Humanity has always embraced new and exciting ways to inflict harm upon itself. How long did it take for the first bow-and-arrow hunters to turn their aim against a fellow Stone Age man? The over/under has to be measured in months, if not weeks. Which came first—the ploughshare or the sword? And let’s not even get started on atomic energy.
We embrace the new with gusto and quickly turn it against one another, even if we don’t know all that much about it. Remember, there were a few scientists out there who thought there was a chance, however small, that the A-bomb would fry the world’s atmosphere. We used it anyway.
These themes of novelty, responsibility, power and destruction were all swirling in my head when I sat down to write MJ-12: INCEPTION, the first in the series of MAJESTIC-12 spy-fi novels that’s coming out this month. For a long time, I had wanted to marry two of my favorite literary genres—spy thrillers and science fiction—in a single work, and this book was the result.
What would happen if, after World War II, ordinary individuals developed paranormal abilities? And how long would it take for the U.S. and the Soviet Union to try to weaponize them, even when the origins and extent of those abilities were still in doubt?
In my book, it took about three months for the U.S. to get started.
I wrote MJ-12: INCEPTION as a rollicking spy adventure, leveraging the MAJESTIC-12 alien conspiracy myth for a completely different story with many of the same players. I wanted James Bond and the X-Men in equal measure. And I’d like to think I got that—exotic locales, crazy action, super-cool superpowers. There’s excitement, a bit of romance, lots of twists and turns, heaps of conspiracies, all awash in shades of gray and noir with a big-band swing playing on a crackling radio and cigarette smoke creating a haze under the dim lights.
When I read James Swallows’s bio I had a distinct I-am-not-worthy moment. He’s a bestseller, a BAFTA nominee—but thank goodness he’s also a really nice guy, who answered my questions with both wit and wisdom. Writes a nifty book, too.
How do you compare scriptwriting and novel writing?
At the end of the day, it’s all just storytelling. Plot is plot, characters are characters and it doesn’t matter if you’re writing prose fiction or an opera. But I think the real, qualitative difference is in the toolkit a writer has to tell that story. A story presented in a script offers opportunities to explore narrative in ways that a novel can’t, and vice-versa. That’s why I love being able to do both–it’s like exercising different muscle groups.
Have you ever been writing and discovered something totally unexpected about one of your characters?
I tend to plot pretty deeply so reveals that emerge unexpectedly as I write don’t happen often–but yeah, there are times when a character’s voice will assert itself and you’ll realize that their reaction to a given situation isn’t what you first expected it to be. To me, that’s a sign you’ve given them a degree of life beyond the page.
NOMAD appears to be a departure from your usual genres. Why the change? What were the challenges in stepping into pastures new?
I’ve certainly written a fair bit of genre fiction in futuristic worlds and alternate realities, but NOMAD isn’t the first contemporary thriller; back in 2014 I wrote Deadline, an original novel based the TV show 24. There were a lot of things that drove me toward the idea of writing NOMAD; at the heart of it was the fact that I love these kind of books! But I think I was also looking for a challenge, for the opportunity to test myself as a writer and do something a little outside my comfort zone.
Inspired By Real-Life Corruption and War
From the prolific author of the Bourne series comes a new standalone thriller, ANY MINUTE NOW, a dark tale ripped from the headlines and inspired by Eric Van Lustbader’s fascination with the occult, the continuing war in the Middle East, and the “terrible price soldiers are asked to pay.”
“The ongoing corruption obscured by the fog of war both frighten and anger me,” he says.
ANY MINUTE NOW kicks off with Red Rover, the blackest of black ops teams, losing one of its own on a top-priority mission. The group is unexpectedly disbanded, leaving Greg Whitman and Felix Orteño to replace their lost team member with Charlize Daou. Daou, a brilliant and talented arms expert, becomes the team’s moral compass, helping Whitman and Orteño face the supernatural darkness into which she feels they have fallen.
“Charlize is a reflection of me, or perhaps part of me” says Lustbader. “I felt myself in every line I wrote for her. She’s very smart, damaged, and under-appreciated, except by the one person she truly loves. She’s a hero for our time.”
Against orders, the resurrected Red Rover team secretly hunts a protected Saudi terrorist, throwing them into the heart of a conspiracy involving the government, the Alchemists (a cabal of wealthy mystics), and a visionary striving to create a new way of waging war that could destabilize the world’s greatest superpowers.
For fans of the classic Bourne books, be assured that Lustbader is far from done with them.
“My brain is so overclocked, I’m someone who gets bored easily. I never held a job for more than two and a half years,” he says. “By then I knew more than my bosses did so there was really no point.”
By Don Helin
International intelligence agencies are after Bajjah, the brilliant and vicious mastermind of the bio-terror plot which nearly wiped out New York City. If not for the heroics of James Hicks, he might have been successful.
Hicks believes that some unknown adversary might be holding Bajjah, and he must track down this cold-blooded enemy while battling other agencies that have their own motives to find the terrorist. But when Hicks discovers that Bajjah’s network goes far deeper than anyone could have fathomed, he’s in a race against time to stop an international atrocity from taking place.
Early on in MURDER OF THE CROWS, James Hicks may captures one of the most wanted terrorists in the world— but in doing so, he has drawn the anger of international intelligence agencies who all target Hicks and his organization because they have someone they want to question. This month, I had the opportunity to catch up with the author of this page-turning thriller for The Big Thrill and ask a few questions of my own.
Did any particular event inspire the plot of this book?
I wrote MURDER OF THE CROWS with the intent of delving further into the world I set up in Sympathy For The Devil. It explains why the characters do certain things and why they’re prohibited from doing others. There wasn’t a particular terror or intelligence event that inspired the plot, but I drew plenty of inspiration from life. In this book, as in life, our actions have consequences. How we handle those consequences defines who we are. James Hicks is no different, except that he has people trying to kill him every day.
