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Returning to a Long-Lost Manuscript

By Michael Sears

Tony Park is the acclaimed author of 17 thrillers set in southern Africa, as well as six biographical books.

An Australian, he has worked as a reporter, a press secretary, a PR consultant, and a freelance writer. He also served 34 years in the Australian army reserve, including a tour of duty in Afghanistan. Park and his wife now split their time between two homes—one in Sydney and one in South Africa near the Kruger Park.

The Times of London has described Park as the “spiritual heir” to Wilbur Smith, while Publisher’s Weekly said he “excels at capturing the wilds of (Africa), as well as its political and commercial pressures.”

GHOSTS OF THE PAST follows the story of an Australian, Nick Eatwell, who discovers that his great uncle, Cyril Blake, went to South Africa, fought in the Boer War there, and then stayed on in South West Africa (modern-day Namibia). Nick falls for a South African journalist who is investigating the Namibian story and decides to visit South Africa when she returns there. In parallel, we follow Blake’s exploits in early 20th century Africa and start to understand why there’s suddenly so much interest in what he did and who he did it with. The two perspectives make a broad canvas, with a strong sense of time and of place. It’s both a thriller and an adventure story.

I asked Park about writing a historical thriller that is also a modern-day one. His response, and the answers to many more questions, are recorded below in this The Big Thrill interview.

There’s an enormous amount of historical research behind GHOSTS OF THE PAST. Not only is half of it set around the start of the 20th century, but it’s based on the real life of Australian soldier and adventurer Edward Presgrave. How did you set about obtaining all the background information you needed to make the novel’s sense of time and place convincing?

I was writing one my earlier novels, An Empty Coast, and reading a history of Namibia, where the book was set, when I chanced upon a one-line mention of Edward Presgrave, an Australian who fought alongside the Nama people in their uprising against their German colonial masters in South West Africa (modern Namibia) in the early 1900s. I thought, “Wow, that’s a great premise for a novel” and then forgot about it for a few years.

Namibian wild horses in the desert.

When I was getting ready to write my last novel, I remembered that mention and Googled Edward Presgrave. I found out that in the intervening period an Australian academic, Professor Peter Curson, had researched and written a non-fiction book about Presgrave and that became my starting point for my research (and the bulk of it). I met Peter and he suggested I write a novel about Presgrave—exactly what I hoped he would say!

In some ways, Namibia itself is a character in the book with its desert expansiveness, old German architecture, and icy coastline. It makes a wonderful backdrop. Have you spent a lot of time exploring the area?

I love Namibia and have visited several times.  You’re right, it’s a fantastic backdrop for a novel, a land of physical and cultural contrasts, with a rich history. GHOSTS OF THE PAST takes place in the south of the country, which is wild and empty and less visited by tourists.  Researching and writing the book—I wrote much of it “on location”—gave me a perfect opportunity to explore the empty reaches of the Karas Mountains, where a guerilla war was fought against the Germans, and the historic old port town of Luderitz on the Atlantic Coast.  I hope the book brings back some memories for anyone who’s visited Namibia, and encourages other people to travel there—it’s a beautiful country.

Park in Namibia.

The book is really two intertwined thrillers in one. One story follows the exploits of Cyril Blake in the Boer war and subsequently in what was then German South West Africa, and the other is set in the present day where Nick Eatwell follows the trail of Blake, his great uncle, from Australia to Namibia. Both Blake and Eatwell are sucked into a hunt for Kruger’s lost gold and that’s how the two stories come together. Why did you decide to develop the book that way instead of either as a historical novel with Blake as protagonist, or as a modern-day novel with Eatwell as protagonist?

The truth? I cheated. When my first novel, Far Horizon, was accepted for publication back in 2004, I had already started work on a second manuscript, set in the Boer War in South Africa at the beginning of the twentieth century. I was about 10,000 words into it and enjoying the story. I told my publisher I had a second work in progress and she told me to stop, as they were about to publish another novel set during the Boer War.

