When an old acquaintance of Van Shaw’s late grandfather—a terminally ill ex-con—shows up in Seattle, he offers the broke veteran a money-making opportunity that sounds like a thief’s dream: an easy fortune in gold, abandoned and nearly forgotten after its original owner died. The grandson of a career thief who taught him all the tricks of his trade, Van knows that nothing is ever quite as easy as it seems. The safe holding the fortune turns out to be a trap—deadly bait set by a malevolent player armed with tremendous resources, an army of hunters, and a lifetime of hatred. For Van, every day above ground is a good day, and all the better if he can stay on the right side of the law, even though crime is his gift . . . and in his blood.
Glen Erik Hamilton discussed his latest thriller, EVERY DAY ABOVE GROUND, with The Big Thrill:
Jon Catlett and Paul Frank have turned their once-failing used bookstore into one of the most thriving businesses in the Highlands. But they paid in blood for their success, for Second Story Books is not just another dusty thrift shop, but a front for the largest heroin distribution network ever based in Louisville.
The two eccentric intellectuals-turned-gun thugs enlist the help of an unscrupulous narcotics cop nicknamed Mad Dog, and a former marine importing dope through Fort Knox from Afghanistan that is purer than anything the city has ever seen. Inbetween trading muzzle flashes with a corrupt and psychotic DEA agent and thwarting two crusading homicide detectives, Catlett and Frank plan to corner the market…or at least everything South of Cincinnati.
The Big Thrill recently caught up with Jonathan Ashley to discuss his latest thriller, SOUTH OF CINCINNATI:
Michael Skellig is a limo driver waiting for his client in the alley behind an upscale hotel. He’s spent the past twenty-eight hours ferrying around Bismarck Avila, a celebrity skateboard mogul who isn’t going home any time soon. Suddenly the wind begins to speak to Skellig in the guttural accent of the Chechen torturer he shot through the eye in Yemen a decade ago: Troubletroubletrouble. Skellig has heard these warnings before—he’s an Army Special Forces sergeant whose limo company is staffed by a ragtag band of wounded veterans, including his Afghan interpreter—and he knows to listen carefully.
Skellig runs inside just in time to save Avila from two gunmen but too late for one of Avila’s bodyguards—and wakes up hours later in the hospital, the only person of interest in custody for the murder. As for Avila? He’s willing to help clear Skellig’s name under one peculiar condition: that Skellig become Avila’s personal chauffeur. A cushy gig for any driver, except for the fact that someone is clearly trying to kill Avila, and Skellig is literally the only person sitting between Avila and a bullet to the head.
The Big Thrill recently caught up with Hart Hanson to discuss his new release, THE DRIVER:
Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become not only an unlikely millionaire, but an occasional unlicensed private investigator, doing favors for friends and people in need. When his stepdaughter Erica asks him for just such a favor, McKenzie doesn’t have it in him to refuse. Even though it sounds like a very bad idea right from the start.
The father of Malcolm Harris, a college friend of Erica’s, was found murdered a year ago in a park in New Brighton, a town just outside the Twin Cities. With no real clues and all the obvious suspects with concrete alibis, the case has long since gone cold. As McKenzie begins poking around, he soon discovers another unsolved murder that’s tangentially related to this one. And all connections seem to lead back to a group of friends the victim was close with. But all McKenzie has is a series of odd, even suspicious, coincidences, until someone decides to make it all that more serious and personal.
Author David Housewright was kind enough to discuss his latest thriller, WHAT THE DEAD LEAVE BEHIND, with The Big Thrill:
By George Ebey
Fast-paced thrills await in author Tom Pitts’s latest novel, AMERICAN STATIC.
After being beaten and left for dead, Steven finds himself stranded alongside the 101 freeway in a small Northern California town. When a mysterious stranger named Quinn offers a hand in exchange for help reuniting with his daughter in San Francisco, Steven gets in the car and begins a journey from which there is no return. Quinn has an agenda all his own and he’s unleashing vengeance at each stop along his path. With a coked-up sadist ex-cop chasing Quinn, and two mismatched small town cops chasing the ex-cop, Steven is unaware of the violent tempest brewing.
The Big Thrill recently caught up with Pitts to learn more about this supercharged new tale of crime and suspense.
Tell us a little about your main character, Steven. What’s his journey been like up until now?
In many ways, Steven is like all of us were at his age. He’s naive, but he thinks he knows everything about anything. He grew up in a hip but sheltered household, raised by hippies in the deep woods of Northern California—the kind of parents who thought they were doing their boy a favor by keeping him from the world’s evils.
