Thomas Laker, the lead character of THE HONORABLE TRAITORS, fits that profile as well.
He works for The Gray Outfit, a small, super-secret agency that has more flexibility than the CIA or NSA. Its agents are experienced people with illustrious reputations in intelligence circles that open doors closed to everyone else. They work on their own, flying under the radar. Laker reports to his tough-as-nails boss, Sam Mason, but luckily Mason has as much disdain for routine methods as he does.
In a Manhattan safe house, Nora Baron—a Long Island mother and drama teacher leading a double life as a CIA operative—meets a spymaster who offers her a top-secret mission. Nora is to take on the role of Chris Waverly, a legend in the field—literally. As Nora’s handler explains, Waverly isn’t so much a person as she is an alias, a cover name shared by several American agents throughout the world. Now, a mysterious ransom note threatens these agents with exposure and certain death.
As the new “Chris Waverly,” Nora travels to Paris to trap the anonymous blackmailer. But from the start, the mission is more dangerous than she could have anticipated. She encounters secrets and lies from her own people, and she’s stalked by shadowy assassins. From the City of Light to a remote village high in the Swiss Alps, Nora follows the trail to a chilling international conspiracy—and the shocking truth about “Chris Waverly.”
USA Today bestselling author Tom Savage spent some time with The Big Thrill discussing his latest novel, THE SPY WHO NEVER WAS:
Imagine Bin Laden meets Bernie Madoff—and hold on for the ride. This is how Tim Tigner describes his latest novel, FALLING STARS.
While Kyle Achilles responds to a mysterious summons from the man who forced him out of the CIA, his former partner suffers an outlandish assault. More inventive than 9/11 and infinitely more lucrative, the attack on Jo Monfort kicks off a campaign destined to set the gold standard for clever crime.
Two distressed heroes. Three dastardly crimes. And the slickest heists of all time.
This month, Tigner took time from his schedule to answer a few questions for The Big Thrill.
Describe your start as a novelist.
I started writing my first thriller in 1996 from an apartment overlooking Moscow’s Gorky Park. I was running a major medical corporation’s Russian operations at the time—a great job—but feeling unfulfilled. That initial experiment convinced me I had potential as a novelist, but I only acted on it six years later. By then I was living in Brussels, running European operations for a blue chip corporation. My family physician wrote, “Change your job” on his prescription pad. That note led to quite an interesting discussion with my fiancée. We moved to Florida and lived off savings for the next five years while I wrote my first three novels.
In 2013, I self-published those three novels—Coercion, Betrayal, and Flash—after they spent six years collecting dust on my hard drive. I was working as the CEO of a Silicon Valley startup. If our technology had worked better in clinical trials, those novels would likely still exist only as electrons.
In 2014, the first novel, Coercion, was picked up by Thomas & Mercer, ten years after I wrote it. The validation gave me courage and confidence. I abandoned my business career to pursue my passion—for the second time in my life.
Eight years into his career with the CIA, Karl Baier once again finds himself on the front line of the Cold War. He is stationed in Vienna in the spring of 1955 as Austria and the four Allied Powers are set to sign the State Treaty, which will return Austria’s independence, end the country’s post-war occupation, and hopefully reduce tensions in the heart of Europe. But the Treaty will also establish Austrian neutrality, and many in the West fear it will secure Soviet hegemony in Eastern Europe and create a permanent division.
Asked to help investigate the death of an Austrian aristocrat and Wehrmacht veteran, Baier discovers an ambitious plan not only to block the State Treaty, but also to subvert Soviet rule in lands of the old Hapsburg Empire. Then Baier’s wife is kidnapped, and the mission becomes intensely personal. Many of his basic assumptions are challenged, and he discovers that he cannot count on loyalties, even back home in Washington, D.C.
At each maddening turn in the investigation, another layer must be peeled away. Even if Baier succeeds in rescuing his wife, he faces the unenviable task of unraveling an intricate web of intrigue that reaches far back into the complicated history of Central Europe.
