By Amy Lignor
Joan Hall Hovey is the definition of an “artist.” From her writing that has taken the form of suspense novels, as well as short stories and articles, this woman has not only taken the suspense world by storm, but also dabbles in the theater community. In addition, Joan makes time to work with other authors, giving them the information and help they need to embrace their talent and become a part of the literary world.
Born and raised in Saint John, New Brunswick, Joan has a family she adores, including Scamp, the family dog. She looks out every day at tall pine trees and the stunning view of the Kennebecasis River. But although that view is certainly inspiring, her fans will tell you that it is Joan’s view—the scenes and characters within her own creative mind—that is truly unforgettable. This is a talent who brings vibrancy to the page, creating locations that, even in the light of day, chill readers to the bone.
The works of Poe, King, and other masters of the mystery world inspired Joan to write. And now, with her latest novel—THE DEEPEST DARK—she once again hits the nail on the proverbial head, drawing readers into a world of fear that will leave them absolutely breathless.
Let’s begin at the beginning. You have an incredible mind for suspense, and are able to weave together an absolutely frightening plot. When was it that you decided to become a suspense author? Was there a specific reason why you chose that genre?
Like most authors of suspense, I have always been drawn to the dark side of human nature. From childhood I loved anything that was scary; from zombies to vampires to noir movies. Bela Lugosi, Boris Karloff, Vincent Price—these were my anti-heros. I read stories by Edgar Allan Poe, Shirley Jackson, and others. When you love the genre, you immerse yourself in voices that write in that genre, until finally you want your own voice to rise from the page.
Early on Ethan Cross knew he wanted to be a writer. With a partially finished screenplay in high school, he contemplated a move to California to pursue a career in the film industry, and then threw it over for a more promising profession—music. A parent’s nightmare! And, yet, he succeeded. Opening for national recording artists as a lead singer and guitar player, recording a few CDs—but the stories just wouldn’t leave him alone.
His dream came to fruition on a grand scale with the release of his first book, THE SHEPHERD. An international bestseller, he followed it up with four more great titles. Now, his latest book, the third installment of The Shepherd series, FATHER OF FEAR has hit the bookshelves.
To give you a snapshot, in FATHER OF FEAR a father returns home to find his family has been kidnapped and the only way to save their lives is for him to kill another innocent person.
So begins a journey that will force Special Agent Marcus Williams of the Shepherd Organization to question all that he believes, unearth his family`s dark legacy, and sacrifice everything to save those he loves. In order to stop the serial murderer whom the media has dubbed the Coercion Killer, Williams must enlist the help of one of the world`s most infamous and wanted men: the serial killer Francis Ackerman Jr.
The praise for the Shepherd series comes from greats such as #1 New York Times bestselling author Andrew Gross, who said about The Shepherd, “A fast paced, all too real thriller with a villain right out of James Patterson and Criminal Minds.” THE BIG THRILL was lucky enough to catch up with Ethan Cross to ask a few questions.
I read in your long bio that you grew up as the youngest in your family, so far behind your older siblings that you were in many ways raised as an only child. An only child myself, I know how you have to learn to entertain yourself. Was making up stories part of that entertainment?
By John Clement
The phrase “a skeleton in the closet” entered the lexicon of popular culture in the early 19th century with the rise of the Gothic novel—an enduring genre blend of horror and romanticism that’s as beloved today as it was in Victorian England. Here’s Edgar Allen Poe, in his classic short story The Black Cat, first published August 19, 1843, in The Saturday Evening Post:
“Gentlemen, I delight to have allayed your suspicions,” and here, through the mere frenzy of bravado, I rapped heavily upon that very portion of the brick-work behind which stood the corpse of the wife of my bosom. The wall fell bodily. The corpse, already greatly decayed, stood erect before the eyes of the spectators.
Every family has a skeleton in the closet. If yours doesn’t, that just means you don’t know about it… yet. Author Leigh Perry has taken that notion one step further, creating a new mystery series that is as clever as it is entertaining.
The first book in the Family Skeleton Series, A SKELETON IN THE FAMILY, came out last fall. Can you talk a little bit about the main characters? Is there anything unusual about any of them?
The two main characters are best friends Georgia Thackery and Sid. Georgia is an adjunct English professor and the single mother of a teenage daughter who is house sitting for her parents in a small New England town. Sid is single, an avid reader, and lives in the Thackery attic. Nothing all that unusual.
Wait! Did I mention that Sid is a skeleton? An ambulatory skeleton—or osteo-American, which is what he calls himself.
By Wendy Tyson
Raised on a farm in southwest Pennsylvania, author Annette Dashofy has had a variety of careers, including emergency medical technician, groom at a racetrack, and yoga instructor, and she has drawn on her interesting and varied past to create the Zoe Chambers mystery series. In the first Chambers novel, CIRCLE OF INFLUENCE, Dashofy introduces us to EMT and deputy coroner Zoe Chambers and Police Chief Pete Adams. In the second book, LOST LEGACY (due September 16), we follow Chambers and Adams as they investigate an apparent suicide that may be linked to a pair of forty-five-year-old suspicious deaths.
John Lawton (producer, director and author of the Inspector Troy series) said, “New York has McBain, Boston has Parker, now Vance Township, PA (“pop. 5,000. Please Drive Carefully.”) has Annette Dashofy, and her rural world is just as vivid and compelling as their city noir.” I have had the pleasure of meeting Annette in person and she is as captivating as the colorful characters she creates. I am so pleased that Annette agreed to answer a few questions for THE BIG THRILL.
LOST LEGACY is the second in the Zoe Chambers series. As with the first Chambers novel, CIRCLE OF INFLUENCE, the setting—a small town in rural western Pennsylvania—is a character in the story. You grew up in a similar environment. How did your own experiences in rural Pennsylvania influence your novel?
Southwestern Pennsylvania is very much my home and my heart. It’s second nature to add it to my books. Having grown up in a farm family, I was always keenly aware of the weather because a farmer’s livelihood depends on getting enough snow in the winter, having enough dry weather in the summer to get the crops in, but enough rain so everything doesn’t dry up. And goodness knows we have a wide variety of weather to work with here! It just makes sense to me to have the weather and my surroundings play a big part in the story.
By Dan Levy
There’s a reason most of us write fiction—we don’t want to actually endure what we put our protagonists through. Sure, it’s fun to live that life in our minds for a few hours at a time and chronicle what we see. But as fiction writers, we revel in the comfort that we still get to play God on the page and are in total control.
Those who chose to live the life of a thriller protagonist—or antagonist—find their books to be welcome on the memoir, true crime or autobiography shelves. However, there are a few exceptions where fact and fiction merge—most notably the connection between Ian Fleming’s time in the British Secret Service and James Bond.
Add Mark Pryor to the list of people who seem to live the lives they write about. A former crime reporter in the UK, Pryor moved to the US, got his law degree and became an assistant district attorney in Austin, Texas. His prosecution wins include a Mexican mafia enforcer, murderers, rapists, robbers and a transvestite prostitute—to which he admits feeling a bit bad about. He prosecuted a cold case that got the attention of CBS’s 48 Hours and was the impetus for Pryor’s true crime story AS SHE LAY SLEEPING.
