Beneath the Poet’s House

By

Christa Carmen
Unmoored by her husband’s death and suffering from writer’s block, novelist Saoirse White moves to Providence, and into the historic home of Sarah Helen Whitman, the nineteenth-century poet and spiri
Beneath the Poet’s House

By

Christa Carmen

Unmoored by her husband’s death and suffering from writer’s block, novelist Saoirse White moves to Providence, and into the historic home of Sarah Helen Whitman, the nineteenth-century poet and spiri

Unmoored by her husband’s death and suffering from writer’s block, novelist Saoirse White moves to Providence, and into the historic home of Sarah Helen Whitman, the nineteenth-century poet and spiritualist once courted by Edgar Allan Poe. Saoirse’s certain she’ll find inspiration in the quiet rooms, as well as in the tucked-away rose garden and forgotten cemetery at the back of the property.

Saoirse is immediately welcomed by an effusive trio of transcendentalists obsessed with Whitman, the house, and Whitman’s mystic beliefs. Saoirse, emerging from grief and loneliness, welcomes the idea of new friends taking her mind off the past―even as they hope to summon it. When she meets Emmit Powell, a charismatic and charming prize-winning author, Saoirse thinks she’s finally turned a corner.

Emboldened by new romance, Saoirse begins to write again and, through her writing, rediscover herself. But as old fears return, she finds that nothing about her new life is what it seems―and a secret she’s tried so hard to bury may not be the only thing that comes back to haunt her.

About the Author

I love making connections to historical places and figures and find that these connections often to lead to passions, obsessions, and story ideas. My interest in the “Last New England Vampire” led me to writing a (currently unpublished) novel about Mercy Brown. My interest in the 100-mile wilderness in Maine led me to writing my first (and never-to-be-published!) novel of Gothic addiction horror. My interest in murder ballads and, eventually, in White Hall, led me to writing The Daughters of Block Island. And my interest in Sarah Helen Whitman and Edgar Allan Poe let me to writing Beneath the Poet's House. I find that writing novels with some sort of connection to the past or to an actual place fulfills me in a way that writing more free-floating stories ever could.

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