The Big Thrill caught up with Bill Rapp to discuss his latest novel, THE HAPSBURG VARIATION:
By Dan Levy
Terrence McCauley recently released his seventh published work (including both novellas and novels) and the third work in his James Hicks series featuring The University. For McCauley, A CONSPIRACY OF RAVENS was a chance to stretch, as it was his first foray into a novel with multiple points of view. We had the chance to learn more about McCauley, his latest work, and his philosophies on writing.
To set the stage, what started you writing stories seven novels/novellas ago? Is that what keeps you writing today?
I’ve always been a big fan of good storytelling, whether it is movies, television or books. I got the urge to try it seriously in college and have been working at it ever since. The interaction with my readers makes it all worthwhile.
Your new novel, CONSPIRACY OF RAVENS, is your first novel with alternating points of view. What made this the time (or the novel) where that was the right thing to do?
In RAVENS, I was telling a far more complicated story than in the previous two novels. Sympathy for the Devil and A Murder of Crows were books that firmly cement the idea of The University and Hicks in the mind of the readers. Knowing they had a good idea of what I was writing about gave me the freedom to expand my narrative to include points of view from other key players in the story. It helped me vary the voice and the motivation to show the reader just how broad the world I had created really was. And the change in POV helped me tell the kind of complex story I wanted to tell without being too heavy-handed about it.
DEMARIS PROTOCOL is a taut espionage thriller set twenty-five years in the past when views toward gay men were much harsher. Trey Carter, a young gay man still in the closet, is involuntarily recruited by the CIA to help in a dark ops targeting a former Soviet nuclear engineer.
According to author Brian Randall, “CIA Special Officer Rick Morgan, Trey’s assigned officer in the CIA, is a former US Marine who was outed in 1981 and offered a non-negotiable opportunity to join the first class of recruits to the protocol.”
While there are two protagonists, they are not both heroic. Randall calls Trey a kid trapped in a CIA’s dark ops. “He’s trying to survive. I don’t think of him as a hero per se. Rick is a hero who sees Trey as a broken version of himself that he desperately wants to protect.”
The novel is based on actual episodes in the author’s life, and the fictional Rick Morgan is based on his own Agency handler, someone that he recalls fondly to this day.
But after a full-scale bloodbath of a firefight at the Dartford Crossing, they realize that they haven’t got any average prisoner on their hands. This one knows something, and that something has the CIA after them. And worse…
Riz and Holly will have to ditch all their hi-tech gear and use their survival smarts to evade their hunters, as the road trip turns into an epic pursuit across the landscape of southern England, using half-remembered stay behind networks from the Cold War and further back still… and as they dig themselves in and out of trouble on the way to a final showdown in a sleepy market town, they realize that the man they’re escorting may also figure in their history, too…
The Big Thrill had the pleasure of interviewing author Charlie Flowers about his latest novel, THE BOLDEST MEASURES:
Aloysius Wachter, a clandestine hacker forced by circumstances to turn amateur detective, recounts several of his adventures that begin with spotting a murder on his first night on the job at a city agency that monitors everyone and everything through a 10,000-camera system.
The improbable hero starts sleuthing to save a beautiful young woman falsely suspected of the crime. He battles disbelieving cops, feds and Israeli hit men, and soon he’s being chased by Chinese cyber-spies and Russian hackers in episodes ripped from 21st Century headlines.
Helping him are two pals: Vassily, a Russian hacker on the run from his former gang, and Michelle, Vassily’s girlfriend, a Chinese hacker who used to work for the People’s Liberation Army. By the end of their adventures, Vic, Vassily and Michelle muse that their lives seem like a bizarro tale out of Alexander McCall Smith’s imagination, jokingly calling themselves the No. 1 Hackers Detective Agency.