Turning Fascination to Fiction
So why does Pryor, an admitted adrenaline junkie (prior to having children, anyway), need to write thriller fiction? “I’m very interested in the criminal mind. I’ve never understood how, in a premeditated way, people do very bad things to other people.” Pryor noted that HELTER SKELTER was a “gateway book” for him. “I grew up on a farm in England, and had a very bucolic childhood. [In] reading that book, everything was so bizarre and twisted. I couldn’t understand it. I’ve been fascinated by it ever since.”
By Duffy Brown
Recently I sat down with Mary Kennedy to discuss NIGHTMARES CAN BE MURDER, her life as a psychologist/novelist, and why Savannah is the perfect setting for a mystery series. NIGHTMARES CAN BE MURDER is the first in her new Dream Club series and is available at stores and online this month.
Like most writers, you’ve had a rather checkered career (and I mean that in a good way!). You’ve been a copywriter for a rock radio station, a television news writer, a spokes-model, a university professor and now you’re a clinical psychologist. Will all these characters appear in your books?
Most of them, at least the interesting ones. I once went for a job interview and the person across the desk said, “Well, you are either the most versatile person I’ve ever met or you show a shocking lack of direction in your life.” Naturally, I asked him if we could go with “the most versatile person he’d ever met” theory. He laughed and gave me the job of PR Director for a major travel company. I haven’t used that character in a series yet, but I may.
I love Dr. Maggie, the psychologist turned radio talk show host in The Talk Radio Mysteries. Now you’ve moved on to the Dream Club Mysteries. Was it much of a stretch, going from psychology to dream interpretation?
No, I think it was a natural progression. Most of my clients love to talk about their dreams and I’ve done quite a bit of research on them. Freud said dreams are the “royal road to the unconscious.” Many psychologists think that dreams give us a unique insight into our thoughts, our fears, and out fantasies. Other people think they are just random firings of the brain as it rests and rehashes the day.
But how did you take the next step and write a whole series about a dream club?
The New York Times did a big piece on the popularity of dream clubs here in the northeast. I’m not sure how far they’ve spread across the rest of the country. The idea is very appealing. It’s like a support group. You meet with a small group of trusted friends every week and talk about your dreams. Of course, in NIGHTMARES CAN BE MURDER, the members not only analyze their dreams, they solve a murder or two.
Arlene Kay, author of such hits as DIE LAUGHING and INTRUSION, follows up with the newest novel in her Boston Uncommons series, MANTRAP. The novelfollows the ever-popular, romantically linked characters Eja and Demming, who must prove the fatal crash of a munitions heir was not a tragic accident but murder most foul.
For those of you unfamiliar with Kay, she has two graduate degrees, one in constitutional law and one in political science. She then ended up becoming a senior executive with the federal government, where she was known as an unconventional public servant. Kay enjoyed her twenty years there and rejoiced in the unintentional humor that surrounded her. She left government work to move to Cape Cod and craft clever, entertaining mysteries filled with mayhem and a pinch of romance. Like MANTRAP, available online and in stores.
Tell us about MANTRAP.
MANTRAP, the second in the Boston Uncommons series, blends mystery with a dollop of romantic suspense, and a whopping dose of luxury. The setting is lush, a beautiful Cape Cod village shaken by the tragic death of Dario Peters, heir to a vast fortune. His grieving grandmother insists Dario was murdered and persuades my amateur sleuths Eja Kane and Deming Swann to prove it. They soon discover that Dario was a thoroughly unpleasant chap (the Brits would call him a bounder), loathed by the locals, and feared by his adversaries. In fact his character, or lack thereof, is key to understanding his death. Along the way the issue of law versus justice constantly looms. One final point—the banter between Deming and Eja has been likened to the vibe between Nick and Nora Charles, or Lord Peter and Harriet Vane.
Do you have a favourite supporting character in MANTRAP?
Anika Swann, Eja’s prospective mother-in-law and Deming’s mom, confounds all those stereotypes about women of a certain age. She’s bright, beautiful, brave, and totally supportive of Eja. No evil troll hoping to supplant her son’s fiancée. No sir! Anika is a strong presence, and co-conspirator in all four books in the series.
By John Raab
A BETTER WORLD is the second book in Marcus Sakey’s Brilliance Saga series, with his newest character Nick Cooper.
Marcus was born in Flint, Michigan, and attended the University of Michigan. He mentions that he had two majors, both promptly ignored. He spent ten years in advertising and marketing, which gives him the perfect experience to write about thieves and killers. He is the writer and host of HiddenCity, which can be seen on the Travel Channel.
Other books by Marcus include BRILLIANCE, the first book in the new series, as well as THE TWO DEATHS OF DANIEL HAYES, THE BLADE ITSELF, ACCELERANT, THE GOOD PEOPLE, and THE AMATEURS.
THE BIG THRILL was lucky enough to catch up to Marcus and ask him some questions.
What can you tell us about A BETTER WORLD that is not on the back cover?
The Brilliance Saga is the story of an alternate present, a world very much like ours with one fundamental difference: since 1980, one percent of the population has been born with exceptional abilities, akin to savants. Many of the talents aren’t much more than curiosities—able to instantly multiply huge numbers, or play perfectly a song heard only once. But some of them are world-changing, capable of spotting patterns in the stock market, or reading your darkest thoughts from body language.
But this isn’t a superhero novel; to me, the brilliants aren’t the point. The point is how the world reacts to them. What would happen if one percent of the population was objectively better than the rest of us? How would society adapt, or fail to adapt? Would we become dependent on them? Would we enslave them? Would they, in fear for their own safety, work against us?
By George Ebey
In the shadow of the Mormon church, a nineteenth-century conspiracy is about to be shattered by a twenty-first–century forensic artist. In 1857, a wagon train in Utah was assaulted by a group of militant Mormons calling themselves the Avenging Angels. One hundred and forty people were murdered, including unarmed men, women, and children.
When renowned forensic artist Gwen Marcey is recruited to reconstruct the faces of recently unearthed victims at Mountain Meadows, she isn’t expecting more than an interesting gig and a break from her own hectic life. But when Gwen stumbles on the ritualized murder of a young college student, her work on the massacre takes on a terrifying new aspect, and her research quickly becomes a race against modern-day fundamentalist terror.
We recently caught up with debut author Carrie Stuart Parks to learn more about A CRY FROM THE DUST and to find out what she has in store for us next.
First, how does it feel to be so close to the release of your debut novel?
I’m excited beyond belief. It’s hard to go through the day-to-day chores and work when all I want to do is hover over the computer.
Your story touches on the field of forensic art. Could you tell us a little about this field as well as your background in it?