By Karen Harper
Brian Klingborg comes to this first novel with screenwriting and publishing credentials. Even reading about KILL DEVIL FALLS, I’m impressed with the fantastic setting for a rural noir, as well as the irresistible title. This premier book is prime for screen treatment.
And as a former teacher of writing, I must say, any writer could learn a lot from Klingborg’s take on dialogue, and the discipline it takes to get a book written.
In this interview with The Big Thrill, Klingborg shares some of that expertise and provides insight into his debut, KILL DEVIL FALLS.
Please tell us what your book is about.
KILL DEVIL FALLS is about a U.S. Marshal, Helen Morrissey, who travels to a remote, and nearly abandoned mining town high in the Sierra Nevada mountains to collect a fugitive. Soon after she arrives, her car is sabotaged and the fugitive is murdered. Now she’s trapped in this godforsaken place, surrounded by a handful of menacing oddballs and outcasts, while she tries to figure out who the killer or killers are, and why the murder was committed.
Even as the excitement over Susie Steiner’s first crime novel, Missing, Presumed, is reaching new peaks, the author’s second book in the series featuring Detective Manon Bradshaw, PERSONS UNKNOWN, hits stores this month. Missing, Presumed was recently shortlisted for the Theakston Old Peculier Crime Novel of the Year, one of the UK’s most prestigious awards for crime fiction.
If anything, however, the new book ramps up the stakes for Steiner’s protagonist, with those she loves among the suspects in a high-profile murder case. Add to that a detective who is five months pregnant while trying to be a good mother to her two children, and the complications multiply.
“The story is based on a real miscarriage of justice, which took place following a stabbing in London in 2011,” Steiner says. “I heard the story—or the remarkable ‘twist’ in the story—from a lawyer friend of mine over dinner. I then contacted the barrister in the case, and interviewed him, then the solicitor, and got a copy of the pathology report. So the spine of my story took place in real life.”
A former journalist for The Guardian, Steiner took time out of her busy schedule to share some additional insights with The Big Thrill into her character and her writing life.
In Iraq, a shipment of $9 billion in cash goes missing. Each effort to find it ends in death. In Southern California, a mercenary’s murder, a severed head, and a bloody hand-written message spark a massive manhunt.
The man connecting these two events is William Butcher, aka: The Butcher. Those who stole the money want him dead. The cops want him for murder. Butcher’s only hope is his former NCIS colleague and closest friend, Linus Schag.
Torn between loyalties, Schag walks the thin line between doing his job or betraying his friend. Working from opposite ends, Schag and Butcher peel back the layers of conspiracy, revealing a criminal enterprise reaching into the highest levels of government.
Torn from today’s headlines, the plot of THE BUTCHER’S BILL ranges from the California mountains to the waters of the Pacific, and will keep readers on edge until its final, explosive climax.
Martin Roy Hill spent some time with The Big Thrill discussing his novel, THE BUTCHER’S BILL:
Storey takes the job but soon finds himself involved in more than driving. There’s a murder. And conspiracy. And another murder.
And then the real trouble starts.
ONE PUNCH continues the series begun by Storey, described by one reviewer as a “highly intelligent, witty and well-plotted thriller”, and by others as “very entertaining”, “a great read” and “an unusual thriller.”
If you like thrillers with surprising characters, intricate plots, lots of humor and exciting action, then ONE PUNCH should fit the bill.
Author Keith Dixon sat down with The Big Thrill to discuss his novel, ONE PUNCH:
Times are tough. Cabbie Lester Banks can’t pay his bills. His gorgeous young neighbor, Chelsea, is also one step from the streets. Lester makes a sordid business deal with her. Things turn out worse than he could ever have imagined.
“Alec Cizak demonstrates in DOWN ON THE STREET that he remains among the top fiction writers alive, regardless of genre. This is a crime story, but it’s so much more. Words like sharpened blades cut out the reader’s heart, emotionally and otherwise. I read this novella in a burst. A week later, I’m still absorbing it.” —Rob Pierce, author of Uncle Dust and With the Right Enemies.
Alex Cizak spent some time with The Big Thrill discussing his latest novel, DOWN ON THE STREET:
What do you hope readers will take away from this book?
Being poor sucks.
Gambini is back! Hot on the heels of rescuing his cousin Bill and Bill’s friend, Stan from an Alabama electric chair, our wildly inappropriate hero, Vincent Gambini heads home to Brooklyn where he attempts to establish a successful law career. Meanwhile, Lisa aches to have a wedding band placed around her finger and her biological clock is still ticking away like mad. Vinny and Lisa have been together ten long years. She’s waited so very patiently for him to complete law school and pass the bar. Winning his first case was the last piece of the puzzle, and now nothing can stand in the way of true love, except that between them they don’t have two nickels to rub together, and Vinny is about as romantic as a box of frogs.