Patrick Oster recently spent some time with The Big Thrill discussing his novel, THE HACKER CHRONICLES:
Galina Rostova, the hot new star of Moscow’s theater scene—and mistress to a powerful Russian general—has reached out to the CIA. In exchange for information vital to U.S. security, she requests asylum in America. The Company’s top pick for the mission is Nora Baron. The wife of a CIA operative, this Long Island mother and drama teacher has proven to be an asset in the field before. And as an actress herself, her cover will be convincing.
Disguised as a television news host, Nora heads to Venice, Italy, where Rostova is appearing in Chekhov’s The Seagull. As the cameras roll during their mock interview, the starlet will make her escape—or at least that’s the plan. But when the defection goes off-script, the two women are on the run from Russian agents. And when a snowstorm buries Venice, clogging the streets, waterways, and airport, the stage is set for tragedy—with several lives at risk of a final curtain.
The Big Thrill recently spent some time with USA Today bestselling author Tom Savage discussing his novel, THE WOMAN WHO KNEW TOO MUCH:
Growing up, Bianca St. Ives knew she was different from all her friends. Instead of playing hopscotch or combing her dolls’ hair, she studied martial arts with sensei masters and dismantled explosives with special-ops retirees. Her father prepped her well to carry on the family business. Now a striking beauty with fierce skills, the prodigy has surpassed the master.
She’s known as the Guardian. Running a multinational firm with her father, she makes a living swindling con men out of money they stole—and she’s damn good at it. She does things on her own terms. But her latest gig had a little hiccup—if you count two hundred million dollars and top secret government documents going missing as little. Her father also died on the mission. The thing is, the U.S. government doesn’t believe he’s really dead. They’ll stop at nothing to capture Richard St. Ives, a high-value target and someone who has been on most-wanted lists all over the world for over two decades, and they mean to use Bianca as bait. With only a fellow criminal for backup and her life on the line, it’s up to Bianca to uncover the terrifying truth behind what really happened…and set it right, before it’s too late.
When People’s Republic Flight 91 crashes in northeastern Ukraine with a U.S. diplomatic agent onboard, U.S. Diplomatic Security Service Agent Raisa Jordan is sent to investigate. The agent was escorting a prisoner home from Guangzhou, China, along with sensitive documents, and it quickly becomes apparent that the plane was intentionally downed. Was it to silence the two Americans onboard?
To avoid a diplomatic incident, Jordan must discover what the Americans knew that was worth killing hundreds to cover up. With Russia deeply entangled in the Ukraine and the possibility that China could be hiding reasons to bring down its own plane, tensions are high.
As international relations and even more lives hang in the balance, Jordan races to stop a new Cold War.
The Big Thrill had the opportunity to discuss RED SKY with award-winning author, Chris Goff:
What do you hope readers will take away from this book?
First, I hope they are entertained. This is an international thriller laced with espionage, politics and intrigue. Second, I hope they learn a little something about the geopolitics of Eastern Europe and China. I learned much more than I could include in the pages while researching the novel, and the region is fascinating.
The FOREVER SPY, sequel to The Good Spy, finds former Russian naval intelligence officer Yuri Kirov quietly living as a civilian with lover and ally Laura Newman. Yuri is pulled back into the world of espionage and political warfare when he’s pressed to help the United States contain a massive environmental crisis. When his presence is discovered by a turncoat spy, Yuri unwittingly finds himself part of a deadly scheme to spark the next World War.
Jeffrey Layton talked with The Big Thrill about his recent release, writing, and the world of Russian espionage.
THE FOREVER SPY, your second Yuri Kirov thriller, picks up a year after the events of The Good Spy. What’s life like for Yuri and Laura these days? Did you discover anything new or unexpected about your characters as the sequel unfolded?
Yuri Kirov is a Russian naval intelligence officer hiding in plain sight in the United States after a botched espionage operation (in The Good Spy). He is disillusioned with the Russian government because it abandoned him and others after the spy mission failed. Yuri’s government believes he is dead so no one from Russia is looking for him.
