This week we’re discussing romance and thrillers. Join ITW Members Bernard Maestas, David M. Salkin, Alex Shaw, L.R. Nicolello, Eric Red, Mauro Azzano, Colin Campbell, Alan L. Moss and K. A. Laity as they discuss their favorite romantic thrillers.
We’ve covered weather, descriptions, and settings. This week we cover food, as ITW Members M.C. Grant, Rob Brunet, Alex Shaw, Karen Traviss, Eric Red, Mauro Azzano, Robert Boeder, Rex Burns, Colin Campbell, Tom Wither and Alan Jacobson discuss the role of “food” in contemporary thrillers. Is there room to eat amidst all the chasing?
Do readers prefer an ageless protagonist? Join ITW Members Bernard Maestas, Alex Shaw, Terry Shames, Karen Traviss, Eric Red, Mauro Azzano, Lisa Black, Colin Campbell, Alan Jacobson, Andy McDermott and Margo Kelly as they discuss when writers should provide details on age, and when those details are too much?
We have a full house this week and ITW Members Karen Harper, Kira Peikoff, Sharon Linnea, Ethan Cross, Patrick Oster, David Swatling, Ovidia Yu, Toni L.P. Kelner, Jon McGoran, Reed Farrel Coleman, B.K. Sherer, A. J. Kerns and David Healey are discussing dialogue. It can be tricky, as the author has to give each character a unique voice that is also distinct from his or her own. How do you do it?
This week we’re talking murder! Writers often strive for unusual methods of murder. Do they try too hard, and, if not, what are some of the most memorable? Join ITW Members Jon McGoran and J. H. Bográn for this week’s thrilling discussion.
This week we talk about arguably the most important people in an author’s life: readers! Join ITW Members Sharon Linnea, Arlene Kay, Michael McBride, C.E. Lawrence and Toni L.P. Kelner while they discuss how readers have helped shape their books.
The Cold War ended in the late 1980s, yet Russia still plays a key role in many modern-day thrillers. This week ITW Members Sharon Linnea, David Swatling, Todd Moss, Robert Boeder and Alex Shaw discuss some surprise cities that might take center stage in the future?
Authors cringe at mistakes in their novels. This week ITW Members Joan Hall Hovey, Ethan Cross and Jon McGoran will discuss whether or not they fling a book aside when they spot an error or if they stop reading after spotting some inaccuracy in technology or place?
Summer’s coming to an end and this week we’re talking dialogue with ITW Members M.P. Cooley, Thomas Waite, Kelli Stanley, John Florio, Ken Kuhlken, Whitley Strieber and Michael Richards. Are there specific requirements for dialogue in thrillers?
“Do day jobs get in the way of writing thrillers? When do they help?” This week ITW Members M.P. Cooley, Stacy J. Childs, Kelli Stanley, John Florio, Ken Kuhlken, Whitley Strieber, Lee Thompson, Shirley McCann, Linda Davies and Michael Richards discuss day job pros and cons!
This week we join ITW Members John Florio, A. J. Kerns, Charlie Flowers and Whitley Strieber to discuss what author blurbs. Are they over the top? Are they as effective today as they used to be? You won’t want to miss this!
Weather was long a neglected stepchild in settings, with a few perfunctory descriptions at the start of a book along the lines of “It was a dark and stormy night.” Have concerns about climate change turned that around? Or has climate change become the next perfunctory aspect of setting? This week we join ITW Members Terri Anne Stanley, Merry Jones, J. H. Bográn, Susan Froetschel, Luke McCallin, Rachel Howzell Hall and Amy Lignor to discuss!
You write what you read, or so the old saying goes. This week join ITW Members and thriller writers Amy Lignor, Steve Philip Jones, David M. Salkin, Terri Anne Stanley, Merry Jones, Maegan Beaumont, Steve Attridge, Wendy Tyson, Sam Cabot, Alan Brenham, Luke McCallin, A.J. Colucci, Robert K. Lewis and Brian Poole to ask: “Do you read or write in other genres?”
We’re back from ThrillerFest IX with ITW Members Terri Anne Stanley, DiAnn Mills, Alan Brenham, Merry Jones, Matthew Quirk, Steve Attridge, Wendy Tyson, Rachel Howzell Hall, Arthur Kerns, Sam Cabot, Kathrin Lange and Amy Lignor answering the question: “As a writer, how do you organize plot?”