In the course of building his practice, Vinny is reunited with Joe, his walking, talking embarrassment of a brother, Lisa’s nudging parents, Ma and Augie, and his dear old friend Judge Henry Molloy, who refers him the mother of all capital murder cases.
Theresa Cototi is young and pretty but far from innocent, and darn her luck … her boyfriend has just been scraped off the pavement after taking a header from eight- stories up. You’d better believe she’s going to trial, charged with murder one.
Aided by Lisa and a ragtag team of misfits, Vinny defends his client against overwhelming odds. Our endearing neophyte attorney must match wits with a cunning DA and a formidable influence peddler, who appears to anticipate his every move. In the balance hangs the life of a woman he believes to be innocent. Or is she?
Yes, Vinny may have finally won his first case but his and Lisa’s story is far from over.
Am I sure?
Yeah! I’m pos-i-tive!
Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become not only an unlikely millionaire, but an occasional unlicensed private investigator, doing favors for friends and people in need. When his stepdaughter Erica asks him for just such a favor, McKenzie doesn’t have it in him to refuse. Even though it sounds like a very bad idea from the start.
The father of Malcolm Harris, a college friend of Erica’s, was found murdered a year ago in a park in New Brighton, a town just outside the Twin Cities. With no real clues and all the obvious suspects with concrete alibis, the case has long since gone cold. As McKenzie begins poking around, he soon discovers another unsolved murder that’s tangentially related to this one. And all connections seem to lead back to a group of friends the victim was close with. But all McKenzie has is a series of odd, even suspicious, coincidences until someone decides to make it all that more serious and personal.
Author David Housewright recently sat down with The Big Thrill to discuss his novel, WHAT THE DEAD LEAVE BEHIND:
When a packed commuter train runs over a body on a stretch of track known to locals as “Suicide Mile,” it soon transpires that the man was a victim of a calculated murder.
As the investigation evolves and a pattern of murders is uncovered, Detective Sergeant Kay Hunter realizes the railway’s recent reputation may be the work of a brutal serial killer.
With a backlog of cold cases to investigate and while attempting to uncover who is behind a professional vendetta against her, Kay must keep one step ahead of both the killer and her own adversaries.
When a second murder takes place within a week of the first, she realizes the killer’s timetable has changed, and she’s running out of time to stop him.
WILL TO LIVE is the second book in a new crime thriller series featuring Kay Hunter—a detective with a hidden past and an uncertain future.
Author Rachel Amphlett chatted with The Big Thrill to discuss her latest novel, WILL TO LIVE:
The first was a low level gangster named Carlo “Carly Nickels” DeCenzo—lying on a slab in the Blount County morgue with Sam’s name and phone number written on a scrap of paper in his pocket.
Next there’s Gino Musucci, infamous Northeast crime boss who says he wants to retire and relocate—to Sam’s town of Prospect, Tennessee.
And there’s Dixie Foster, Sam’s former secretary and the woman who wanted to steal him away from his wife. Sam wonders why she’s turned up after eighteen years.
With DeCenzo’s murder unsolved, another body shows up in a Prospect motel—that of a retired detective and co-worker from Sam’s past.
When Sam receives a letter from an old mobster who warns him about a contract on his life, he wonders: Is this any way for a cop to spend his time on the “peaceful side of the Smokies?”
Uriel E. Gribetz was born and raised in the Bronx, New York, and served nearly thirty years in the public defender’s office in that borough. He took up creative writing at the age of eighteen, at the Bennington Writers Workshop, and has published short stories and essays, along with two novels. His first novel, Taconic Murda, was released in 2014.
HUNTS POINT, Gribetz’s new release, was actually the first book he worked on. Set in his beloved Bronx, the story revolves around a damaged hero named Sam Free who seeks justice for the weak, this time a young man called Jonah who is wrongfully convicted of a grisly murder. HUNTS POINT was released this April by Perfect Crime Books. The Big Thrill interviewed Gribetz about the novel.
Your latest publication centers on a wrongful conviction. Tell us about the young man, and how your life as a public defender helped you create this character.
Sometimes things happen to people that they have no control over and these events shape their lives. Recently I had a seven-year-old client whose mother’s boyfriend murdered his mother and his siblings. The client was stabbed fifteen times, but he survived. How do you get past something like that? I see horrible, awful things that happen to people, yet they are able to survive and go forward.