Sarah Appleton has been kidnapped from her university campus in Cambridge, England. When she escapes, killing her abductor, she sets in motion a chain of events that has repercussions all across the world. Sarah and her father, Martin Appleton, flee the Russian mafia, from whom Martin stole twenty million dollars in bearer bonds, leaving authorities to unravel the threat of a terrorist plot using biological weapons of mass destruction stolen from a Russian lab and sold to Middle Eastern extremists. As the authorities scramble to unravel the scant clues left by people who make few mistakes, terrorists gear up for an attack that will leave millions of innocent people dead and the governments of several Middle Eastern nations in chaos.
Paul Howard recently discussed his thriller, DISCIPLES OF DEATH, with The Big Thrill:
What do you hope readers will take away from this book?
I hope any reader ofDISCIPLES OF DEATH will finish it and conclude that it was a page-turning novel that was exciting and entertaining from the beginning to the end.
The first book in the RISING SUN triptych, a science fiction historical thriller. An unearthly / mysterious / sinister and beautiful time traveler crosses paths and clashes with an American secret agent in the days before the sneak attack on Pearl Harbor. A tale of intrigue, romance, deception, and betrayal. An epic journey revealing great secrets both international and intimate. The RISING SUN trilogy is three complete novels, almost three hundred thousand words, and took thirty-five years to complete. The RISING SUN trilogy might have an R-rating. Sexual situations and sexual language abound. Readers should be aware that most characters have a casual adult attitude to sex and therefore the depiction of their myriad odd practices can be troublesome & problematic for some.
James Cabot recently took some time to discuss Shadows and Echoes with the Big Thrill:
It’s been five years since Carter Blake parted ways with the top-secret government operation Winterlong. They brokered a deal at the time: he’d keep quiet about what they were doing, and in return he’d be left alone.
But news that one of Blake’s old allies, a man who agreed to the same deal, is dead means only one thing: something has changed and Winterlong is coming for him.
Emma Faraday, newly appointed head of the secret unit, is determined to tie up loose ends. And Blake is a very loose end. He’s been evading them for years, but finally they’ve picked up his trace. Blake may be the best there is at tracking down people who don’t want to be found, but Winterlong taught him everything he knows. If there’s anyone who can find him—and kill him—it’s them.
Mason Cross recently visited with The Big Thrill to discuss WINTERLONG:
What do you hope readers will take away from this book?
Primarily, the experience of reading a fun, fast-paced chase thriller that makes them want to read the next one immediately.
Award-winning author Brett Battles is at it again. With several series under his belt, Battles is giving fans a spin-off from his highly successful Jonathan Quinn series with THE EXCOMS.
In THE EXCOMS we are reintroduced to Ananke, who debuted as an assassin in The Buried, and those who become her team: Rosario the obtainer, Dylan the courier, Liesel the bodyguard, and Ricky, the pain-in-the-ass/hunter. The five find themselves “saved” by a mysterious organization called the Committee. The Committee needs their help and expertise in solving a problem. In return, the Committee promises to reverse their excommunication from the secret world they inhabit.
Of course, nothing good ever comes without strings attached.
According to Battles, “THE EXCOMS brings together a set of fun, diverse characters who together are much greater—and better—than they are as individuals.” He goes on to say, “I loved how the relationships between the five (well, six, if you count Shinji) developed as I wrote the story.”
Battles knew that if he ever did a spin-off from his Quinn series, it would feature Ananke. “I knew she was someone special from the moment she made her initial appearance.” He wasn’t sure where the scene was going, but he knew he needed someone to carry out a quiet assassination. Ananke grew from that. “She took over the page. She’s smart, talented, and not above making a few bad decisions, Ricky being one.
“I started thinking she’d be great in her own series, but then had an idea to bring together a team, and then thought I would make her the leader of the team. So basically THE EXCOMS grew organically.”