Do you have any tips for our readers on how you balance back story with new plot?
One of the main criticisms I received from readers of Sympathy for the Devil, was they didn’t know the back story for the characters. I intentionally avoided that spy thriller clichéd scene where two people sit and review the protagonist’s file. I wanted the reader to buy into the character and the world as it was without having details that people tend to skip anyway. In MURDER OF THE CROWS, I hint at Hicks’ back story without distracting from the forward action of the plot. By the end of the novel, the reader knows much more about Hicks, the University and the motivations of both, but won’t feel like they’ve slogged through a chapter of back story.
By Eyre Price
With her new novel, CODE NAME: JACK RABBIT, author Elizabeth Noble makes the transition from romance to thriller. I recently had the opportunity to put a few questions her way.
So…vampires? What attracted to you a genre that has been explored so thoroughly in the past decade?
Vampires are cool. They have the potential for very long lives and that offers a lot of character exploration. That’s my favorite thing about vampires. They also provide characters that have accumulated different skills over the decades, which really broadens what sort of story can be told. Since, in my world, the vampires heal extremely quickly they’re almost super-hero like. They are capable of surviving where a human might be killed. Then there’s the fact of their superior hearing, speed, and strength.
What measures did you take to put your own spin on vampires in order to keep the genre fresh?
This first book in a series I’m calling the Vampire Guard is a spin-off from a romance series I wrote with an author by the name of Anne Barwell. As we developed our original series (The Sleepless City) we wanted our vampires, and werewolves, to be different.
These vampires don’t hunt humans, and all vampires begin life as a human so as a group it’s in their best interest to preserve humans. Vampires can only change a human into a vampire during the few days each year surrounding the time when they were originally changed. They also don’t drink human blood, it’s an addictive substance for them. The blood they consume is a supplement to normal food and has animal sources. A vampire can bond with a soul mate. Once this happens it’s for life. There is an empathic, bordering on psychic, link between bonded vampires. In my series one of the qualities several of the vampire characters have and are proud of is their ability to change with the times. Even those born centuries ago have adapted to each era they live in.
By J. H. Bográn
I first began trading emails with Arthur Kerns back in 2014 when he participated in the Thriller Roundtables, a weekly forum for thriller writers to take part in themed discussions. At the time, Kerns was promoting the second book in his Hayden Stone series. Since then, readers have waited for another “Contract”—but now the wait is over!
This month, Kerns chats with The Big Thrill about his new book, THE YEMEN CONTRACT, which author D.P. Lyle describes as “A modern thriller that echoes today’s headlines.”
In your own words, what´s THE YEMEN CONTRACT about?
After completing a successful assignment in Africa we find the protagonist, CIA operative Hayden Stone, living at the Tuscan villa of Contessa Lucinda. She wants him to settle down with her and the offer is tempting until an urgent message arrives from Stone’s mentor Colonel Frederick. Stone’s CIA colleague, Sandra Harrington, has been attacked and arrested in Sicily and they need his help to extract her from jail. It’s learned that Abdul Wahab, Stone’s nemesis, is the instigator. His intention is to lure Stone to Sicily in order to kill him. Wahab a villain from previous novels has long-term intentions of seizing power in the Arabian Peninsula and wreaking havoc on the West. Without giving away too much of the plot, Stone rescues Sandra and both travel to the ancient land of Yemen and do battle with Wahab. Having traveled many times to the fascinating country of Yemen, I try to use what I know about the land and tribal system as a backdrop to the action.
What makes Abdul Wahab believe he can take Hayden?
Abdul Wahab makes his third appearance in THE YEMEN CONTRACT and his character continues to grow. He is a bastard, but has many redeeming qualities that my fellow writers who critique my work admire. This is a problem as he has killed a number of CIA officers, and there’s no way that he can get away with that. The clock is ticking. He’s very smart, having attended Cambridge and read into Middle English. He has two wives, a Saudi royal, and the other an Englishwoman with a title. Although he is well connected and educated, he’s not averse to personally pulling the trigger. He fought the Soviets and the Americans in Afghanistan, and knows how to handle weapons. Hayden Stone has become an obsession and he blames Stone for his failures to accomplish his terrorist goals. What gets in Wahab’s claw is that he believes Stone to be not up to his intellectual level or as cunning. Yet, at the end of each encounter, Stone wins!
Since this is his third time out, what can we expect from Hayden Stone?
Hayden Stone thrives on action. Although he is tempted to settle down with the Contessa and enjoy the good life, the minute the right opportunity presents itself, like an action adventure, he’s off and running. He knows his limitations and is aware he makes mistakes from which he must extricate himself sometimes at a cost. The only authority figure he answers to is his mentor Colonel Frederick. He is a loner and a patriot who finds himself a warrior against evil.
THE GOOD SPY is the latest espionage thriller from Jeffrey Layton, acclaimed author of Blowout, Warhead, and Vortex One. His latest work is in the coastal waters of the American/Canadian border. Russian naval officer Yuri Kirov faces a race against time to save the remaining crew of his marooned submarine amid escalating political tensions and a jealous husband.
Jeffrey Layton kindly took the time out to discuss his latest book with The Big Thrill.
THE GOOD SPY follows Yuri Kirov as he tries to save the world. Tell us a bit about the perilous situation that Yuri finds himself in and the dangers confronting him.
Yuri Kirov is a Russian Federation naval intelligence officer who specializes in underwater surveillance. He is aboard a Russian submarine on a clandestine mission over a hundred miles inside U.S. waters when the sub sinks. Employing cutting-edge deep diving equipment, Yuri is the only crew member to escape from the stricken sub. Once ashore but suffering from decompression sickness (aka the “bends”), Yuri’s mission is to rescue the surviving crew that remain marooned inside the hulk deep below the surface.
Can you tell us about Yuri Kirov?