I’ve been a forensic artist since 1981, so it was natural to “write what I know.” I’m also married to a forensic artist, Rick, who worked as a Visual Information Specialist for the FBI in Washington, D.C. Together we work on cases and travel across the nation teaching forensic art to law enforcement professionals. The stories I’ll be telling in this series are loosely based on our cases and the work we’ve done in the field.
Military action dominates today’s thrillers, but diplomacy can generate even more tension and suspense. If you need proof, read Todd Moss’s hyper-realistic and high-powered debut thriller, THE GOLDEN HOUR.
The novel revolves around a sudden crisis in Africa. A coup d’état in Mali overthrows the president and the State Department is counting on its new experimental Crisis Reaction Unit to handle the situation. The unit is the brainchild of Judd Ryker, who recently left academia to test his theories in the real world of international diplomacy.
Ryker is not the typical gun-wielding thriller hero. He’s a soft-spoken professor who finds being chief of the Crisis Reaction Unit a major challenge.
“Judd’s much more comfortable with numbers than people,” Moss says. “This, he finds, is a problem for a diplomat. Judd quickly learns that he must build personal relationships to figure out what’s going on and to do his job.”
Of course, the challenges mount quickly. A senator’s daughter is kidnapped in Timbuktu. A violent new Jihadist cell rises in the desert. The American embassy is at risk of a terrorist attack. And Ryker has just one-hundred hours to set it all right again.
Parts of the story may sound fantastic, but Moss knows whereof he speaks. A former top American diplomat in West Africa, he draws on his real-world experiences to reveal both the exhilaration and the frustrations of modern-day diplomacy. Secretary of State Condoleezza Rice sent him in to negotiate after the 2008 coup d’état in Mauritania. Today he works at a Washington DC think-tank and still deals with men very much like his fictional Ryker—successful and brilliant analysts who, in his words, “could work on their people skills.”
By Cathy Clamp
Brilliant kids around the country begin disappearing, and Search and Rescue pilot Deb Lansing’s sister Ashley is one of them. She trusts only one other person to help her rescue the brilliant teenager—Gabe Montgomery, a former SWAT officer on covert assignment. As bodies start to turn up, Deb and Gabe discover that the one common element is the video game Point of Entry, a game Ashley frequently played. The clock is ticking as a brilliant serial killer known only as The Warden turns his attention on Deb and Gabe. Can they save Deb’s sister, or will they even be able to save themselves?
THE BIG THRILL’s contributing editor Cathy Clamp sat down with the author to learn more about this new thriller:
This is the third book in the Montgomery Justice series. What inspired you to create the reality?
Montgomery Justice actually started with a single character who wasn’t even a Montgomery. My first novel, IN HER SIGHTS, features a female SWAT Team Sniper, Jazz Parker. While attending a SWAT Team presentation at a writer’s conference one of the attendees asked if women could be considered for positions. The SWAT Team Commander indicated that there were no rules against it, but the applicant would have to pass all the physical tests. From there, Jazz was born: a female sniper. Her motivations were key to the story, and she ended up being someone who was utterly alone in the world.
I needed conflict with the hero, so Luke Montgomery came into being. An ex-Army Ranger from a big, boisterous family he could always count on. As I explored their world, I realized that though they stood side-by-side through everything, all was not perfect. From there, the Montgomery Clan was born. They won’t stop until justice is done!
By Jeff Ayers
It seemed an innocent enough idea. After Barnaby Gilbert got laid off with a nice severance, his boss suggested he take up a new hobby to fill up his free time. On his regular commuter train, Barnaby got an idea what that hobby would be. He decided to satisfy a curiosity he’d long had. An avid birder, he began tracking some regular passengers—people he’d always wondered about—to see where they went and what they did. In following a Chinese man, a schoolgirl, and a sexy woman, he used the same techniques he had to add hawks and herons to his life list. But in THE COMMUTER, a quirky, compelling, tongue-in-cheek thriller, he found out pretty fast that humans were a much more dangerous species.
Patrick Oster is a managing editor at Bloomberg News in New York. He was previously editor-in-chief of the National Law Journal and has worked for Business Week in Europe, Knight Ridder in Mexico, and covered the White House, State Department, and the CIA as Washington Bureau Chief of The Chicago Sun-Times.
He recently took the time to chat with THE BIG THRILL.
When did you realize you had the writing bug?
While doing some long-form journalism that used personal tales to tell a real-life story. For example, while reporting from Mexico I did a big take-out on what had happened to Oscar Lewis’s Children of Sanchez, one of whom I met while covering Mexico City’s twin earthquakes in 1985, 25 years after his classic work.
I used that story as part of my 1989 book, THE MEXICANS: A PERSONAL PORTRAIT OF A PEOPLE. And Lisa Drew, my editor at William Morrow, the hardcover publisher, said my use of real life short-stories in the book indicated I had some talent to write fiction, which is just another kind of story telling. So how could I not give it a try?
Working in journalism, what prompted you to want to write books?
For THE MEXICANS, it was mostly a desire to tell a fuller, more interesting story than is allowed in the space allotted newspaper stories. I also had accumulated a lot of information about Mexico in my four years there that never made it into my daily newspaper stories.
By Steph Cha
J.T. Ellison is a seasoned thriller writer with more than a dozen novels holstered to her belt. She’s written both series and standalones, made bestseller lists and won accolades, including the 2010 ITW Thriller Award for best paperback original for her novel THE COLD ROOM. In her latest venture (one of them, anyway), she’s teamed up with the formidable Catherine Coulter, for the Nicholas Drummond series, about a Brit in the FBI. THE FINAL CUT came out last year and sold like thriller-stamped hotcakes, and the sequel THE LOST KEY hits stores this month.
J.T. took time out of her busy thriller-cranking schedule to talk collaboration, discipline, and White House gaffes.
I’ll start with the most obvious question—what’s it like collaborating on a novel, and with Catherine Coulter in particular? Enquiring lonely writers want to know.
It’s awesome. Absolutely one of the most rewarding experiences I’ve ever had. I wasn’t in the market to co-write, and I wouldn’t have done it with just anyone. But I’ve been a huge Catherine Coulter fan my whole life. I’ve been reading her books—both romances and thrillers—since well before I wanted to be a writer. The opportunity to work with one of my all-time favorite writers was impossible to pass up. And as it happens, it’s bigger and better than I could have ever hoped. Not only am I getting a Ph.D. in writing, we have a real synchronicity together that leads to heights of creativity we’d never find ourselves. We’re downright combustible together.
Writing is supposed to be a lonely occupation, but I’ve always had creative people around me that make me better, from my first critique group, to beta readers and editors, and now Catherine. They do it in screenwriting, so why not novels?
THE LOST KEY is the second in your Brit in the FBI series, featuring new agent Nicholas Drummond. How did you go about doing research for this novel? Did you and Catherine divvy it up?
I do a lot more research than Catherine simply because she’s got a Master’s in early 19th Century history, and a career of research behind her for both her historicals and her FBI thrillers, and I’m playing catch up. For THE LOST KEY, we spent a lot of time working on the story together, doing a pretty comprehensive outline, then I went off and worked on the actual writing, and did most of the research on the fly as I went. It was incredibly broad for this book, including a research trip to Scotland to get everything just right. My kind of research, actually, the hands-on work.