As for Ananke’s unusual name, Battles said he wanted his assassin to have a “cool name.” So he “did a little research and discovered one of the ancient Greek gods was a woman named Ananke, who, in a nutshell, was the dictator of fate and circumstance. That sounded perfect for an assassin to me.
It’s back to Somalia (see The Watchman) for deep cover specialist Marc Portman. Hired this time by a French intelligence agency, he’s sent in undercover to provide back-up for one of their officers trying to recover a hard drive from one of the most dangerous cities on the planet – Mogadishu.
What they haven’t told Portman is that the device holds a record of top-secret negotiations for oil drilling worth billions, talks held between two leading western nations… and a hard-line terrorist organisation responsible for killing thousands of innocent people. If the recordings should get into the public domain, they’re capable of toppling two governments and ruining many reputations and careers, which is why it’s vital for the hard drive to be retrieved at all costs.
But while Portman and his French protectee are working hard to complete their task in already extreme circumstances, the decision is made to abandon the negotiations and close down all contacts with the terrorist organisation as if the talks never took place.
To reinforce this decision, an international team of former Foreign Legionnaires and ex-US special forces operatives is despatched to make sure that all records of the talks are buried for good. And that includes wiping out any non-affiliated ‘assets’ on the ground in Somalia.
Which puts Portman at the very top of the hit list.
Unfortunately for them, Portman doesn’t silence easily, and does what he does best, which is to fight back.
Humanity has always embraced new and exciting ways to inflict harm upon itself. How long did it take for the first bow-and-arrow hunters to turn their aim against a fellow Stone Age man? The over/under has to be measured in months, if not weeks. Which came first—the ploughshare or the sword? And let’s not even get started on atomic energy.
We embrace the new with gusto and quickly turn it against one another, even if we don’t know all that much about it. Remember, there were a few scientists out there who thought there was a chance, however small, that the A-bomb would fry the world’s atmosphere. We used it anyway.
These themes of novelty, responsibility, power and destruction were all swirling in my head when I sat down to write MJ-12: INCEPTION, the first in the series of MAJESTIC-12 spy-fi novels that’s coming out this month. For a long time, I had wanted to marry two of my favorite literary genres—spy thrillers and science fiction—in a single work, and this book was the result.
What would happen if, after World War II, ordinary individuals developed paranormal abilities? And how long would it take for the U.S. and the Soviet Union to try to weaponize them, even when the origins and extent of those abilities were still in doubt?
In my book, it took about three months for the U.S. to get started.
I wrote MJ-12: INCEPTION as a rollicking spy adventure, leveraging the MAJESTIC-12 alien conspiracy myth for a completely different story with many of the same players. I wanted James Bond and the X-Men in equal measure. And I’d like to think I got that—exotic locales, crazy action, super-cool superpowers. There’s excitement, a bit of romance, lots of twists and turns, heaps of conspiracies, all awash in shades of gray and noir with a big-band swing playing on a crackling radio and cigarette smoke creating a haze under the dim lights.
When I read James Swallows’s bio I had a distinct I-am-not-worthy moment. He’s a bestseller, a BAFTA nominee—but thank goodness he’s also a really nice guy, who answered my questions with both wit and wisdom. Writes a nifty book, too.
How do you compare scriptwriting and novel writing?
At the end of the day, it’s all just storytelling. Plot is plot, characters are characters and it doesn’t matter if you’re writing prose fiction or an opera. But I think the real, qualitative difference is in the toolkit a writer has to tell that story. A story presented in a script offers opportunities to explore narrative in ways that a novel can’t, and vice-versa. That’s why I love being able to do both–it’s like exercising different muscle groups.
Have you ever been writing and discovered something totally unexpected about one of your characters?
I tend to plot pretty deeply so reveals that emerge unexpectedly as I write don’t happen often–but yeah, there are times when a character’s voice will assert itself and you’ll realize that their reaction to a given situation isn’t what you first expected it to be. To me, that’s a sign you’ve given them a degree of life beyond the page.