In the book, Jonah, as a child, was nearly murdered by the Super’s helper in his building. That event shaped him. Jonah’s story is his quest to no longer be a victim of his circumstances. In fact, when Sam Free visits Jonah in prison, Jonah tells Sam that he refuses to be a victim anymore. The strength and resiliency of the human spirit is truly amazing, and I try to capture that with Jonah.
Southern California, 1986. Detective Ben Wade has returned to his California home town of Rancho Santa Elena for a quieter life. Suddenly, the town, with its peaceful streets and excellent public schools, finds itself at the mercy of a serial killer who slips through windows and screen doors, shattering illusions of safety. As Ben and forensic specialist Natasha Betencourt struggle to stay one step ahead of the killer, Ben’s own world is rocked again by a teen’s suicide. Ben must decide how far he is willing to go, and how much he will risk, to rescue the town from a long buried secret, as well as from a psychotic murderer. Shadow man brings us into the treacherous underbelly of a suburban California town, and a community confronted with the heart of human darkness.
Author Alan Drew was kind enough to spend some time with The Big Thrill discussing his latest novel, SHADOW MAN:
What do you hope readers will take away from this book?
The serial killer in the novel is loosely based on Richard Ramirez, The Night Stalker, who terrorized Southern California the summer of 1985. While this book is a thriller, it is also an investigation of a place. The book is set in master-planned Rancho Santa Elena, a community that feels insulated from the crimes that happen in other towns. There’s another crime in this book, a more subtle and in some ways more devastating one, that complicates the narrative—it also complicates the life of detective Benjamin Wade as he goes deeper into the investigation of it. A crime that is caused by something dark within Rancho Santa Elena that suggests that the things we should fear the most are not outside, hiding in the dark, but are perhaps much closer to home.
By George Ebey
In her book THE WEIGHT OF NIGHT, Christine Carbo brings us the latest installment in her Glacier Mystery Series.
As a devastating fire rips through the magnificent and brutal terrain of Glacier National Park, a shallow grave containing human remains is found. At the same time, a teenager suddenly goes missing from one of the campgrounds. Could the two cases be connected? Park Police Officer Monty Harris and crime scene investigator Gretchen Larson are determined to find out, no matter what dangers lie ahead.
The Big Thrill checked in with Christine to learn more.
What do you hope readers will take away from this book?
This is the third in a series called Glacier Mystery Series: however, each book stands alone, similar to Tana French’s Dublin Murder Mystery Series. Because each book stands alone, I try to play out the complete arch of the main character(s). And in that process, I try to shoot for something that ends up transcending the central mystery. Therefore, I hope that readers will feel that THE WEIGHT OF NIGHT is more than a mystery to be solved, and that it’s also a novel of friendship, survival and redemption set against a stark and stunning landscape
Danny Gardner first made a name for himself as a stand-up comedian on HBO’s Def Comedy Jam. So, what’s he doing scribing dark, gritty tales of crime in 1950s Chicago? Turns out the author of A NEGRO AND AN OFAY has also toiled in scriptwriting, acting, and directing—a real Renaissance Man of the literary arts.
“When you take them separately, it seems like a lot,” he says. “But be it stand-up, or screenwriting, or acting, it all comes from my deep, spiritual love for words. First, comedy and acting gave me a career and, eventually, a small place in pop-culture. Now that I’m a published novelist, it’s the ultimate expression of that love. I’m always going to write, be it the next Elliot Caprice novel, or just doing improv on stage for ten minutes. That’s who I am. That’s how I love myself the most.”
In addition to his comedy bits, Gardner is a frequent reader at “Noir at the Bar” events nationwide, and blogs regularly at 7 Criminal Minds.
Fortunately, the transition from the stage to the keyboard wasn’t hard.
“Once I gave myself a chance, I realized my talent was suited for long-form writing,” Gardner says. “I’ve found the proper outlet for my creative desires. I could finally stop cramming all the world building and multiple points of view into screenplays and comedy bits.”
In this interview with The Big Thrill, Gardner shares details about A NEGRO AND AN OFAY, its genesis, and his story of success.
By Karen Harper
I learned a lot interviewing Dana King, since he writes books that are more hard boiled than mine, but I also learned we have a lot in common. We are both drawn to small town settings where the enemy is often us—someone we know—and life is definitely not glitz and glamor. His unique career background has prepared him well for writing both long and short fiction.
Read on to learn more about his new thriller, RESURRECTION MALL.
Please tell us what your book is about.