Bestselling author Lauren Beukes is based in Cape Town, South Africa. Her works include the international bestseller THE SHINING GIRLS, which tracks a time-traveling serial killer and a surviving victim who turns the tables and begins to hunt him down, and ZOO CITY, “a gritty phantasmagorical noir about magical animals, pop music, refugees, murder and redemption in the slums of inner city Johannesburg” that took home an Arthur C. Clarke Award and a Kitschies Red Tentacles.
BROKEN MONSTERS is her latest novel. It features a large cast of characters who collide in the underbelly of Detroit. As detective Gabriella Versado tracks a crazed killer, the complexities of the bizarre and twisted case reveal urban lives trying to survive in a decaying city. BROKEN MONSTERS will be launched during a six-city US tour in September.
Beukes took some time to talk to THE BIG THRILL.
Congratulations on your new book. Who, or what, are the Broken Monsters? Can you describe the essence of the novel and what it means to you?
Thank you! It’s about twisted art and disturbing tableaus of half-human, half-animal bodies turning up in abandoned places in Detroit. It’s a procedural about fear and ambition and pride and being seen or trying to be forgotten, art and social media and new journalism, haunted cities, haunted people, the things that rise from the dark.
We’re all broken monsters. We all have little broken pieces inside. We’ve all experienced bad things in our lives, on a scale, of course, but it’s how we live with it that determines who we are. But it’s also a statement that even the monsters don’t work. We talk about a notorious killer as a “monster,” like apartheid torture camp operator Eugene de Kock for example, who was recently up for parole. But it’s much worse than that. He’s human. There are no monsters. There’s only us and everything we are capable of, good and bad. We have to be able to face that—the monstrousness within, whether it’s cruelty or ambition or pride or powerlessness.
THE BETRAYED is New York Times-bestselling-author Heather Graham’s most recent book in her Krewe of Hunters series and the third in her latest Krewe trilogy, after THE CURSED and THE HEXED.
In THE BETRAYED, New York FBI agent Aiden Mahoney is a new member of the Krewe, the Bureau’s unit of paranormal investigators. One night, Aiden receives a visit in a dream from his old friend, Richard Highsmith, an up-and-coming politician whose future seems unlimited: mayor of New York City, governor, perhaps even President of the United States. The very next day, Aiden is dispatched to Sleepy Hollow, New York, the setting of Washington Irving’s classic story about the legendary Headless Horseman. During a campaign appearance in the town, Highsmith disappeared without a trace.
Maureen (“Mo”) Deauville lives in Sleepy Hollow and works with her dog, Rollo, to find missing people. To her horror, she and Rollo find Highsmith—or more precisely his head—stuck on one of the town’s many statues of the Headless Horseman.
Risking their own lives, Mo and Aiden explore both past and present events to figure out who killed Highsmith. As they work together, they discover that they share an unusual trait—the ability to communicate with the dead. They also share an attraction that’s as intense as it is unexpected. The problem is that they might not live long enough to enjoy it.
Heather Graham graciously agreed to answer some questions about her compelling new novel.
Please tell us about the Krewe of Hunters series.
I’ve worked with the Krewe of Hunters for a while now and we’ve reached that scary place where I want them to be real! Years ago, in a book called HAUNTED, I introduced a character named Adam Harrison. A very wealthy man, he was always kind and a philanthropist and also friendly with many important dignitaries. He began to find people like his son to investigate when strange things were happening. Eventually, he joined with the powers that be at the FBI to provide his people with training and all the modern tech needed. The Krewe come from different vocations, all adding something to their special talent—basically, the ability at times to see the dead.
By Kay Kendall
Debut author Matt Cook combines piracy on the high seas, electromagnetic pulse technology, and terrorist ambitions to form a dazzling thriller. Thrown together in a dramatic stew of a book are one kidnapped Stanford professor, his beautiful and brilliant daughter, a dashing doctoral candidate, a Special Forces veteran, a mysterious mastermind, and two Russians—one good, one bad. Despite his youth, this author really knows how to cook, bringing all these ingredients to a rolling boil.
An assured debut, SABOTAGE is due from Forge Books on September 9. Here is a classic thriller in the fullest sense of the word. The terrorist mastermind will sell the stolen EMP technology to the highest bidder, even if it means placing horrible capability into dangerous hands. Worldwide powers are in contention, knowing their dominance is threatened.
Matt wrote the first draft of his thriller at age nineteen, and the week before its launch, he will turn twenty-five. While an undergraduate at Stanford University, he published two nonfiction books, one of them award-winning, and co-founded California Common Sense—a non-profit dedicated to government transparency and data-drive policy analysis. In addition, as a close-up magician and former member of the Magic Castle Junior Society, Matt has performed in Hollywood and across the globe. He delights in weaving exotic locales into his stories, drawing from more than eighty countries he has visited. For his charitable work supporting the American soldier, he was honored with the President’s Call to Service Award. He is now midway through his doctoral work at the University of Pennsylvania as a National Science Foundation Fellow.
Matt graciously agreed to answer a few questions for THE BIG THRILL.
Your debut thriller SABOTAGE launches on September 9. How did you manage to bring it to fruition, maintain your graduate career in economics, write an award-winning non-fiction book, and perform as a close-up magician? In short, how do you juggle and keep so many different balls in the air at once?
Life is a smorgasbord. Some people say, “I’ll just have the shrimp.” Not me. I want to try everything from the fondue to the hams to the cupcakes. One of the challenges of coming back from a smorgasbord is balancing the plate. You have to layer everything so it all fits. Life is the same way. Sometimes it means being stubborn, keeping at a project when there’s something else you’d rather be doing. It also means staying organized—keeping to-do lists, writing down your thoughts before sleep. That helps you avoid those moments of sheer panic when you think you’re going to drop the plate. I’m also fortunate to be working with talented individuals and teams, including my entertainment attorney, literary agent, publicists, and publisher—and for grad school, my professors and research partner.
By J.H. Bográn
In the new book PLAGUES OF EDEN, Army Chaplain Jaime Richards is back and the race is on to stop a madman bent on unleashing the plagues of ancient Egypt against the modern world. Fiery hail, water to blood, darkness, death of the firstborn. Can Jaime stop the catastrophe and save the mysterious Sword 23 from the clutches of a psychopath?
Interesting plot, but also fascinating is the fact that these two co-authors first met in the sixth grade. I had the opportunity to interview both Sharon Linnéa, and B. K. Sherer. Although I asked them both the same questions, it is interesting how different their responses are.
What can you tell us about Jaime Richards?
Sharon: Jaime is a young woman who is smart, thinks on her feet, is funny, sure of herself, unsure of herself, and will always be found in the thick of things. She acts with courage and determination even when she’s terrified. She’s an army chaplain (and a Presbyterian minister) who has let hard times in her past—including the deaths of her parents when she was young, and the death of her husband, Paul by a suicide bomber—mature into a true compassion for others. As an army chaplain, she is willing to do anything to be with her soldiers in whatever they’re going through.