Yuri is smart, motivated, and unrelenting in his struggle to rescue the survivors of the marooned spy sub Neva. He is also a decent man with a true moral compass that keeps him on course.
My characters are amalgams of people I know and/or read about, which is how I think many novelists operate. Yuri Kirov is someone who I would like to know personally―someone I would be pleased to call my friend.
How much research did you have to do to be able to bring a character like Yuri to life?
I spent considerable time reading about the Russian Navy and its officer corps with special emphasis on submarine operations. Like their counterparts in the United States and other Western powers, the officers aboard Russian submarines are an elite group who are highly educated, motivated, and goal-oriented toward defeating the enemy in combat.
Jeremy Burns travels…constantly, but right now he’s settling into his new office and celebrating the release of THE DUBAI BETRAYAL, a geopolitical spy thriller featuring Wayne Wilkins, a fan favorite from Burns’s acclaimed first novel, From the Ashes. As if providing the soundtrack to this fierce new book—in which Wilkins leads an elite group of black ops soldiers into Dubai to rescue the U.S. Ambassador to Israel—the adrenaline-pumping Celldweller comes up on Burns’s playlist while he sifts through photos and other mementos of his travels.
“I’ve been moving around a lot,” he says, which is an understatement considering that he, his wife, and dogs have been on a year-long sojourn exploring the country after several worldwide adventures on his own. Imagine the rakish Burns in expedition wear while spelunking in Lebanon or chasing monkeys through a jungle temple in Rajasthan. Or donning some city chic threads on the backstreets of Brussels or the forgotten churches of Rome or sporting some pretty cool aviators as he soaks up the Middle Eastern sun during his two years in Dubai, which is where he was living when he finished writing From the Ashes, the beginning of his American-based Jonathan Rickner series.
“Dubai was too fascinating a place not to explore in a thriller,” Burns says. “Everything there is superlative, designed to be bigger and better than anything else in the world.” In fact, every scene in THE DUBAI BETRAYAL is a real place and several of the locales are tied to specific events Burns experienced during his time in the country. “I celebrated New Year’s 2009 at a villa on the Palm Jumeirah. My apartment was in the Hor Al Anz neighborhood. I watched the grand opening of the Burj Khalifa and got to go up in it within days of its opening. And I spent many a weekend exploring the vast halls of the Dubai Mall. These and many more unique settings provided a fascinating backdrop.”
In THE GOOD TRAITOR, Ryan Quinn brings back Kera Mersal, the CIA analyst-turned-operative who uncovers a scandal within the agency and is then accused of treason. Her mission is now to unfold a geopolitical conspiracy while trying to clear her name after the events of the previous novel. Described by the author as a combination of Jason Bourne, Edward Snowden and Carrie Mathison from the TV series Homeland, Kera’s first appearance was in End of Secrets, a finalist for the 2013 International Book Awards.
Born in Alaska, Quinn worked in the publishing business in Manhattan for five years, during which he wrote The Fall, a college coming-of-age story that he published at his own expenses. The sales were so good he was soon contacted by an editor at Lake Union, an imprint of Amazon Publishing, who was interested in publishing the novel.
Quinn’s first literary attempts remain in his drawer. “I think first novels are incredibly valuable to writers, and best kept away from readers,” says the author. “It takes a full novel or two to begin to learn your own strengths and weaknesses and how to deploy them over a four-hundred-page project.”
The world of international espionage couldn’t be further from Quinn’s daily life, so half of his work is dedicated to research. He believes this is the best period in history for writers who want to tackle subjects that are away from their own personal reality, since information is widely available.
“If writers wrote only about events they had directly experienced in their own lives, most books would be excruciatingly tedious,” he says. “To create a richly imagined world, a writer must write about plenty of things he’s only imagined. Bridging the gap between what we’re fascinated by and what we have direct knowledge of is what fiction is all about.”
By Basil Sands
Think Tinker, Tailor, Soldier, Spy in Africa. Revenge served cold amidst the bureaucratic bumbling inside the CIA as a political struggle unfolds. That is the thumbnail on CHOICE OF ENEMIES, a debut novel by M. A. Richards.
Richards was born and educated in Massachusetts and Connecticut. He served more than two decades as a Cultural Attaché in the Department of State. Aside from assignments in Washington, D.C., his career took him to cities in Africa, Asia, Europe, and the Middle East, including Amman, Baghdad, Bangkok, Cape Town, Istanbul, Kuala Lumpur, Kuwait City, Jakarta, Jerusalem, Lagos, Moscow, Seoul, Singapore, Sydney, Tel Aviv, Tokyo, Ulan Bator, Vladivostok, and Wellington. He also served at the U.S. Pacific Command in Honolulu as the Special Advisor to the Commander.
How was CHOICE OF ENEMIES born?
When I served a year in Iraq, I spent a lot of time on Blackhawks, flying from Baghdad to Fallujah and Ramadi and back again. Strapped to a hard bench, I spent the time searching the skies for MANPAD flares and writing stories in my head. When I returned to the U.S., I was assigned as a Fellow at the Asia-Pacific Center for Security Studies, a wonderful experience that introduced me to a group of fascinating characters from countries as disparate as Pakistan and Japan. More importantly, for the first time since I joined the Department of State, I possessed blocks of time large enough to begin crafting a novel. I worked on two tracks at the Center—exploring links between jihadist groups in Asia, the Middle East, and Africa, and drafting the rough outline (more of a sketch, really) of a book based on my helicopter musings. During my stay at APCSS, the musings morphed into the first draft of CHOICE OF ENEMIES.
It is a story of international espionage that exposes the “DNA strands” that entangle the United States’ efforts to secure steady supplies of oil, destroy radical Islamic terrorist organizations, and guarantee that governments in strategic countries remain within its orbit (regime change is such a quaint expression). After retiring in 2013, I bought a new laptop and went at it. Reams of (electronic) paper later, I sent query letters to agents and signed with Dean Krystek of Word|Link Agency. Dean placed the novel with Larry Knorr at Sunbury Press. It launched on January 10, 2016. My fingers are crossed (tough to type!) that Dean will soon secure a film deal—what a thrill it would be to watch my characters duel on the silver screen.