RESURRECTION MALL is the story of a town fallen on hard times. Various solutions promise grand results, but the profits always go to a select few pockets. There seems to be no downside to a televangelist’s efforts to rebuild an abandoned shopping center into a mall that caters to religious-themed businesses, with his new church and TV studio serving as the anchors. The problem is that low-profit enterprises not only have trouble raising seed money, they often can’t afford to do the research needed to fully understand why no one else has found a good use for this location. The book is about what happens when an event totally unrelated to the mall’s construction might bring down the entire project.
Is the setting of Penns River based on a place you know or, if not, how does it work well for your story?
I grew up in Penns River. Well, the three small towns near Pittsburgh that make up my Penns River. I was struck one day about how big cities have always been well represented in crime fiction, and now writers like Daniel Woodrell are giving voice to more rural areas, but I couldn’t think of anyone writing about the problems of the towns that bridge the two, and what happens when industry leaves and never comes back to a place that lacks the population density to attract new businesses. Pittsburgh reinvented itself as a center for medicine, education, and finance, but that prosperity never seems to make it up the Allegheny River.
You have a varied career background as musician, school teacher, and systems analyst. Have any of these pursuits contributed to your writing?
Teaching has to some extent. I taught in a high school close to the border between Washington, DC and Hyattsville, MD that was 80 per cent minority. I grew up in a working class small town that had no more than half a dozen black kids out of 900 in my high school. Teaching those couple of years developed my sense of empathy, and showed how similar most people are despite superficial differences. It’s been a great help with my characters.
More than that, though, is the musical background. Besides exposing me to things and people I never would have been aware of, it developed my ear. Not only is that essential for good dialogue, but it allows me to know if I’m capturing the voice I’m looking for. There are times when I’ll replace a word the dictionary says would be more appropriate because the one I chose sounds better.
Your excellent reviews and websites describe your work as mystery and thriller. Do these two terms fit only certain of your novels, or are these book genres reflected in each of your books, especially RESURRECTION MALL?
I can’t say there’s a lot of mystery in my books. Even in my private eye novels, where the reader learns the clues as Nick Forte discovers them, Forte often solves the mystery well before the end of the book. After that it’s a matter of finding out what he’s going to do about it.
RESURRECTION MALL has a similar element. The cops have a pretty good idea who they’re looking for less than halfway through the book. The suspense lies in seeing what they can do about it, and how timely they’ll be.
There are certainly elements of noir in RESURRECTION MALL—I doubt anyone would describe the ending as happy—but I don’t really think of myself as a noir writer. I know people who disagree, so I could be wrong. To me, true noir has a bad outcome for the protagonist. Most of my stuff has a bittersweet ending for the main character, so I think of it as noir-ish. (Or gris, as my Francophile daughter and I decided one day.) My writing style is clipped and hard-boiled, which lends itself to noir, which may be what some are picking up on.
Speaking of the fascinating concept of a “religious themed mall,” did a particular place inspire that idea? I’m thinking of Kentucky’s Creation Museum or the Holyland Experience outside Orlando.
I first got the idea to “resurrect” a mall when I lived near Chicago and occasionally drove past the abandoned Dixie Square Mall in Harvey, IL, where they filmed the great chase scene in The Blues Brothers. The idea of something left for dead like that combined with the evangelical Christian concept of being born again, then placing the entire operation in an impoverished location, appealed to me.
As well as novels (including a Shamus Award), you have also written highly-praised short fiction. Do you prefer one format or the other? What (other than writing time) are the pros and cons for you of these different forms?
Sorry to disagree, but I have to set the record straight: I haven’t won any Shamuses. I have been nominated twice, each of which was a great thrill. I believe that P.I. fiction done well is the highest form of crime writing, so to have a group like the Private Eye Writers of America think that highly of my work is beyond flattering.
To your question, short stories are much harder for me. They’re in an area between writing a flash piece—which I enjoy—and a novel, which I love. The problem with short stories is that if I like a mix of idea, characters, and location enough to write five thousand words, my mind naturally keeps thinking of what happens next and pretty soon I’m outlining a novel. That’s not a problem for a flash piece, because of the natural limitations in scope of a story of fewer than a thousand words.
I find myself needing to write more short stories of late, and I have to confess, about half of them are either flash pieces that lent themselves well to expansion, or bits excised from novels that stand alone well. Even then I write on the short side for almost all my stories, around 1,500 to 2,000 words, or about the length of an average chapter in one of my novels.
You are also adept at writing a series, something I find more challenging than single title books. Are continuing characters a challenge for you or a boon, as in your Nick Forte series?