As an agent of Eden, Jaime saves the world on a regular basis, because—hey, someone’s got to do it. Jaime thinks she has terrible luck with men, but the truth is, she attracts the most interesting guys. Interesting, however, doesn’t mean easy to deal with.
Neither army chaplains (who are noncombatants) or agents of Eden carry firearms, and neither does Jaime. Nor does her fellow agent, the mysterious Yani, for that matter.
B. K.: Jaime really cares about people (maybe too much), and is an excellent problem solver, both of which are very important qualities for a chaplain. Soldiers have all kinds of problems, and very often they just need someone who cares enough to help them think through possible solutions to their problems. These are also critical attributes for an agent of Eden, and this is why the role is such a perfect fit for her. But this also leads to her great frustration: that there are only so many hours in the day and she can only be in one place at a time. Between her personal needs, the needs of her soldiers, and the needs of Eden, something has to give. Most of the time what gives is her personal needs.
Andrew Brown is an unusual man. An anti-apartheid activist, he was given a three-year jail sentence for his activities in support of the African National Congress. He argued the sentence down to community service, studied law, and became an advocate and occasional acting judge in the same High Court where he’d appeared as a defendant. Not content with that as a contribution to the community, he is also a police reservist with the rank of sergeant, which led to STEET BLUES, a book based on his experiences. STREET BLUES was short listed for the Alan Paton Award for non-fiction.
Somewhere between all these activities (and bringing up a family), Andrew finds the time to travel and write taut political thrillers that lay bare the issues of Africa through gripping characters. In 2005, COLDSLEEP LULLABY was published and went on to win the Sunday Times Literary Award, South Africa’s premier award for fiction. It was followed in 2009 by REFUGE, which was short listed for the Commonwealth Literary Prize: Africa.
This year saw the publication of DEVIL’S HARVEST, and I’d put money on prize nominations going its way also. Set mainly in South Sudan, it follows a professor of botany on an academic quest into the midst of the war-torn country while the big players try to hide the evidence of an assassination gone wrong.
I asked Andrew about writing and DEVIL’S HARVEST.
By Linda Davies
Linda Davies explains how she got the ideas that collide to make her novel ARK STORM, and the fascinating and terrifying true-life science behind it.
What if you could control the weather?
Some years ago, I lived in Peru. Every so often I would escape the mayhem of Lima for Punta Sal, a little fishing village on the border with Ecuador. Hemingway used to fish there for marlin. Framed photographs of him grinning beside his huge catches adorn the walls of the ramshackle bars.
I went not to fish but to swim in the sea, body surfing the huge Pacific rollers. Normally you could only stay in for ten or fifteen minutes without a wetsuit because the Humboldt Current kept the waters cold, but one Christmas, the waters were balmy. I stayed in for two hours, marveling at the difference. El Nino had come, bringing with it warm waters. That’s where it is first felt, in the seas off that remote and under-populated border. Typically, the Nino phenomenon is felt around Christmas time and hence acquired its name—El Nino—the Christ Child.
The fishermen’s children, playing in the unusually warm waters, knew El Nino had come. As did I. But none of the world’s media seemed to have picked up this event, and did not do so for months.
It made me think, what if you or your business had a superior weather prediction system to the competition? With my financial background, I next thought, you could make out like a bandit using weather derivatives. It planted the seeds of a novel. It was a good idea, but not the big idea.
As a thriller writer, I’m always on the lookout for a real-life factual nugget around which I can spin a tale.
By A.J. Colucci
It’s Day Two of ThrillerFest and the Grand Hyatt in New York City is swarming with thriller fans, aspiring writers, and superstar authors. They’re scattered around the majestic lobby, which is buzzing with talk of the latest breakout novels. I’m sitting atop The Lounge Café with one of my favorite writers, Linwood Barclay, trying to sound casual as if I have lunch with famous authors every day. We both order a cup of chicken soup and half sandwich and I’m taken by his quiet, genial demeanor. Who would guess that behind those affable blue eyes lurks a mind capable of taking you into dark, deadly, believable situations that can turn your blood ice cold and strip your emotions raw?
NO SAFE HOUSE is Barclay’s latest book in a succession of contemporary thrillers that will leave your thumb calloused from flipping pages. It is a sequel to the breakout novel he wrote in 2007, NO TIME FOR GOODBYE, a monstrous bestseller in the UK that also sold a million books in the U.S. Since then, he’s had a string of hits that have made him an Arthur Ellis Award winner and finalist for a Shamus, Barry, and Thriller Award. His tenth novel, TRUST YOUR EYES, has been optioned by Warner Brothers following a bidding war that landed Barclay on the cover of Variety magazine. It’s a book Stephen King called, “a tale Hitchcock would have loved.”
All that success doesn’t seem to faze Barclay. He’s just a regular guy having lunch, which gave me a chance to ask him about his new book, his writing career, and life as a Canadian author. But considering the venue, I start by asking him how he got involved in ThrillerFest.
“I thought it would be good to meet people,” Barclay said, noting that he’s attended ThrillerFest every year but one since 2007. “I had four books out, but they weren’t hugely successful. Back then I felt kind of lost, sort of like a nobody—which I still do at times—but it was really cool to be here.” He became more involved at every conference and eventually did a panel at CraftFest. “That’s when I really felt more comfortable, more part of it.”
By Jeremy Burns
The Middle Ages were full of fascinating and often shocking episodes, and few authors are as talented at bringing readers into this intriguing period of history as Karen Maitland. A veteran thriller writer and a member of the Medieval Murderers, Maitland digs into the political intrigue, sabotage, subterfuge, revolutions, conflicts, and secrets of the medieval era like few others. Her latest book, THE VANISHING WITCH, looks to thrill fans once again with her unique take on this tempestuous period of history.
The author recently sat down with THE BIG THRILL to give readers a glimpse into her upcoming medieval thriller.
Tell us a little about yourself.
I’ve been writing full-time since 2000, and THE VANISHING WITCH is my fifth medieval thriller to be published. As well as my own historical thrillers, I also write a joint medieval crime novel ever year with five other authors—Philip Gooden, Susanna Gregory, Michael Jecks, Bernard Knight, and Ian Morson. Together we are known as the Medieval Murderers and our tenth book, THE DEADLIEST SIN, is also published this summer.
I’ve recently moved to the beautiful county of Devon in England, not far from Dartmoor, the wild moor that was the inspiration for the famous Sherlock Holmes case—‘The Hound of the Baskervilles’. When the mist comes down, you can almost hear the terrible black hound baying across the moors. I’ve converted an old blacksmith’s workshop in which to write, which still has the old anvil and I’ve filled it with things that inspire me like an old witch ball, a saxon drill, and stuffed owl.
Tell us about THE VANISHING WITCH.
