The presidential campaign is starting to heat up! This week, join ITW Members Jean Heller, Alan L. Moss, Claude Berube, Bernard Maestas and Michael Byars Lewis as they debate whether thriller writers have conservative or liberal leanings. Or, are they apolitical?
This week we’re all about pacing on The Thriller Roundtable. Conciseness, partial clues, short chapters? ITW Members Brendan P. Rielly, W.D. Gagliani, Vincent Zandri, H.A. Raynes, Adrian Magson, Nina Mansfield, Jean Heller, Donna Warner, Bill Schweigart and Heather Moore describe their favorite techniques for strong pacing.
We have a full house this week! ITW Members Blair McDowell, Brendan P. Rielly, Kim Alexander, Rick Ollerman, John H. Gibson, W.D. Gagliani, Bernard Maestas, H.A. Raynes, Jean Heller, R. J. Harlick, C.E. Lawrence and Matthew FitzSimmons have gathered to answer the question: Are the lines between good and evil increasingly more ambiguous in modern thrillers?
The internet is full of helpful websites for crafting and researching plots, history, characters, setting, but are random character generators going too far? This week we’re joined by ITW Members Shiloh Walker, Terry Shames, Bernard Maestas and Jean Heller.
Are thriller writers active enough on social media? This week ITW Members Brendan P. Rielly, Larry D. Sweazy, Bernard Maestas, Chuck Greaves, Jean Heller, R. J. Harlick and S. Harrison discuss whether a writer must participate in social media, or if the constant messaging and familiarity diminish suspense?
Everyone loves a good underdog story. Underdog characters are popular in American thrillers. This week, ITW Members Blair McDowell, Brendan P. Rielly, Toby Tate. A. J. Kerns and Steve P. Vincent discuss whether or not they are as popular in international plots?
After a holiday weekend, what better time to talk about poison? This week ITW Members Bernard Maestas, J. H. Bográn, Peter Tonkin and Susan Froetschel discuss whether poison as a murder method is old-fashioned, and if there are some new methods for poisons that evade detection?
Oh, the holidays…this week we’re joined by ITW Members Paul McGoran, John Hegenberger, Patrick Kendrick, J.D. Horn, John Gaspard, Judy Penz Sheluk, Elizabeth Edmondson and Nina Mansfield to discuss whether or not the holidays can be integrated seamlessly into our plots?
This week we’re making it real! Making dialogue, settings and historical events real, that is. We’re joined by a full house ITW members, including Paul McGoran, Jennifer Kincheloe, John Hegenberger, Erica Wright, Patrick Kendrick, J. D. Horn, Sherry Knowlton, Robert McClure, Anthony Schumacher, William Lemanski, Toby Tate, D. J. Niko, Earl Javorsky, Judy Penz Sheluk and Elizabeth Edmondson.
“What does it take for a book to be a thriller?” This week ITW Members Ann Farnsworth, Paul McGoran, John Hegenberger, Patrick Kendrick, Robert McClure, Anthony Schumacher, Earl Javorsky and Judy Penz Sheluk are discussing whether the answer is the stories, global threats, slightly over the top characters, or all of the above?
This week we’re joined by ITW Members B. K. Stevens, Eric Beetner, Mick Sims and Len Maynard, Diane Kelly, Paul D. Marks, Cheryl Hollon, Peter James, Rob L. Palmer and Bernard Maestas to ask: As an author, do you find it more difficult to just read for pleasure?
This week we’re joined by ITW Members Camille Minichino, Mick Sims and Len Maynard, Paul D. Marks, Sandra Block, Leigh Perry and Rob L. Palmer as we discuss whether the layout of an author’s home, or those of friends or acquaintances, make appearances in their novels?
Trends tend to emerge among thrillers. This week ITW Members Ellen Kirschman, Mick Sims and Len Maynard, Toby Tate, Paul D. Marks, William Lashner and DiAnn Mills discuss whether a writer should try to stay current, and anticipate these trends, or avoid trends altogether?
Some editors make big changes in a manuscript. This week ITW Members DiAnn Mills, Eric Beetner, Ellen Kirschman, Mick Sims and Len Maynard, Tom Avitable, and Kira Peikoff discuss the best changes they’ve ever received from an editor, as well as the worst.