A boon, absolutely. No question. I constantly find myself watching TV or a movie and wondering, “What would Nick do here? What would Doc do?” It even happens when I’m out places. Say I’m meeting someone in a deli and I’m there first. (Which I almost always am. I’m pathologically punctual.) If I forgot to bring a book I’ll kill the time casing the joint, trying to look at it as one of my characters might.
I enjoy being in the characters’ worlds so much I crossed the two series over and brought Nick Forte to Penns River as a “guest star” in Grind Joint. I had a need for a character just like him and decided he was actually first cousins with Ben Dougherty and grew up in Penns River. It was great fun to write him in the third person to show how other people viewed him.
You have a great blog on how well the classic TV series NYPD Blue holds up over time. Why does that series still work for you, even though, as you say, the police methods are dated? Any current “cop shows” that pass your muster?
NYPD Blue holds up so well for three critical reasons. As I said in the blog, the execution is almost flawless. That goes a long way toward carrying off anything else that might show a little age.
Second is the situations the characters find themselves in. The show is largely about cops’ perspectives on interpersonal dynamics that have been true probably since before language developed. This is why shows like The Honeymooners and All in the Family are still popular. They’re about people, and people as a species don’t change that much.
From the cop angle the show continues to work because, for all the cool CSI stuff we see now, cases are still broken using much the same techniques cops use on the show: paying attention and talking to people. Fibers and DNA may seal a conviction, but someone has to catch the bad guy first. One of my proudest moments as a writer came on a Bouchercon panel a couple of years ago when Jim Born, a retired cop and that day’s moderator, inserted a comment when I gave that answer to a question, saying, “Listen to that. He’s absolutely right.” Made my day.
As for current cop shows, I have to confess that I don’t watch any. That’s not to rip them. I just don’t have time. The little bit of television I watch is spent on things that have already passed muster, either revisiting favorites of mine (The Wire, The Shield, Justified) or something else that people I trust keep telling me I really, really, really, need to see. Which is how I came to “discover” NYPD Blue a mere 22 years after it first aired.
As a busy writer, can you give other authors advice on how to balance writing time with “real life?” Any hints of getting the words on the page?
I can, but it probably won’t help. It’s a matter of butt in seat, fingers on keys. Some days are better than others, but get something done every day, even if it stinks. That’s what rewriting is for. I do five or six drafts of each book, so bad days don’t concern me that much. My idea is I won’t have bad days every time I work this section. Over time I’ll get it where I want it.
I also have two advantages a lot of writers don’t. I’m a classically trained musician and played professionally well into my thirties. Musicians are used to spending hours a day locked in small rooms practicing. The primary difference is that writing is creative and playing music is interpretive. Both activities cut you off from outside contact, so you need to be comfortable with it.
The other advantage I had, and have, is that by the time I got serious about writing I had no small children around the house. That’s not a rap on children. If my daughter were little and around when I started out as a writer, damn right I’d spend the time with her. Kids are always more important. I’ll never criticize those who can’t find time to write because they’re doing things with their kids. My luxury has been in never having to choose.
Dana King has two Shamus Award nominations, for A Small Sacrifice and The Man in the Window. His Penns River series of police procedurals includes Worst Enemies and Grind Joint, which Woody Haut, writing for the L.A. Review of Books, cited as one of the fifteen best noir reads of 2013. A short story, “Green Gables,” appeared in the anthology Blood, Guts, and Whiskey, edited by Todd Robinson. Other short fiction has appeared in Spinetingler, New Mystery Reader, A Twist of Noir, Mysterical-E, and Powder Burn Flash.
To learn more about Dana, please visit his blog, One Bite at a Time. He lives in quiet near seclusion with The Beloved Spouse.
In 1946 Archeologist and former SOE operative Duncan Forrester returns to his wartime haunts in Greece to retrieve an inscription which may be the key to Minoan civilisation. But Greece is on the verge of civil war, and when a Greek poet is murdered, Forrester finds himself in the middle of a clash between communism and democracy, on a mysterious Aegean island haunted by a mythical past.
THE AGE OF OLYMPUS author, Gavin Scott, recently spent some time with The Big Thrill discussing his novel:
What do you hope readers will take away from this book?
I hope readers will take away not just the satisfaction of a mystery solved, but the feeling that they’ve actually spent time in the Greece and Crete of 1946 and magical Aegean islands in the era before mass tourism, exploring Crusader Castles and ruined temples and hidden coves where the ghosts of ancient gods still linger.
Shayna Billups left Tommy Ruzzo and Seatown, Florida in smoking ruins before escaping to New Orleans. She’s slinging rum drinks at a pirate-themed dive bar when a treasure map grabs her attention. All alone and thirsting for adventure, Shayna follows the clues to North Carolina where she assembles a band of drug-dealing pirates to wage war on a murderous mayor and his blood-thirsty biker gang.