The book is set in Lincoln, England in 1380/81, during the reign of the boy-king Richard II. It was summer of the Peasants’ Revolt when thousands of men and women marched on London and seized the Archbishop of Canterbury who was Chancellor of England. They hacked off his head, starting an orgy of rioting, murder and destruction that swept across England. But Robert, a wealthy wool-merchant in Lincoln has his own problems the rebels want him dead, the sheriff questions his loyalty and when people around him start being murdered, who can he trust—his impetuous son, the dark-haired widow, her bewitching daughter or his superstitious servants?
Did you ever have to talk to a weasel? Not that shifty guy in accounts receivable, a ferret. What about a naked mole rat? With her very special psychic ability, such conversations are not unfamiliar to Dr. Shelley Morgan. She’s the heroine of GUARDED, the second paranormal thriller in Mary Behre’s Tidewater series, following SPIRITED.
That’s right, Dr. Morgan is a veterinarian whose patients can tell her where it hurts. That’s not all that animals can tell her, so her ability comes in handy when she stumbles on an exotic animal-kidnapping ring and becomes a suspect in a zoo keeper’s murder.
This is a romantic thriller too, so fortunately Detective Dev Jones is involved in the case and promises to be a big help. He’s a really big help. Some have found his “bear-like physique” intimidating. Shelley knows he’s an intelligent, capable man, however.
To help Shelley, Dev might need all of his wits, and he might just have to put his career on the line as the case unfolds.
Since the Tidewater books mix mystery and thrills and humor, let’s just end this introduction by saying that in the Q&A that follows THE BIG THRILL posed a few guarded questions to Behre.
GUARDED is your second Tidewater installment. Tell us a little about the series and the Tidewater universe. The books focus on a different Tidewater resident each time, but there’s a connection between the heroine of GUARDED and the heroine of the first book in the series, SPIRITED, right?
The fictional city of Tidewater is set in beautiful coastal Virginia. It was inspired by my time living in Norfolk, Virginia Beach, and Chesapeake, Virginia. The residents in these cities (as well as Portsmouth and Suffolk) often refer to the region as Tidewater, though the name doesn’t appear on a map.
In the Tidewater series, certain members of the city are endowed with unique, cursed gifts, or “crifts.” Each one has a different psychic ability.
By James Ziskin
This month, I interview Gregg Hurwitz, the New York Times best-selling author of fourteen thrillers and several comic books. If that’s not enough, he also has written and produced television shows for major networks, and is currently developing his Tim Rackley series for TNT/Sony. His latest thriller, DON’T LOOK BACK, hits bookstores this month.
You write strong, fascinating female characters in all your books. I’m thinking of Cameron Kates, both Evelyn and Cristina Brasher, Janey Overbay… They’re at turns smart, sassy, brave, controlling, and have great conscience and soul. But DON’T LOOK BACK is the first time you’ve put a woman, Eve Hardaway, at the center of one of your thrillers. It’s a fantastically terrorizing story. Why, do you think, are so few thrillers about women?
I do think there’s a perception bias that books about women tend to be more “literary” (whatever that means)—or that within genre, female protagonists appear in mysteries rather than thrillers. But there are more thrillers about women than people tend to be aware of. If we look at contemporary writers alone, Patricia Cornwell, Kathy Reichs, Laura Lippman, Chelsea Cain, Karin Slaughter, Lisa Unger, Alafair Burke, Meg Gardiner, Megan Abbott and many more write thrillers (or books with strong thriller elements). Connelly and Crais have chosen female protagonists for certain books (and interestingly, for those books closer to the thriller end of the spectrum for their respective bodies of work). And of course, Thomas Harris placed Clarice Starling at the center of one of the benchmark thrillers of all time.
DON’T LOOK BACK demanded a female lead character. I wanted to tell the story of a woman who was a single mother, freshly off a divorce, struggling to find herself and to reestablish her voice in the world. Leaving her son in the care of his beloved nanny for a week, Eve Hardaway finds herself in a small ecolodge way up in the jungles of Oaxaca. On her first day, she strays from the group into the jungle and sees something she’s not supposed to see. Which involves a Very Bad Man. He clues in to the fact that she saw him. And just as he starts to zero in on her and this small band of tourists, a tropical storm blows in. So Eve, single mother and nurse from Calabasas, finds herself being pursued through the jungle in the middle of a storm by a brutal man who can outflank, out-fight, and overpower her. And she realizes that if she ever hopes to get back home and see her son again, she is going to have to find that unbreakable part of herself, outlast, and prevail.
Jessie Crockett’s first cozy mystery, LIVE FREE OR DIE, won the Daphne du Maurier Award for mainstream mystery. Her new series, the Sugar Grove mysteries, features Dani Greene, from a prominent New Hampshire family of maple syrup makers, and a large cast of colorful secondary characters.
Just out now is the second book in this series, MAPLE MAYHEM, in which Dani tries to set up an agricultural cooperative to help smaller sugarhouses, setting off a chain of vandalism and then murder.
Please tell us a little about yourself. You’re a New Hampshire native?
Native might be too strong a word. I’ve lived in New Hampshire since I was eight years old. Both of my parents were born and raised in Maine so I feel very strongly that northern New England is my home.
What can you tell us about your new book, MAPLE MAYHEM?
MAPLE MAYHEM involves maple syrup maker Dani Greene’s thwarted attempts at starting an agricultural cooperative. She finds herself confronted by sabotage and ultimately murder in her quest to help her neighbors and herself to improve the bottom line in their sugaring businesses.
By Derek Gunn
Whitley Strieber needs no introduction to readers of my generation. The superb WOLFEN and THE HUNGER shot him into the limelight and the equally noteworthy COMMUNION and NATURE’S END served to keep him there to this day. We have had mostly non-fiction in later years, though many consider his work on THE VISITORS and alien abductions to be fiction and file it as such in bookstores. While this has been a constant argument with Strieber’s work over the years, and Strieber is adamant that his work on aliens is factual, there is one point that is irrefutable—he is a superb author and capable of delivering fantastic work.
His latest novel, ALIEN HUNTER: UNDERWORLD is the second in his Flynn Carroll series. It is a thriller of the highest order. I had not read the first in the series but it doesn’t take too long to catch up and enjoy the ride.
Flynn Carroll works for a very secret organisation. He is tasked with finding and stopping the most lethal and driven criminals on the planet. To make it even more difficult, the criminals are, in fact, from another world and have access to technology so far ahead of ours that they anticipate every move he makes.
Recent events see Flynn operating on his own and he is forced to seek help from some old friends whose skills may just help even the odds. Added to the mix is the police force from the alien world who want to censure Flynn for their own reasons but are reluctant to help clean up their mess.
Flynn also discovers that all is not as it seems within his own organization and that there are things they do not want him to know. As time runs short and the alien mastermind gets ever closer, Flynn is forced to examine not just his enemy but his own origins as well.
By Stacy Mantle
Author Mike Resnick has a long history of success in the science fiction and thriller categories. Beyond earning five Hugo awards, he has taken home the Science Fiction Chronicle Poll Award, the Nebula, the Homer, the Alexander, the Golden Pagoda Award, and Dog Writers Association Awards.