That book was “lost” on an old computer for some 15 years. When I started thinking of writing GHOSTS OF THE PAST I wondered if I could salvage some of that long-lost novel. I had really enjoyed that story, of an Australian soldier who stumbles across a plot to find a missing horde of gold, and I decided to dust it off, fix it up, and use it as the starting point for GHOSTS OF THE PAST I had some ready-made characters and so I just went with it!

The idea for a modern story, in parallel, was more comfortable for me, as most of my other 17 novels are contemporary. I could have written the whole book set in the modern time, but the other thing I like to do is to challenge myself as a writer, so I decided to write two stories at the same time.

It did present some challenges, mainly in trying to keep the pace up and not dwell too long in one time period or the other, but it was a fun ride.

Luderitz, Namibia

Blake is an efficient soldier, but his emotions can also drive his decisions – especially when women are involved. How close have you made him to what is known about Presgrave and how much did you create to fit the story?

We actually know very little about Presgrave as a person, other than some historic records of his actions. We know he was an Australian who stayed in Africa after fighting one war, and then signed up for another conflict.

The big unknown is “why.” Why didn’t he go home, why was he drawn into what was a futile and ultimately hopeless cause?

Peter Curson, the professor who researched Presgrave, and I discussed this and we both wondered if there might have been a woman involved in this story.

Was Presgrave a hopeless romantic or was he a mercenary? Was he a bit of both? At the end of the day all we knew was that he was a man, flesh and blood, and like all of us, he must have had some strong emotions or motives driving him.

I settled on two big motivators that I thought readers would identify with—love and gold.

GHOSTS OF THE PAST has several strong female characters—Claire Martin who spies for the Germans and smuggles guns undercover while on the trail of the Kruger gold, Susan Vidler who is an undercover PI from South Africa, and Anja Berghoff, a present-day German with deep links to Namibia and researching the wild horses there. All are key to the story. Did you set out to show the country from their different perspectives, or did they develop as a result of the plot?

I make up my characters as I go along, just as I make up the plot, but I like reading books with strong female characters, so I have a soft spot for leading ladies.

They all bring a slightly different perspective to their setting—Claire as the foreigner who (like me) falls in love with the continent and is ultimately touched by its tragedy; Anja is a descendent of German colonialists, yet considers herself as “African” as the other indigenous peoples of Namibia, yet is struggling to find her place in her homeland; while Susan is a tough woman balancing business and boyfriends in an often dangerous urban jungle.

Claire and Susan are cast in what might have once been considered “male” roles, but just as women are challenging gender stereotypes and prejudices in real life in Africa, so, too, should fictional characters.

Namibian desert horse.

You have a clear sympathy for the peoples who were subjugated by Britain and Germany in southern Africa, and the miseries of the Boer and Nama women and children in the concentration camps is horrifying. Were you first drawn to the story of Edward Presgrave, or had you always wanted to write a historical novel exploring this grim era?

When I first started writing that novel set in the Boer War, I read a couple of history books from the Australian perspective. One thing I noticed was that the British strategy of burning Boer farms and rounding up Boer women and children and putting them in prototype concentration camps did not sit well with many Australian soldiers, particularly those who also came from a farming background.

Sadly, the Boer War and the conflict between the Germans and their African subjects set the scene for the genocides that were to come in the 20th Century. The more I learned about this era, the more I felt the stories of the victims needed to be told.

One thing I am keen to point out, though, is that despite its turbulent history, Namibia today is something of a beacon of tolerance and peace in a continent and world that is often riven with conflict. Namibia has, by and large, made peace between its peoples and the German influence has brought with it many positives in the country, to this day.

Modern South Africa’s history is well known to most people around the world, but perhaps it’s not as well known that the term “concentration camp” was coined in that country around 1900, and it was innocent women and children who suffered.

GHOSTS OF THE PAST is a completely different type of story from Scent of Fear. What can we expect in your next book?

Something completely different!  In Last Survivor, due for release worldwide in September, I delve into the murky, lucrative real life world of the trade in endangered exotic plants.


Michael Sears
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