As the bodies pile up, Shayna wonders if Ruzzo will find her before she ends up in Davy Jones’ Locker.
Author S. W. Lauden recently took some time to discuss CROSSED BONES with The Big Thrill:
What do you hope readers will take away from this book?
I’ve heard it said that “love can make people do crazy things.” I’ve also been told that “life will take you funny places if you let it.” This book tests Tommy Ruzzo’s devotion to Shayna Billups, and the results are a bloody mess.
By Dan Levy
Except for a brief stint when he wanted to become a real-life Indiana Jones, J. T. Brannan knew he was going to be a writer early in life. Though a whip and fedora have never been required equipment for Brannan’s varied careers, his resume paints a picture of someone who is predisposed to that level of adventure. It’s hard to believe that someone who is a former national karate champion and nightclub bouncer, and who now serves as a martial arts instructor and member of the British Army Reserves, has the temperament to sit down and write fourteen novels.
But he does, and did. For his fifteenth publication, RED MOON RISING, ITW wanted to learn more.
What started you writing and what keeps your writing today?
I’ve wanted to write for a living since I was about six years old. The motivation is still the same: it is an outlet for my imagination, influenced by a steady diet of books.
An ex-cop who navigates by a moral compass stubbornly jammed at true north, Dave Wakeland is a talented private investigator with next to zero business sense. And even though he finds himself with a fancy new office and a corporate-minded partner, he continues to be drawn to cases that are usually impossible to solve and frequently don’t pay.
When Wakeland is hired by a terminally ill woman to discover the whereabouts of her adopted child—who disappeared as an adult more than a decade earlier—it seems like just another in a string of poor career decisions. But it turns out this case is worse than usual, even by his standards. With only an anonymous and vaguely-worded tip to guide him, Wakeland interviews an imprisoned serial killer who seems to know nothing about the case, but who nonetheless steers him toward Vancouver’s terrifying criminal underworld.
It all goes downhill from there.
Jack Murphy knows a setup when he sees one. Proving it makes his day. Especially when it involves his own partner. Lured into a trap, Evansville P.D. Detective Liddell Blanchard is accused of murdering a cop who was investigating a shadowy voodoo cult. Justice is murky enough in the swamplands of Louisiana, but when a purported descendent of Marie Leveaux menaces a murder investigation, the gumbo really hits the fan. Corruption comes with the territory. But there are darker forces at play—and only Murphy can see the light.
Author Rick Reed spent some time with The Big Thrill discussing his latest novel, THE DARKEST NIGHT:
What do you hope readers will take away from this book?
There is a connection between police partners that equal that of a marriage. My series explores the bounds of those connections and lets the reader decide for themselves just how they would react and how far they would go to protect their partner or loved ones. Readers of my books enjoy the camaraderie of my usual characters—Jack Murphy, Liddell Blanchard (aka/Bigfoot), Deputy Chief Richard Dick (Double Dick), and Little Casket (coroner), to name a few.
THE DARKEST NIGHT is my attempt to develop Liddell Blanchard to allow readers to have a glimpse into his past (and what lies in store for him).
Christmas Day, 1796, on Romney Marsh. Two servants, foraging at New Hall for firewood on a freezing afternoon, discover an unexpected Christmas offering: a corpse, frozen into the ice of the horse pond. It falls to Reverend Hardcastle, justice of the peace in St Mary in the Marsh, to investigate.
At first, with the victim’s identity unknown, no murder weapon and no suspects, the task seems hopeless. But as the winter days pass, Rev Hardcastle and Mrs Amelia Chaytor slowly begin to unravel the case—and find more than they bargained for. The body leads them to an American family torn apart by war and intent on reclaiming their ancestral home, and to a French spy returning to the scene of his crimes. Ancient loyalties and new vengeance all add up to mystery, intrigue and danger, and an explosive climax.
The Big Thrill had the opportunity to discuss A. J. Mackenzie’s latest thriller, THE BODY IN THE ICE:
Former Texas Ranger Arlo Baines didn’t come to the tiny West Texas town of Piedra Springs to cause trouble. After his wife and children were murdered, Arlo just wants to be left alone. Moving from place to place seems to be the only thing that eases the pain of his family’s violent end.
But a chance encounter outside a bar forces him to rescue a terrified woman and her children from mysterious attackers. When the woman turns up murdered the next day—her children missing—Arlo becomes the primary suspect in exactly the same type of crime he is trying desperately to forget.