Humor goes a long way toward breaking dramatic tension, and no one does it better than Resnick. Larger-than-life characters pump up the action. As a long-time fixture in science fiction, Resnick draws on over one hundred novels and short stories to make his stories successful.
We had the opportunity to ask him a few questions about his process, co-writing with his wife, the writing habits that have made him a success, and the importance of loving what you do.
Please tell us a little about CAT ON A COLD TIN ROOF.
It’s the third mystery novel featuring a middle-aged divorced detective, Eli Paxton, who lives in Cincinnati. Unlike a lot of his fictional contemporaries, he doesn’t distrust the police, doesn’t use his fists to solve crimes, and doesn’t bed every good-looking woman he comes across. Since the first two in the series were DOG IN THE MANGER and THE TROJAN COLT, I felt it incumbent to have an animal in the title, as well as making it one of the keys to the plot. But unlike the first two books, which had to do with dog shows and horse racing, this doesn’t involve the cat in any sport.
If the fiction writer’s mantra is “write what you know,” then Kristi Belcamino has amassed a career’s worth of background material. A crime reporter by trade, the Minneapolis resident based her debut on a series of interviews she conducted with a convicted kidnapper who claimed to be a serial killer. BLESSED ARE THE DEAD is a gripping fictionalization of that encounter, putting the reader in the shoes of young Gabriella Giovanni, a San Francisco Bay Area newspaper reporter whose second adventure was released as BLESSED ARE THE MEEK on July 29.
I’ve known Kristi for three years. We met via Twitter, when she found out I was visiting the Twin Cities to research my second novel. Kristi threw me a wonderful dinner party with her writer’s group, set me up with contacts in the Minnesota PD, and hooked me up with tours of the locations I’d set out to research. BLESSED ARE THE DEAD was still searching for a publisher then, but in the years that followed, I’ve had the pleasure of watching Kristi find an agent and a home for her wonderful debut.
Recently, I lobbed a few questions at her about the series, the writing process, and just how many similarities she shares with her protagonist.
Kristi, your debut, BLESSED ARE THE DEAD, was just published by Harper-Collins. Congratulations! Tell us about the book.
Thank you! It’s been a dream come true for sure. The book, which features an Italian-American crime reporter and is the first in a series of at least four books, is inspired by my dealings with a serial killer while I was a reporter on the crime beat in the San Francisco Bay Area. Some of the actual jailhouse conversations I had with this man are in my book. When he died in prison a few years back, I was called for a comment.
By Dawn Ius
New York Times bestselling author Chelsea Cain launches into August with ONE KICK, the first in a thrilling new series featuring Kick Lannigan, a young woman whose tragic past has given her a special—and deadly—set of skills.
“Famously kidnapped at age six, Kick captured America’s hearts when she was rescued five years later. Now, twenty-one, she finds herself unexpectedly entangled in a missing child case that will put her talents to the test.”
Though a definite departure from the Archie Sheridan/Gretchen Lowell thrillers for which Cain is known, ONE KICK embodies the same heart-pounding brilliance HEARTSICK fans have come to know and love.
“This book is positioned to reach a wider audience,” Cain says. “Some readers are afraid of the HEARTSICK books—many people thinks of them as horror. I’ve dialed it down a little in ONE KICK.”
Though she admits, for some, the distinction is faint.
Since childhood, Cain has been drawn to the thriller genre, getting her literary feet wet with detective stories and mysteries.
“I wanted high stakes, puzzle and peril,” she says. “I loved looking at the yellow spines of those Nancy Drew books and knowing there was another one. There was always such a great comfort in knowing the character survived.”
By John Raab
New York Times bestselling author Wendy Corsi Staub returns with her latest book THE PERFECT STRANGER. Staub has written more than seventy-five books and continues to raise the bar in the suspense-writing genre. Her last book THE GOOD SISTER has been optioned for television by Fox, and she will release another book this year called THE BLACK WIDOW. Her trilogy, which ended in early 2013, won the 2013 Westchester Library Association Washington Irving for fiction award.
Staub has sold over four million copies of her books, and has also written under the pen name Wendy Markham, whose name could be seen on the USA Today, Barnes & Noble and BookScan bestseller lists.
She is here to tell THE BIG THRILL about her latest book, THE PERFECT STRANGER.
What can you tell us about the book that is not on the back cover?
The heroine and her fellow bloggers are breast cancer survivors. They’ve all turned to the Internet for kindred support that they couldn’t find in their own daily lives. They’re strangers who have gradually let their guards down online because they’ve been in each other’s shoes; they can share things with each other that their family and friends in the real world couldn’t possibly understand. That bond has strengthened them, but—they realize too late—has also made them vulnerable.
Landry Wells is your main character in THE PERFECT STRANGER. Who is she?
Landry is a genteel southern wife and mother who has always lived her life according to plan, only to have it turned upside down with a cancer diagnosis. You don’t face your own mortality and wage a fierce battle against a deadly disease without being profoundly transformed. Landry has recently learned how to put aside her natural reserve and reach out to strangers, offering—and drawing—strength. Her hard-won battle not only shattered her carefully constructed walls and taught her that there are no guarantees, but left her virtually fearless—which is a good thing, because a new predator now has her in the crosshairs.
By Dawn Ius
In the dark and ominous world of noir fiction, most heroes are looking for a light at the end of the tunnel. But for Jersey Leo, the albino bartender in John Florio’s SUGAR POP MOON and BLIND MOON ALLEY, sunshine is something to be avoided.
“Typically, people enjoy warm summer days, but in Jersey’s case, a bright, shining sun only brings more problems,” Florio says. “His albinism pits him against convention.”
In fact, the National Organization for Albinism and Hypopigmentation has documented the number of characters with albinism featured in pop culture, and with few exceptions, most are cast as the “evil bad guy.”
“When I started writing SUGAR POP MOON, I wanted to write about an outsider,” he says. “I considered a few options. But having a hero with albinism put a different spin on things—it added another set of conflicts, another layer of tension. Looking back, I guess it was a bit of a risk.”
The gamble paid off. After a successful run with SUGAR POP MOON, Seventh Street Books purchased BLIND MOON ALLEY based on its first chapter alone—a clear demonstration of the faith the publisher had in both the character and the world Florio had created.
Set in Philadelphia during Prohibition, BLIND MOON ALLEY finds Jersey “Snowball” Leo tending bar at a speakeasy the locals call the Ink Well. There, he’s considered a hero for saving the life of a young boy. But Jersey soon finds himself running from a band of crooked cops, hiding an escaped convict in the Ink Well, and reuniting with his grammar school crush—the now sultry Myra Banks, who has shed a club foot and become a speakeasy siren.
Kelli Stanley is easy to spot in any gathering, with her friendly smile and one of her trademark fedoras perched atop blond hair. She’s a thoroughly modern woman—but she has made her name as a novelist by living in the past.