By Alex Segura
Chris Pavone likes to throw his heroes for a loop. Most of the time, they don’t even know they’re heroes yet. From expat mom Kate Moore to literary agent Isabel Reed, Pavone has crafted stories that pull seemingly normal people into dangerous worlds of menace and intrigue, forcing them to become much more than run-of-the-mill drones, and creating unforgettable thrillers in the process.
The trend continues with Pavone’s latest, THE TRAVELERS, a tightly plotted thrill-ride that takes burned-out journalist Will Rhodes from the nadir of his personal and professional life and catapults him into the deadly sphere of international espionage and double-crosses. Pavone’s knack for precise, impeccable pacing and layered, believable characters are on full display with THE TRAVELERS. The Big Thrill got the chance to ask Pavone a few questions about the book, which was released on March 8.
Chris, what can you tell us about Will Rhodes, the protagonist of your latest novel, THE TRAVELERS?
Will seems to have it all: recently married to the woman of his dreams, working in a glamorous job as European correspondent for Travelers magazine. But his marriage is in a sophomore slump, they’re completely broke, and Will is getting tired of a repetitive, exhausting job. He’s teetering on the cusp between optimism and disenchantment, between youth and middle age; Will still wants to believe that perfection is possible, but he’s confronting a lot of evidence to the contrary. And he’s about to make a huge mistake.
Will’s days are in a bit of a doldrums when we first meet him, before everything gets turned around. What is it that appeals to you about stories involving characters thrown into unexpected situations?
I like being able to imagine myself as the protagonist: what would I do? What decisions would I make? What chances would I take? I have a hard time doing this when it’s James Bond on the page.
President Vladimir Putin is almost universally viewed as Russia’s strong man, willing and able to stand up to what he sees as bullying by the West. He presents himself as the strong, unyielding leader. At home, he’s surrounded by powerful political, military, and industrial figures, some of whom share his world view that friendly relations with the West are a threat to Russia and their own business interests and careers.
From a thriller perspective, I wanted to explore the possibility of what might happen if an outsider—a “dissident” and “traitor” to many in Moscow parlance—tried to lure the president away from his hard-line stance against the West.
I came up with a scenario where increasing tension between Moscow and the West causes a former KGB colleague and one-time mentor to Putin, Leonid Tzorekov, to act. Now a successful businessman and banker living in London, Tzorekov seeks a secret meeting with Putin inside Russia.
However, in doing so he has to factor in the people surrounding Putin. Among them is a group known as the Wise Men, a powerful caucus of politicians, senior military men, and business moguls—including arms manufacturers—who will go to any lengths to ensure the proposed meeting does not take place. Even if that means eliminating Tzorekov and anybody connected with him.
For Tzorekov, such a move is fraught with danger and doubt. What if Putin refuses to see him? Would that be the worst that could happen? Or only the beginning? It would mean failure, certainly—even humiliation on a personal level. But, Tzorekov reasons, it would be worth a try not only to improve relations at such a dangerous time for the world, but also to make up for his own exile from his Mother Country, which he misses with a heavy heart.
By Dan Levy
With 13 novels/novellas to her credit, one might not guess that Libby Fischer Hellmann never intended to be a writer. “I never had any desire to write a book,” she says. “It was not even Plan B on my agenda. I was always going to be a filmmaker. But life had other plans.”
Further evidence that Hellmann’s name would likely never grace the cover of a published work of fiction is that her mother is a prolific mystery writer—Hellmann’s “rebellious nature” would not allow her to follow in her mother’s footsteps. But as is the case with most writers, and nearly every great story, there’s a moment when everything changes. For Hellmann, it was reading Jeremiah Healy’s, The Staked Goat (recommended by her mother, by the way).
According to Hellmann, a voracious reader, “After a while, (thrillers) all started to sound the same. The world is going to blow up. The hero keeps the world from blowing up, and he walks off with his girlfriend.” The Staked Goat showed her that all thrillers were not alike. “It was about a murder. But what was very interesting to me was that there was a whole issue devoted to the after market of weapons from the Vietnam War. I was like, ‘You can talk about this kind of stuff in a mystery? That’s cool.’ I was really intrigued by the idea that you could write a mystery, but you could also talk about an issue.”
This month, Hellmann will release her 14th novel, JUMP CUT. It marks the fifth in Hellmann’s Ellie Foreman series, and the return of the protagonist after a decade. “When I first came up with the story I wanted to write, it was painfully clear that Ellie needed to tell (it). Plus, I got questions from fans, When is she coming back? We miss her.” The time and timing were right for Ellie’s return.
The reunion between Hellmann and her alter ego was as immediate as it was comfortable. And why not? Both are Chicagoans, both worked in video production and both are passionate about their pursuits. “It was like meeting up with an old friend you hadn’t seen in a (while)—and then having a great time. (Ellie’s voice) came back to me after one page.”
By John Darrin
I got stuck on this one, coming up with one reason after another to procrastinate. (Sorry, editors.) OK, the two days in the hospital were a valid excuse, but I was conscious the whole time and could theoretically have been writing. Anyway, I decided to try Matthew FitzSimmons’ writers’ block technique – lying on the floor on my back, staring at the ceiling. That ended up causing further delay when I had to go find my hammer, patching compound, and ladder to fix the nail pops I noticed while not overcoming the desire not to write.
FitzSimmons is the author of THE SHORT DROP and the subject of this profile. The book has been exceedingly well-received, jumping to Number 1 on the Amazon best-seller list in several Thriller categories after introduction as a Kindle First selection. Very impressive stuff, and maybe just a little intimidating to someone profiling him.
