Give us the elevator pitch for THE ASCENDANT.
THE ASCENDANT is about a twenty-six-year-old bond trader—Garrett Reilly—whose specialty is pattern recognition. He makes his money tracking the flow of money on Wall Street. At the beginning of the book he discovers that someone is selling off massive amounts of U.S. Treasuries to attack the American economy. Then he discovers that it’s the Chinese. After an attempt on his life, he realizes that there is an invisible war going on between the U.S. and China. That war is economic, cyber, and psychological. The U.S. military recruits Garrett to help them fight that war, but the thing about Garrett Reilly is that he has a subversive streak a mile wide. You can ask him to do whatever you want, but there’s no guarantee he’ll actually help you, and therein lies the fun of the novel.
So is Garrett Reilly more Anti-hero than hero?
He’s both. I wanted to create a main character who represented a new generation of Americans. People in their twenties who have been raised with these concepts of the American dream—upward mobility, a government you can trust—but who are finding that those things aren’t a given anymore. You can’t necessarily make as much money as your parents, and your government sometimes lies to you. Edward Snowden is a great example of that generation. It fascinates me that half the country thinks he’s a hero, and the other half thinks he’s a traitor. People should feel the same way about Garrett Reilly. At the beginning of the book he’s out solely for himself. By the end, he might actually become a patriot…Or he might not.
Where did you get the concept of invisible war?
A charred Arab: As a client of a Swiss private bank, he invested globally in critical infrastructures. His shocking death causes the blood pressure to rise, not only in oh-so pretty Switzerland but also in the NSA.
Tom Winter, the bank’s head of security, and the attractive Egyptian businesswoman Fatima follow the money through Switzerland, to Egypt, Norway and USA and back into the Swiss Alps. They uncover explosive speculation, and they suddenly go from being hunters to hunted.
Laid-back and taciturn, Tom Winter fights his way through the jungle of intrigue with dry humor. A gripping financial thriller.
An interview with the Swiss first-time author Peter Beck about his astonishingly fast-paced financial thriller featuring a new kind of hero, Tom Winter.
The Swiss are often perceived as being boring. How did you as a born-and-bred Swiss manage to write such a fast-paced thriller?
I write what I like reading myself. I’ve been reading thrillers in English for years – mainly in the bath. Good entertainment just needs speed and a cliffhanger at the end of each chapter. The readers should get bloody fingernails.
By J. N. Duncan
I would like to welcome Michael Pocalyko to this month’s ITW Bulletin, whose debut thriller, THE NAVIGATOR, hits the shelves in June. It’s not often than an author gets to bring so much real world experience to the table when writing big thrills, but Mr. Pocalyko is a retired Naval Commander, former politician, CEO of an investment company, and is able to incorporate all of his background into an intense, action-packed thrill-ride that delves into the human psyche as much as the complexities and intrigue of politics and big business. On that note, let’s get to the good stuff and see what Michael has to say about writing and his new book.
THE NAVIGATOR covers a lot of themes. How much of this was planned before writing and how much was a consequence of just coming out in the story?
When I started writing this novel, I did have only a few major themes in mind. They’re the ones that are most evident in the finished work. How the past intrudes on our lives. The confluence of big data, big business, big technology, big government, big regulation, and big finance. Fathers, sons, and brothers. PTSD. As my writing progressed, some of the other more subtle themes began to take shape. The Cold War, for example, the Mafia subplot, Rick and Julia’s rekindling romance and their relationship as ex-spouses, or the emergence of the mysterious Israeli connection and Arab honor. Those themes definitely emerged only during the writing. I wouldn’t say that they were exactly unplanned, but they truly took on their own life and voice as this book took form. What I wanted to do more than anything was to portray the complexity and interconnectedness of our modern world, and that thrillers can be intelligent, illuminating, literary, and take on major issues.
When several people involved in bidding for an oil refinery are murdered, the situation becomes far more than a billion-dollar business deal.
A self-made woman in the oil industry, Lynn Dayton fights to save lives when escalating attacks reveal a hired assassin’s plan to disrupt oil trade, wreck world economies, and draw another global power into dangerous confrontation with the United States.
Are the killers rogue civil servants challenging the Cherokees’ financial independence, Sansei operatives again wreaking violence, or sinister investors swapping the bidding war for a real one?