NOMAD appears to be a departure from your usual genres. Why the change? What were the challenges in stepping into pastures new?
I’ve certainly written a fair bit of genre fiction in futuristic worlds and alternate realities, but NOMAD isn’t the first contemporary thriller; back in 2014 I wrote Deadline, an original novel based the TV show 24. There were a lot of things that drove me toward the idea of writing NOMAD; at the heart of it was the fact that I love these kind of books! But I think I was also looking for a challenge, for the opportunity to test myself as a writer and do something a little outside my comfort zone.
Inspired By Real-Life Corruption and War
From the prolific author of the Bourne series comes a new standalone thriller, ANY MINUTE NOW, a dark tale ripped from the headlines and inspired by Eric Van Lustbader’s fascination with the occult, the continuing war in the Middle East, and the “terrible price soldiers are asked to pay.”
“The ongoing corruption obscured by the fog of war both frighten and anger me,” he says.
ANY MINUTE NOW kicks off with Red Rover, the blackest of black ops teams, losing one of its own on a top-priority mission. The group is unexpectedly disbanded, leaving Greg Whitman and Felix Orteño to replace their lost team member with Charlize Daou. Daou, a brilliant and talented arms expert, becomes the team’s moral compass, helping Whitman and Orteño face the supernatural darkness into which she feels they have fallen.
“Charlize is a reflection of me, or perhaps part of me” says Lustbader. “I felt myself in every line I wrote for her. She’s very smart, damaged, and under-appreciated, except by the one person she truly loves. She’s a hero for our time.”
Against orders, the resurrected Red Rover team secretly hunts a protected Saudi terrorist, throwing them into the heart of a conspiracy involving the government, the Alchemists (a cabal of wealthy mystics), and a visionary striving to create a new way of waging war that could destabilize the world’s greatest superpowers.
For fans of the classic Bourne books, be assured that Lustbader is far from done with them.
“My brain is so overclocked, I’m someone who gets bored easily. I never held a job for more than two and a half years,” he says. “By then I knew more than my bosses did so there was really no point.”
By Don Helin
International intelligence agencies are after Bajjah, the brilliant and vicious mastermind of the bio-terror plot which nearly wiped out New York City. If not for the heroics of James Hicks, he might have been successful.
Hicks believes that some unknown adversary might be holding Bajjah, and he must track down this cold-blooded enemy while battling other agencies that have their own motives to find the terrorist. But when Hicks discovers that Bajjah’s network goes far deeper than anyone could have fathomed, he’s in a race against time to stop an international atrocity from taking place.
Early on in MURDER OF THE CROWS, James Hicks may captures one of the most wanted terrorists in the world— but in doing so, he has drawn the anger of international intelligence agencies who all target Hicks and his organization because they have someone they want to question. This month, I had the opportunity to catch up with the author of this page-turning thriller for The Big Thrill and ask a few questions of my own.
Did any particular event inspire the plot of this book?
I wrote MURDER OF THE CROWS with the intent of delving further into the world I set up in Sympathy For The Devil. It explains why the characters do certain things and why they’re prohibited from doing others. There wasn’t a particular terror or intelligence event that inspired the plot, but I drew plenty of inspiration from life. In this book, as in life, our actions have consequences. How we handle those consequences defines who we are. James Hicks is no different, except that he has people trying to kill him every day.
Do you have any tips for our readers on how you balance back story with new plot?
One of the main criticisms I received from readers of Sympathy for the Devil, was they didn’t know the back story for the characters. I intentionally avoided that spy thriller clichéd scene where two people sit and review the protagonist’s file. I wanted the reader to buy into the character and the world as it was without having details that people tend to skip anyway. In MURDER OF THE CROWS, I hint at Hicks’ back story without distracting from the forward action of the plot. By the end of the novel, the reader knows much more about Hicks, the University and the motivations of both, but won’t feel like they’ve slogged through a chapter of back story.