Matthew attended Thrillerfest before he started writing thrillers, a curious chronology. I asked him about that and he said, “I’d reached a despairing point when I felt my life had slipped out of my control. The book was a way to reassert control, if not over my life, then at least over a fictional one. It became my refuge. I don’t know that it saved my life, but it certainly helped me rediscover it. It was honestly quite late in the writing process that it occurred to me that it might interest a reader other than myself.”
Here’s a short blurb about THE SHORT DROP so you don’t have to just believe me when I recommend the book.
A decade ago, the fourteen-year-old daughter of Senator Benjamin Lombard disappeared in a most sensational missing-person case. And now, Lombard is running for the presidency and the mystery is still unsolved. Gibson Vaughn, hacker, ex-Marine, and the missing Suzanne’s close friend is asked by Lombard’s former head of security to help investigate new evidence about her disappearance.
Haunted by tragic memories, he jumps at the chance. Using his military and technical prowess, he discovers multiple conspiracies surrounding the Lombard family. With new information surfacing that could threaten Lombard’s political ambitions, Gibson must stay one step ahead of the powerful, ruthless players who will do anything to silence him as he navigates a dangerous web to get to the truth.
Brilliance and its sequel, A Better World, earned Marcus Sakey a legion of new fans. Now Sakey proves he knows how to bring in the big finish with WRITTEN IN FIRE, the closing act of this powerful trilogy.
The basic idea for the series is deceptively simple. What if one percent of the world was born savants, able to do thing the rest of us couldn’t? In Sakey’s world humanity has struggled to cope with the brilliants – that one percent of people born with remarkable gifts – for 30 years. All efforts to avoid a devastating civil war eventually fail. It’s a grand, high-concept idea that Sakey says he got from his wife.
“She had recently gotten her Masters in early childhood development,” Sakey says, “and so always had fascinating bits to share about how the brain works, especially the autistic brain. Which got me wondering, what if about the same percentage of people were born with a similarly specialized way of thinking, only the impact was cranked up and the social side effects were removed? ”
In this case, society’s reaction to these special people leads to the White House in ruins, Madison Square Garden turned into an internment camp, and an armed militia of thousands marching in Wyoming. In some ways it may sound familiar. Sakey himself will tell you that there have always been stories about the exceptional amongst us, from early mythology to the Arthurian legends to the X-Men to vampire tales. It’s his approach to that situation that makes this story unique.
“Where I tried to do something different was that instead of making the story about the exceptional people, I focused on the rest of us,” Sakey says. “On what was happening to the world, how mistrust and fear and intolerance were tearing us apart. The classic dystopian structure is to start far in the future, after the fall of civilization; I wanted to go the other way, and show the thousand blows that set it staggering and, possibly, collapsing.”
The protagonist of WRITTEN IN FIRE, Nick Cooper, has spent his life fighting for his children and his country. He’s the top gun of an agency that tracks and executes antisocial brilliants, and he is a brilliant himself. In the book every brilliant is different. Cooper’s gift is a heightened level of intuition. He builds patterns of how people think and act, and uses those to predict what they’ll do next. He’s committed, but is he a hero?
Jericho Quinn returns in BRUTE FORCE, the sixth in Marc Cameron’s popular series. This time, Quinn is wanted by his own government because he knows the truth—the president is controlled by terrorists and the vice president is a global mastermind plotting the demise of America. Knowing the plan is close to fruition, Quinn is working against heightened security, mass surveillance, and the establishment of a brutal police state in his own country while trying to operate overseas as a hunted man. Fortunately, his pursuit takes him to China where a lovely Chinese Ministry of State Security agent saves his life and proposes they work together to avert war between their countries.
Pakistan, Western China, Croatia, Seattle, and, of course, Washington, D.C. figure in the chase. Jacques Thibodaux, Ronnie Garcia, Emiko Miyagi, and other characters in the Quinn series return to help in the fight.
So where did the idea originate for Cameron?
“The genesis of BRUTE FORCE occurred while I was writing the second book, Act of Terror. That book introduced the overarching plan to put moles raised from children to hate the United States into the fabric of U.S. politics. Each book has a stand-alone plot as well but, to one degree or another, works toward the final culmination in BRUTE FORCE.”
Writing with an eye toward the long game is a unique aspect of his series. “I think a plot that weaves through several books is more like real life. Television and movies have made us accustomed to DNA results coming back at lightning speed and important criminal and counter terrorism cases being solved or resolved in one or two hours. Life is rarely that way. In real life, every day has a cliffhanger ending to one degree or another. Even if our hero rides off into the sunset, he’s camping somewhere in the dark, possibly with snakes…
She’s been called the “female Robert Ludlum” and the “Queen of Espionage.” She’s broken barriers for women in fiction, and co-founded one of the world’s leading organizations for writers. And, oh yeah, she writes kick-ass New York Times bestsellers.
You guessed it, she’s Gayle Lynds, and this month, she’s back with a vengeance with THE ASSASSINS (St. Martin’s Press, June 30).
On the heels of her smash hit The Book of Spies, this latest story is about what happens when two spooks get caught in the crossfire of a business dispute—one involving six of the world’s most deadly assassins. Part heist story, part espionage thriller—one hundred percent adrenaline—THE ASSASSINS should go down as Lynds’s best novel to date. And that’s saying something given that her work is on Publishers Weekly’s list of the top ten spy thrillers of all time.
What’s special about Lynds, though, is that when she’s not crafting page-turning thrillers or hiking in beautiful Maine, she’s helping aspiring authors. She’s a true writer’s writer, and it is no surprise that the International Thriller Writers, the organization she co-founded, carries forward her spirit of kindness, support, and mentorship.
Lynds graciously agreed to answer a few questions about THE ASSASSINS and her life and career.
Alan Jacobson, national bestselling author of critically acclaimed novels, has done it again with this latest international thriller, THE LOST CODEX. This is the third outing in his OPSIG Team Black series, featuring FBI profiler Karen Vail, DOD covert operative Hector Santos, and FBI terrorism expert Aaron “Uzi” Uziel.
There is no doubt that Alan Jacobson has a firm grasp on his research. I was astonished by the level of detail and authenticity, a level that can only be attained from picking the brains of experts in every field of law enforcement and intelligence. Each of Alan Jacobson’s novels is packed with this kind of “inside” knowledge. Over the years Jacobson has built a list of go-to experts, from senior FBI profiler and good friend Mark Safarik to working with members of the DEA, NYPD, U.S. Marshals Service, Scotland Yard, SWAT, and the U.S. military. No wonder a retired U.S. Navy SEAL says of THE LOST CODEX: “Incredibly realistic. This is the way we did it in the SEAL teams. It’s so true to life that it’s hard to believe it’s fiction.”
OPSIG stands for: Operations Support Intelligence Group. Run out of a secret office in the basement of the Pentagon, the team takes on missions the United States cannot sanction or acknowledge. This time the team must track down a group of terrorists who may be in possession of two ancient biblical documents that could wreck havoc on the Israeli-Palestinian impasse and threaten the foundations of Christianity. That would be bad enough, but the terrorists are also responsible for a series of bombings and sniper attacks in Washington D.C. and Manhattan. The OPSIG team’s hunt for the ancient parchments and the terrorists responsible of the horrendous attacks requires them to use every skill and resource they have against a very sophisticated and intelligent group of terrorists, and leads them at break-neck speed to London (an absolute no-go for some in the team), Paris, Jerusalem, and finally deep into Gaza. This story will take your breath away.
Alan Jacobson was kind enough to take time out of his busy schedule to sit down with The Big Thrill.
What inspired you to tackle the quagmire that is the Israeli and Palestinian conflict? Even you state that you approached this book with trepidation.
Well, I’ll tell you this: I did not sit down and say, “Hey, here’s an idea: I’m gonna write a book involving a peace process that’s failed repeatedly for 60 years.” THE LOST CODEX was an idea that came to me while I was in Israel a few years ago and learned about a (real) ancient document and the mystery surrounding it. I found it so intriguing that I knew then that I had to write a novel with that at its core. As to the peace process, anytime you touch the Middle East, particularly a story involving the Holy Land, it’s difficult to be genuine about the region without addressing its realities. While THE LOST CODEX is not about the peace process, it’s a backdrop against which other things occur.
In addition, I have a stable of characters from the OPSIG Team Black series (Hard Target OSPG #2 in particular) who’ve dealt with Middle Eastern terrorism, so it was only natural for the Israeli-Palestinian conflict be touched upon in THE LOST CODEX. Interestingly, once I got into the research and spoke with experts in the region I discovered things about the peace process that I didn’t know—which was surprising because I stay up on politics and current events. There’s a lot that the mainstream US media doesn’t cover. So it was a bit of an eye-opener for me. Suddenly a lot of things that happened there in recent years made sense, given that new perspective. And it fit beautifully with the story I was telling.
CIA special ops veteran McBride and his partner, Harvey Fontana, respond to their friend’s plea. As they launch a covert investigation into Mason, the security chief for one of the nation’s leading private military contractors, they discover that not everything is as it appears. Mason and his inner circle are leading a top-secret operation to tackle a wave of crime plaguing the US-Mexican border, and the murder may have been part of their complicated strategy—or part of a more menacing agenda. Soon McBride and Fontana find themselves engaged in a deadly game. With a powerful politician behind it all, stopping Mason could mean joining a secret war—with truly global stakes.
“Part Jack Reacher, part Jason Bourne, Nathan McBride is a compelling, conflicted hero. Option to Kill is a masterful thrill ride. Definitely one for your keeper shelf. I couldn’t put it down.”
~Steve Berry, New York Times bestselling author of The Columbus Affair
The main protagonist in THE ULTIMATE THREAT is repeatedly challenged by skeptical allies as he charges forward to build an unlikely but plausible alliance to battle the spreading menace posed by freshly trained homegrown extremists. Osborne says there’s a purpose in all of this—a five-alarm purpose.
The novel is a true-to-life account about the rapid spread of religious extremism but with a chilling twist, Osborne explained: “I’ve superimposed this fictional story of terrorism onto genuine surroundings in American cities. The objective is to bring home to everyone in the West the very real danger created by the rapid spread of heinous brutality by these unprincipled savages.
“Make no mistake, we’ve grown dangerously complacent in the West. Unless we demand that our security and law-enforcement agencies be more proactive, we could easily find ourselves subjected to the same unspeakable sadism, and facing tragedies on a much larger scale than we’ve already seen in New York, Paris, London, Boston, and Ottawa. The list can only grow longer. This novel is a wake-up call.”
THE ULTIMATE THREAT is the culmination of more than five years of research and writing. Osborne says that his novel is, unapologetically, “a disturbing look at the heinous crimes of religious extremists, but it is also a deeply compassionate account of the suffering millions of people are enduring daily simply by having been in the wrong place when these savages invaded their homelands.”
Published in rapid succession, Jason M. Hough’s first three novels, The Darwin Elevator, The Exodus Towers, and The Plague Forge, earned mountains of praise and comparisons to such authors as James S. A. Corey and John Scalzi. Now Hough returns with a riveting near-future spy thriller that combines the adrenaline of a high-octane James Bond adventure with mind-blowing sci-fi speculations worthy of Christopher Nolan’s Inception.
Technologically enhanced superspy Peter Caswell has been dispatched on a top-secret assignment unlike any he’s ever faced. A spaceship that vanished years ago has been found, along with the bodies of its murdered crew—save one. Peter’s mission is to find the missing crew member, who fled through what appears to be a tear in the fabric of space. Beyond this mysterious doorway lies an even more confounding reality: a world that seems to be Earth’s twin.
Peter discovers that this mirrored world is indeed different from his home, and far more dangerous. Cut off from all support, and with only days to complete his operation, Peter must track his quarry alone on an alien world. But he’s unprepared for what awaits on the planet’s surface, where his skills will be put to the ultimate test—and everything he knows about the universe will be challenged in ways he never could have imagined.
I’d just completed years of military training. I’d parachuted into stormy swamps, memorized Soviet battle plans, and “learned Russian so you didn’t have to.” Then the enemy my generation had grown up with, and the career for which I’d sweat and bled, crumbled on the six o’clock news.
What are you going to do now? Mom asked.
I went over to the dark side. I moved to Moscow. The Wall had fallen and then the Curtain—let the pillaging and plundering begin! Of course it was the locals now known as oligarchs who ransacked Russia by the billion. I did OK, landing a corporate gig peddling Western medicine.
Years passed—tough perestroika years—and my sworn enemies morphed into best friends. I came to understand that defeat had cost them more than jobs and traditions. The collapse of the Iron Curtain had also crushed their pride. They’d been a superpower one day, and destitute the next. Talk about a tough pill to swallow.
I tried to imagine how I’d react, if American pride became an illusion. I thought about how hard I’d fight to prevent it. With clenched fists, I vowed that I’d use everything I had learned, every tool at my disposal. Then I put myself in my new friends’ shoes, and asked:
By Liam Saville
UK author Alex Shaw has built an international following with his thrillers featuring MI6 operative, Aidan Snow. They include Cold Blood, Cold Black, and his latest COLD EAST. He has also written several stand-alone books, has had works published in numerous anthologies, and recently penned a novella for Amazon’s Kindle Worlds platform.
Alex and his family divide their time between homes in the UK and Ukraine; where many of his books are set. Alex’s personal insight into the politics and daily life of Eastern Europe flavours his work, adding a rich authenticity to his writing.
Australian thriller writer, Liam Saville recently caught up with Alex for a chat about his latest book, COLD EAST.
Alex, for those readers who may be new to your books, can you tell us a little about Aidan Snow the man; what makes him tick and what are his inner demons?
Aidan Snow is a former SAS trooper turned operative for the Secret Intelligence Service (SIS), commonly referred to as MI6. His father was a diplomat and Snow spent his formative years in East Germany and then Moscow. He has a strong sense of social justice which has on occasion put him on the wrong side of events. In the first Aidan Snow thriller, Cold Blood, he was suffering from post-traumatic stress disorder, whilst on the run in Ukraine, accused of murder.
That’s interesting; I know PTSD is a significant issue for many soldiers from both our countries who have recently returned from Iraq and Afghanistan, so it’s refreshing to see an author tackle this issue. It’s been said that thrillers can be very plot driven, and not so big on character development. I know that’s not the case with your books, and with that in mind, if you had to liken Aidan Snow to another well-known literary character, who would it be, and why?
I think that’s an easier question for a reader to answer than me, I didn’t set out to copy anyone, but by virtue of the genre there will be some comparisons. Snow gets the bad guys in the end but I think he’s more cerebral than the “action man” stereotype. He gets injured and sometimes luck plays a part in his success. I wanted to build a three-dimensional protagonist based on my own experiences. For example, when we first meet Aidan Snow he’s teaching at an International School in Kyiv and enjoying life as an ex-pat—which is what I was doing at the time I wrote Cold Blood. I must point out however that I was not in the SAS.
On a routine intelligence gathering mission in Tehran, Jack Ryan, Jr., has lunch with his oldest friend, Seth Gregory, an engineer overseeing a transcontinental railway project. As they part, Seth slips Jack a key, along with a perplexing message.
The next day Jack is summoned to an apartment where two men claim Seth has disappeared—gone to ground with funds for a vital intelligence operation. Jack’s oldest friend has turned, they insist.
They leave Jack with a warning: If you hear from Seth Gregory, call us immediately. And do not get involved.
But they don’t know Jack. He won’t abandon a friend in need.
His pursuit of the truth will lead him across Iran, through the war-torn Caucasus, and finally deep into territory coveted by the increasingly aggressive Russian Federation. Along the way, Jack is joined by Seth’s primary agent, Ysabel, a enigmatic Iranian woman who seems to be his only clue to Seth’s whereabouts.
Jack soon finds himself lost in a maze of intrigue, lies, and betrayal where no one is who they seem to be—not even Seth, who’s harboring a secret of his own that harkens back to the Cold War. A secret that is driving him to the brink of treachery.
Racing against the clock, Jack must unravel the mystery: Who is friend and who is foe? Before it’s over, Jack Ryan, Jr., may have to choose between his loyalty to Seth and his loyalty to America.
After the success of The Watchman, the first in the Marc Portman series, which zoomed to the top of the Amazon ebook list in the espionage category, and featured Portman fighting Somali pirates and terrorists, I had to choose somewhere equally challenging for him to go in the second book, CLOSE QUARTERS.
Sad to say, I wasn’t exactly short of options.
At the time of writing in 2013/14, Ukraine was heating up to be another long-term center of conflict, with pro-Russian separatists fighting Ukrainian government forces in the east of the country, and increasingly seen to be backed by active Russian forces (or “volunteers,” as they were described by Moscow).
Watching the flurry of diplomatic activity as politicians from various quarters tried to help, I was struck immediately by the possibility of one of these well-meaning advisers or monitors being taken captive and used as a bargaining tool between east and west. After all, it has happened before.
Very quickly the idea of a U.S. State Department official sent to check out the developing situation finding himself in custody and an unknown fate became the plot for a story, and Portman was on his next assignment.