Haunted by the fate of his family, and with the police questioning the existence of the dead woman’s children, Arlo decides it’s his duty to find them. The question is, just how deep will he have to sink into the dusty secrets of Piedra Springs to save them and clear his name?
The Big Thrill caught up with author Harry Hunsicker to discuss his latest novel, THE DEVIL’S COUNTRY:
In a series of brutal murders, three young women have been killed on the subway, and panic spreads through the transit system. To make matters worse, one of the investigating detectives is considered a suspect. Detective Inspector Ian McBriar and his team need to track down the real killer before more lives are lost. The one thread that links the deaths together is a thin one, and the only thing the murders have in common is something that makes no sense. This may be Ian’s last case: ghosts from his past, and a chance for a better future, could change his life.
DEATH NEVER LETS GO is the fourth exciting instalment in the Ian McBriar Murder Mystery series, set in Toronto in 1975, the story of a Metis police detective who conquered bigotry, prejudice, and his own personal tragedies to succeed.
Author Maura Azzano took some time to discuss her latest novel, DEATH NEVER LETS GO, with The Big Thrill:
Armand Rosamilia has a lot going on in his head. At any given moment, he could be writing a crime thriller, a zombie novel, an over-the-top humor book, or a paranormal thriller. With more than 150 stories published—from shorts to novellas to novels—the only time he’s not writing is when he’s sleeping.
“I keep it all in my head,” the New Jersey boy and Florida transplant says. “I usually write three to five projects at once. I’m not sure how I do it. I just do it. “
Rosamilia’s latest, DIRTY DEEDS 3, continues a crime thriller series starring main character James Gaffney. This time around he’s called upon to give testimony against The Family, a branch of the New Jersey mob operating in Philadelphia. The Philly crew takes exception to Gaffney’s impending testimony and attempts to eliminate him. At the same time, the FBI is working hard to implicate him on kidnapping and child deaths spanning many years.
You don’t have to read Gaffney’s two prior adventures to enjoy this one, but Rosamilia admits it helps to know his full backstory, so we started there.
Who is James Gaffney and what drives him?
James Gaffney is a man hired to kill children. If you’re a sports star or a rock star or a millionaire and you’ve had a baby with someone and it’s making your life complicated, James Gaffney will take care of it. Only he doesn’t actually kill the child. He saves them, gives them a new life. He’s part of this system himself, so he knows what it’s like to have a parent or parents who want you dead. It has guided him into his mid-forties.
By George Ebey
DERANGED by Jacob Stone is the first in a brand new thriller series featuring former LAPD detective turned consultant Morris Brick.
They call him the Skull Cracker Killer. He drugs his victims. Breaks open their skulls with a hammer and chisel. The rest is inhuman. Five years ago he terrorized New York City, claiming twelve victims before the killing stopped. Now he’s racking up victims on a fresh hunting ground. Where former LAPD homicide detective Morris Brick is working as a consultant on a serial-killer film. Where a desperate mayor pleads with Brick to take on the case. And where the only way he can stop the next wave of murders is by outsmarting a madman—before he strikes again, this time much too close to home . . .
The Big Thrill recently caught up with the author to learn more about this exciting new series.
What first drew you to writing crime stories?
I’ve been an avid reader of crime and mystery fiction since I was a teenager. Some of my favorite writers include Dashiell Hammett, Rex Stout, James M. Cain, Jim Thompson, Donald Westlake, and Ross Macdonald, and so it made sense that when I started writing I’d be drawn to crime fiction, although I also write horror. So far I’ve had eleven novels published (DERANGED will be my 12th), as well as dozens of short stories, and I’ve written everything from lighthearted and amusing mysteries to pitch-black noir. While there’s a big difference between my lighthearted Julius Katz stories and my noir novels, like Small Crimes and Pariah, what they have in common is that the stories are driven by tension and suspense, and even humor, and those elements are partly why I enjoy writing crime fiction so much.
But questions gnaw at his gut: Where have his folks disappeared to? Why do old friends want him gone? And who wants him dead?
Teaming with his high school sweetheart turned legal Valkyrie, a hulking body shop bodybuilder, and a razor-wielding gentleman’s club house mother, Jay will unravel a tangle of deception all the way back to the bayous where he was born. With an iron-fisted police chief on his tail and a ruthless mob captain at his throat, he’ll need his wits, his fists, and his father’s trusty Vietnam war hatchet to hack his way through a toxic jungle of New Jersey corruption that makes the gator-filled swamps of home feel like the shallow end of the kiddie pool…
The Big Thrill had a chance to catch up with Thomas Pluck to discuss his latest novel, BAD BOY BOOGIE: