AudioFile Spotlight: Daniel José Older
The Power of Writing and the Spoken Word
New York Times bestselling author Daniel José Older always knew he wanted to tell stories—it just took a while to settle on a medium.
“For a good period, I was more involved with music,” he says. “But with a focus on storytelling. Even when I was mostly doing music, I was still always writing. I was all over the map. I did screenplays, poems, and articles. However, I wasn’t getting any traction. I didn’t know how to publish.”
The idea of writing a novel was “partially inspired by just not wanting to deal with wrangling musicians to rehearsals all the time. I found myself deeply attracted to the idea of being able to sit and work on something by myself, to finish it myself, on my own time—and not deal with anyone else. So that’s what I did. And it worked!”
Older points out that, what might seem like an explosion of recent successes, is really rooted in a lot of hard work over a long period of time. He began writing seriously in 2009, and he also worked as a bike messenger, a waiter, and, for 10 years, a New York City paramedic. He notes that his first Shadowshaper book was rejected more than 40 times.
He is now pleased that his works have a natural affinity for audiobook production. “I believe that the power of writing really does rest in the spoken word. That’s where it all begins, the power of story, given to each other in live time. I try to capture that intimacy of having a story told right to your face. I love that and honor that. It’s always natural to read my work aloud because for me it’s rooted in that.
“I believe that the power of writing really does rest in the spoken word.”
Older has embraced the opportunity to narrate his work. “When Audible bought the Bone Street Rumba series, they asked me to audition to narrate it.” He laughs recalling that audition. “The producer who was doing the audition didn’t realize I was the author. Because at some point I had to catch my breath—I stopped in the middle of a long sentence. And he came over the mic and said, ‘Man, this writer really hates commas!’ Later, he must have realized who I was, and he apologized for his comment. I said I wasn’t offended. Because I do kind of hate commas sometimes.
“Despite losing my breath, I got to narrate the whole series, which was really fun.”
Some novice narrators might have found the prospect intimidating, but not Older. A self-described high school theater nerd who did improv in college, he says narrating came naturally, and he loved voicing his own characters. “I know how it’s supposed to sound, and I got to do that.”
He admires narrator Anika Noni Rose’s work in his Shadowshaper series and loved listening to some of Sofia Quintero’s narration of The Book of Lost Saints. He especially appreciates her voicing of Marisol, a spirit who vanished during the Cuban Revolution. “Her intuitions about the character were spot-on.”
Regarding the supernatural threads that run through many of his works, Older says his unique relationship with ghosts has little to do with terror and much to do with heritage.
“At a metaphorical level,” he says, “it’s about the past being part of the present, about history walking with us wherever we go, about allowing for the full complexity of that history to be present with us. On another level, it’s about honoring and understanding that we are here because others lived the lives they lived and fought the struggles they fought. Honoring that legacy means not just having evil ghosts trying to kill us but also understanding that they help us out and hold us up.”
Does Older still have time for the practice of musical storytelling now that he’s writing full time and no longer required to wrangle other musicians? Practice, he says, is the key word.
“I play bass and guitar, but recently I took up piano. So, yeah. All I’m doing is practicing!” He adds, “It’s really nice to have something that is NOT writing to engage my brain with in the meantime. They’re similar yet very different. I always think of music as a way to reach feelings and ideas that words can never get to.”
Being a writer means knowing that there are limitations to language. “Music can surpass those limitations. So it’s nice to not rely on it for any kind of income. Let it be what it is. I hope one day to perform again and bring that back. I love writing songs. We’ll see. That time will come again, and I’ll know when it’s here.”
(Originally published at AudioFile Magazine.)
Suspenseful Listens for March from AudioFile Magazine
A change of season may be just around the corner but, while you’re waiting, grab your earbuds and settle in with these outstanding mystery and suspense audiobooks.
Earphones Award Winner
by Douglas Preston, Lincoln Child | Read by Jefferson Mays
Jefferson Mays gives a sensationally entertaining performance of this latest entry in Preston and Child’s Pendergast mystery series. The real tour de force in Mays’s narration is his utter attention and commitment to the plot. He is your perfect partner in suspending disbelief, the open sesame to the pleasures of this kind of high-voltage blam-pow adventure.
Earphones Award Winner
by Joseph Finder | Read by Holter Graham
Holter Graham narrates the fourth Nick Heller novel, in which the private investigator infiltrates a powerful family hiding a sinister secret. Keeping the story on an even keel with the clever use of pacing and dialogue inflection, Graham provides a stellar narration of this thrilling new release.
TROUBLE IS WHAT I DO: Leonid McGill, Book 6
Earphones Award Winner
By Walter Mosley | Read by Dion Graham
Dion Graham offers an amazing performance of Edgar Award-winning Walter Mosley’s sixth P.I. Leonid McGill outing in the badass world of crime and criminals. With his mastery of dialects and tone, Graham delivers suspense best listened to.
HINDSIGHT: KENDRA MICHAELS, BOOK 7
by Iris Johansen, Roy Johansen | Read by Elisabeth Rodgers
Elisabeth Rodgers returns to narrate the seventh book in the Kendra Michaels series. Rodgers, with her clear differentiation of characters, and her ability to convey strong emotions, creates an engaging fast-paced listening experience. The twists and turns, and the introduction of a dog named Harley, will keep listeners hanging on to the end.
by Val McDermid | Read by Saul Reichlin
Narrator Saul Reichlin returns to deliver the next phase in the challenging lives of the many characters in McDermid’s Tony Hill/Carol Jordan series. Listeners will step into an engaging story with well-performed characters, dialogue, and plot and will be left with cliff-hangers in anticipation of the next installment.
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