Reviewers have called Orest Stelmach’s writing “brilliant, nuanced and deeply moving,” which is high praise for any author, but especially for one whose first language was not English. Born in Connecticut to parents who immigrated to the U.S. from Ukraine, his Nadia Tesla thriller series is deeply influenced by his Ukrainian heritage and the catastrophic consequences of the accident at Chernobyl Nuclear Power Plant. The series takes the reader from New York to Ukraine, Siberia, Alaska, and Japan. His upcoming release, THE ALTAR GIRL, brings this chilling series to its end.
Stelmach’s way with words is apparent before you even crack one of his books, however. Visit his website to read essays that are witty, inspiring, and emotive. You’ll find in these short writings, the hand of a master storyteller.
Orest sat down with The Big Thrill for this interview.
THE ALTAR GIRL is a prequel to the popular Nadia Tesla series. In what ways is Nadia different now than she would have been had the prequel been written first?
In fact, the prequel was written first. After the subsequent three books were published, I went back and rewrote the prequel years after I first imagined it. I ended up changing eighty to ninety percent of the book. As a result of writing the later books first, Nadia did change, just as you suggest. First, she became more mature for her age, with a voice that reflected her childhood hardships. And second, she became a woman with shame, the kind that defines humanity. In Nadia’s case, her shame is at the core of the plot and themes of THE ALTAR GIRL.
Major Kit Bennings is an elite military intelligence agent working undercover in Moscow. When he is blackmailed by a brutal mafia don and former KGB general, he knows that his military career, if not his life, will soon be over. With little to lose, he goes rogue in the hope of saving his kidnapped sister and stopping a deadly, high-tech scheme directed against the lifeblood of America.
Yulana Petkova is a gorgeous divorcee, devoted mother, and Russian weapons engineer. And maybe more. Spy? Mob assassin? The shotgun marriage to stranger Kit Bennings takes her on a life-or-death hopscotch from Moscow to Los Angeles, from secret US military bases to Las Vegas, where she uses her wiles at every turn to carry out her own hidden agenda.
Hunted by killers from both Russia and the United States, Bennings and Petkova forge an uneasy alliance as they struggle to stop the brilliant deception.. the maskirovka… that could make the mafia kingpin the richest person in the world, while decimating the very heart of America’s economic and intelligence institutions.
I’d like to open a door to another history, an alternate history, where wonderful heroes we know and love go on even more fabulous adventures than they did in their real lives. Standing right on the other side of that door is Francine Mathews, whose WWII spy thriller TOO BAD TO DIE will be released this month.
It’s a pleasure to interview Mathews, a writer right at the other spectrum of political fiction than me: she writes historical thrillers and I write “right-the-hell-now” ones; she has written more than twenty books and I’ve written one. It’s a match made in heaven and I was a little giddy when I received the opportunity to conduct the interview.
For those of you who don’t know Mathews, she studied history at Princeton and Stanford, and then worked as an intelligence analyst at the CIA for four years. She’s written twenty-five novels under two names—the other being Stephanie Barron—most of them historical fiction dealing with real-life historical figures.
To start, would you tell our readers about TOO BAD TO DIE? What inspired the novel?
You know, when I wrote JACK 1939 a few years ago—about Jack Kennedy’s six-month odyssey through Europe when he was twenty-two and Hitler was embarking on his invasion of Poland—I kept running into Ian Fleming. He knew everybody Jack knew, on two different continents, and he had a finger in every one of World War II’s spies as assistant to the Chief of Naval Intelligence. I like to write about real people in unreal situations. When I realized Fleming had actually planned the Tehran Conference, which Hitler intended to explode by assassinating Churchill, Stalin, and Roosevelt—I thought, okay, that’s the next book!
You may want to rethink what you do in public—at least if you’re a character in Ryan Quinn’s exciting tech thriller END OF SECRETS, where Hawk, the eye in the sky, might just be watching while you sit on the subway or walk along the street, unaware of the camera aimed right at you.
CIA agent Kera Mersal is recruited to a black-op team code named Hawk. Her first assignment—find out how four people could disappear seemingly into thin air. An ominous message written in graffiti haunts Kera as she comes across it time and time again—Have you figured it out yet? The action draws you in from the first page and doesn’t let up until the last word. The Big Thrill caught up with author Ryan Quinn to ask him a few questions about his latest book.
Tell us something about END OF SECRETS that we won’t find on the back cover.
The stakes in a thriller typically involve very obvious life-and-death scenarios: a psychopath killer, a terrorist, a loose nuclear bomb, that sort of thing. And those sorts of stakes are present in END OF SECRETS as Kera, the main protagonist confronts powerful people who have killed to protect the secrets she’s trying to uncover. But as a writer and, frankly, as a real live human living in our modern world, I’m interested in other stakes as well. Things like privacy and the digital footprints we are all creating every day. Things like the cultural tension between art and entertainment, or between news and entertainment, and how we ought value such things. So the characters in END OF SECRETS face these modern-day conflicts too, just as all of us will have to grapple with them well beyond the foreseeable future. As a reader, you don’t need to scratch your head over all this stuff to enjoy the book. But it’s there, and I hope it thrills a few readers in its own way.
The level of technical expertise in your book is impressive. Tell us about your research.
I’m not a tech-inclined person. But I’ve become so interested in the implications of new technologies—especially ones pertaining to privacy, surveillance, and espionage—that I overcame my indifference to the nitty-gritty details of computing and networks in order to be able to tell this story in a credible way. To do that, I had to lean heavily on research. I was pleasantly surprised by how much I enjoyed it. It was a pretty intense crash course, but I got to design the curriculum and I got hooked on the thrill of learning about this world, which is both impressive and scary. Most of my new knowledge came from nonfiction books about the CIA and NSA, cyberespionage, hacking, surveillance, and data-mining. I listened to audiobooks of these while out on long runs. That’s how I find the time to do most of my research. To compliment that in-depth research, I never hesitate to use Google and Wikipedia to track down a few specific details to round out a description of something. In the end, I think my layman’s origins helped me express all the technological details in a way that non-techie readers like me still find accessible.