Lynn Dayton and Cherokee tribal executive Jesse Drum must learn to trust each other so they can find and stop the killers. Can sobering up really be fatal? How have so many of the deaths been made to appear accidental? Who’s creating weapons with modern poisons and ancient Cherokee arts?
Three men’s lives on a knife’s edge…
Shoog Clay: The nation’s winningest inner-city high school football coach resists pressure to move up to the college level because his kids in the Bronx mean everything to him. But more powerful people won’t take no for an answer.
Antwon Meeps: One day Harriet Tubman High School’s star running back is a shoe-in for a college scholarship. The next day he’s accused of a rape he didn’t commit, his life begins unraveling, and he doesn’t know how to stop it.
The Mean: This incognito Greenwich hedge fund manager is so rich he keeps a giant sea creature as his pet. But a risky investment threatens to ruin him, and a stubborn high school football coach holds the key to his redemption. Soon a tragic hanging in the school gymnasium will lay bare a secret force that none of these men understands.
In a “dark pool” marketplace, insatiable Wall Street players have wagered everything on certain real-world outcomes. When fortunes hang in the balance, financiers cloaked in anonymity won’t hesitate to pay off their claims with the blood of others.
Dixie and I had just finished dropping my stockbroker off the end of a long pier with a concrete halibut in his arms when I bumped into author Michael Sears whose debut thriller, BLACK FRIDAYS, has been creating all kinds of buzz in both the mystery and financial community. Naturally, we sat down, opened a flask and tried not to let the bubbling pleas for help from my former broker disturb our chat.
Hey Michael: What can you tell us about BLACK FRIDAYS?
Jason Stafford, ex-Wall Street trader, is released from prison where he served two years for cooking the books and associated crimes. The only work available to him is to investigate fraud at another firm, where he quickly discovers a conspiracy that leads to murder. But the book is also a story of a man seeking redemption as he takes on the role of single parent to his five year old autistic son — the single biggest challenge of his life.
The decisions he faces help to reveal to him the man he wants to become.
One sultry morning in Charleston, South Carolina, real estate magnate Palmer Kincaid’s body washes ashore, the apparent victim of accidental drowning. Palmer’s daughter calls Grove O’Rourke, stockbroker and hero of Top Producer, for help getting her family’s affairs in order. Palmer was Grove’s mentor and client, the guy who opened doors to a world beyond Charleston. Grove steps in as the interim head of the Palmetto Foundation, an organization Palmer created to encourage philanthropy.
Community foundations, like the Palmetto Foundation, are conduits. Philanthropists gift money to them and propose the ultimate beneficiaries. But in exchange for miscellaneous benefits—anonymity, investment services, and favorable tax treatment—donors lose absolute control. Once funds arrive, community foundations can do whatever they decide.
James Conway is the pseudonym of James P. Othmer, a hedge fund insider and global strategy director at a major advertising firm. He published two satirical novels (THE FUTURIST and HOLY WATER) about the corporate world and a humorous nonfiction book (ADLAND) about the advertising business before turning his hand to a deadly serious financial thriller, THE LAST TRADE.
Conway’s hero, Drew Havens, is a young star at one of the world’s most successful hedge funds who feels guilty about getting rich from other people’s devastating financial losses. When Havens suspects that his boss is orchestrating a crash that could bring down the U.S. economy, he races to stop the scheme – and the string of stock broker murders left in its wake – before time runs out.
The Geneva Connection is about a massively successful private equity CEO, John Kent, who discovers when it is too late that his firm’s biggest investor is a front for a brutal, Mexican drug cartel. Unknowingly, he has been investing and laundering illicit drug money.
The cartel kills one of the firm’s partners to guarantee Kent’s silence. His nightmare worsens when the ambitious head of investigations at the DEA leans on him to provide evidence against his criminal investors.
Kent is trapped between the cartel threatening his life and the DEA who will lock him up if he does not cooperate.
Kusanagi, the priceless sword of the Japanese crown jewels, that must be at the coronation of every Japanese emperor, is missing.
Danny, a navy seal out of his element, is in London to sell a precious artefact – a gold ingot from an ancient sea wreck off the coast of Japan.
Jim Evans, retired whizz kid trader, is young and impossibly rich. Through a chance meeting in a London auction house with Danny he acquires the gold ingot and realises it is just the tip of a huge medieval fortune.