Since the days of King Solomon’s Mines, Africa has provided the setting for an untold number of thrillers. Typically, though, the continent has been a backdrop for the exploits of foreigners who have come to the continent from somewhere else.
By Mary Kennedy
Recently I sat down with Kay Hooper, the author of Blood Ties, the latest in the Bishop/Special Crimes Unit series.
Your plots are wonderfully complex, do you map everything out ahead of time, or do you make changes as you go?
I’m a seat-of-the-pants writer, so much so that I seldom know for certain what’s going to happen in the next chapter. I have realized over the years that my subconscious is working away on the plot, “seeding” bits and pieces of information that mean nothing to me consciously – until later in the book. It’s not at all uncommon for me to mutter, halfway through the book, some variation of, “Oh, that’s why he said that in Chapter 2!” Discovering the story pretty much as the readers do is, for me, a big part of the joy of writing.
By Aaron Brown
Who is Joe Hunter?
For a start, there are certain things he isn’t. He’s not a cop. He’s not a bounty hunter. He’s not a private detective.
Some people call him a vigilante, but even Joe will tell you that vigilantes take the law into their own hands, whereas there aren’t too many laws that define what Joe does to get a job done.
by Keith Raffel
Recently I sat down with Ridley Pearson to talk about his newest thriller, In Harm’s Way.
In Harm’s Way is the fourth book in your Walt Fleming series. Could you give us a sneak preview?
In Harm’s Way is more of a straightforward murder investigation than I’ve written in quite some time. It is part procedural, part psychological thriller, featuring murder, mayhem, love, and angst – a nice sample of life.
A teenage girl, brutalized and discarded. A rural sheriff, gunned down and left to die. Millions in narcotics and a killer full of hate. In Shane Gericke’s newest, Torn Apart, a tidal wave of murder is rushing full-speed toward the quiet Chicago suburb of Naperville, IL, and police detective Emily Thompson is locked and loaded to stop it. But she’s up against a deadly countdown that threatens everyone she loves … Her partner. Her best friend. Her whole world. In these final desparate hours, Emily will bring down the most diabolical killer she’s faced yet–or die trying.
By Keith Raffel
I met Rick Mofina at BEA in 2009. Rick was just launchingVengeance Road which has since been nominated for a 2010 Thriller Award. We got together again to discuss Rick’s latest book, The Panic Zone.
Dean Koontz calls The Panic Zone, your latest, “a headlong rush toward Armageddon.” Whew! Would you give us a sneak preview?
The Panic Zone tells the story of Emma Lane, an anguished mother from Wyoming who refuses to believe her baby died in a tragic car crash. Jack Gannon, a wire service reporter from New York, joins her in the hunt for a perfect killer whose trail leads around the world in a race against time.
By Derek Gunn
Jonathan “Digger” Grave is a free lance hostage rescue operative. When two teenage boys are inexplicably kidnapped from a Virginia residential school for children of incarcerated parents, Grave and his crew set out to locate the victims and apprehend the abductors.
When Hostage Zero by John Gilstrap came into my mailbox I wondered if I would have the time to read it all in time for this article. Hostage negotiation novels are not my first choice usually so I began it with a little trepidation. This novel was nothing like any hostage negotiation I have ever read before. In fact there was no negotiation at all, only blistering action and a taut plot that keeps you turning the pages. Two days later, and suffering from lack of sleep, I finished the book and immediately ordered the first one in this series, No Mercy. Hostage Zero was nothing like I had expected. The pace is frantic, the characters believable and you will end up shouting encouragement to the good guys as they dole out well-deserved punishment to the bad guys.
In New York Times bestselling author Jeffery Deaver’s latest Lincoln Rhyme novel, The Burning Wire, the weapon is invisible and omnipresent. Without it, modern society grinds to a halt. It is electricity. The killer harnesses and steers huge arc flashes with voltage so high and heat so searing that steel melts and his victims are set afire.
When the first explosion occurs in broad daylight, reducing a city bus to a pile of molten, shrapnel-riddled metal, officials fear terrorism.
In James Hayman’s The Chill of the Night, Lainie Goff thought she had it all. The ambitious young attorney was brilliant, beautiful, and on a fast-track to a lucrative partnership at one of the top firms in New England. But a secret history of sexual abuse in Lainie’s past left scars that never healed and one cold night she pushes things too far. Soon her body is found, frozen solid in sub-zero temperatures at the end of the Portland Fish Pier.