Kelli arrived on the mystery scene with NOX DORMIENDA (“a long night of sleeping”), set in Roman Britain and featuring Arcturus, a half-British, half-Roman doctor who ferreted out killers as a sort of Philip Marlowe in ancient times. This “Roman noir” debut won the Bruce Alexander Award for Best Historical Novel and earned Kelli a Certificate of Honor for literary achievement from her hometown of San Francisco. Following THE CURSE-MAKER, the sequel to NOX DORMIENDA, she fast-forwarded in time to 1940 and created Miranda Corbie, the San Francisco-based protagonist Library Journal has called “one of crime’s most arresting heroines.”
With her beauty, her stylish suits and hats and impeccable grooming, she might be the femme fatale who shows up at Marlowe’s door in search of help, but in Kelli Stanley’s noir world Miranda is the one with the gun and the private eye license. She’s a woman with a troubled past that is far from dead, but she knows how to protect her vulnerable core and she doesn’t hesitate to stand up for those who can’t defend themselves.
In CITY OF GHOSTS, the third series entry (after CITY OF DRAGONS and CITY OF SECRETS), the time is June of 1940, France has fallen to the Nazis, and U.S. involvement in the war seems inevitable. The State Department official who helped Miranda get her P.I. license arrives in her office to collect on the debt: he wants her to track a San Francisco chemistry professor who may be spying for the Nazis. This assignment, which coincides with the murder of her latest client, could get Miranda killed, but she accepts because the payoff would be passage to bomb-ravaged England, where she believes she will find her long-missing mother. Her desire to find her mother, and learn the truth about her disappearance, drives Miranda on as she investigates her client’s death and Nazi activities on U.S. soil and eventually finds herself framed for murder.
Recently Kelli talked about her memorable heroine and the challenges of writing historical fiction set in her own hometown.
By Jeff Ayers
On May 5, 2014, Jack Bauer returned in “24: Live Another Day” to restart the ticking clock on the groundbreaking and Emmy Award-winning drama. 24: DEADLINE will answer some of the questions of what happened to Jack in the four years between the end of season eight and the new “24: Live Another Day” event series.
The time is 5:00 p.m.: One hour ago, federal agent Jack Bauer was declared a fugitive. If he wants to survive, he must get out of the country, and he doesn’t have much time. With his former colleagues in the Counter Terrorist Unit now dead, under arrest, or shut down, Jack has no resources to call upon, no back-up, and nowhere to go—only his determination can drive him on. One thing remains clear to him: the promise he made to his daughter Kim. Jack vows that he will see Kim one last time to tell her he loves her—before he drops off the radar forever.
Tor/Forge books editor Melissa Frain said, “Few shows have ever been able to achieve what “24” has on television. As passionate fans of the show ourselves, we’re thrilled to help fill the gap between the devastating events of last season and Jack’s highly anticipated return in “24: Live Another Day” with 24: DEADLINE. And regarding the author, James Swallow: “With his background as a veteran tie-in author and a long-time fan of “24,” we think James has the perfect sensibility to tell the world just what happened to Jack Bauer after the clock wound down at the end of season eight.”
With that in mind, THE BIG THRILL took the time to chat with James Swallow.
By J. H. Bográn
Nancy J. Cohen is nothing if not versatile. She writes the humorous Bad Hair Day mystery series featuring hairdresser Marla Shore. Several of these titles have made the Independent Mystery Booksellers Association bestseller list. Cohen is also the author of WRITING THE COZY MYSTERY, a valuable instructional guide for writers on how to write a winning cozy-style whodunit. Her imaginative romances have proven popular with fans as well. Her titles in this genre have won the HOLT Medallion and Best Book in Romantic SciFi/Fantasy at The Romance Reviews.
For this story, the focus is on the next volume of WARRIOR LORD. I first met Nancy J. Cohen when she was about to release a book in her Bad Hair Day series. Then she was kind enough to let me steal the spotlight on her blog. Now I’m pleased THE BIG THRILL gave me the opportunity to her a few questions about her new book.
What’s the plot of WARRIOR LORD – Drift Lord 3?
Pottery sculptor Erika Sherwood has no idea her televised wedding in Las Vegas is for real until an official confirms she and the stranger she’s just met are legitimately wed.
A Drift Lord and warrior of the Tsuran, Magnor tricks the redhead into marriage because she’s one of six women prophesied to save Earth. But as he’s forced into her company in their race against the apocalypse, he wonders if he risks his heart more than his life.
Can a free-spirited ceramic artist and a fierce swordsman trust each other enough to prevent disaster?
By Dan Levy
As an admitted adrenaline junkie, one would think a day job as an ER nurse would give Beth Amos (writing under the name Allyson K. Abbot for the Mack’s Bar series) got her daily dose of excitement at work. Not so, even after more tha forty years in the business, “I have seen, smelled, touched, been doused in, and exposed to some very gross looking and smelling things. Only one thing has ever made me gag. Ear wax is my kryptonite.”
Since that isn’t enough action, Beth fills her free time creating interesting characters and then putting them through some adrenaline-inducing situations. Such is the case with Mackenzie “Mack” Dalton, owner and chief mixologist at Mack’s Bar in Milwaukee, Wisconsin. Like every good protagonist, Amos gave Mack her own set of real and relatable flaws. But for that one trait that makes Mack special, Amos turned to her experience in the medical field.
“I first heard of synesthesia from a neurologist years ago,” said Amos. “A simplistic definition of synesthesia is that it’s a cross-wiring, or in some ways an overlap, between the senses. As a result, people may see things they hear as shapes, colors, or patterns. Or something they see might trigger a taste sensation. There are different types and degrees of synesthesia, and I think it’s much more common than many people realize.”
Counter Terrorism, anarchist mayhem, and ruthless acts of jolting violence threaten to throw London into chaos in Charlie Flowers’s latest thriller, BATTLE COME DOWN. The fourth installment in the series featuring the unlikely protagonist Riz Sabir, BATTLE COME DOWN brings the ongoing war against international terrorism into the heart of the UK. THE BIG THRILL checked in with Charlie so he could offer readers a glimpse at what the most recent entry has to offer.
Congratulations on BATTLE COME DOWN! For those readers who may not already be acquainted with your work, what would you like them to know about your book and its main character, Riz Sabir?
BATTLE COME DOWN is the fourth book in the Riz Sabir Mysteries series. Riz Sabir is British, of Pakistani origin, who drifted into crime and then extremism as a young man. He trained with al Qaeda, was arrested by Counter Terrorism Command, and made an offer he couldn’t refuse by a murky, semi-private intelligence arm of the Ministry of Defence. He now works as their main troubleshooter and investigator. Throughout the books, he is aided (and sometimes hindered) by his wife, Holly, and the army unit she belongs to known as the Blackeyes.
All of the books in the Riz Sabir series are quite dark, depicting a harsh, violent world. How would you describe the theme of this book? And what drives you to the themes you choose?
The theme of most of the books in the series is “violence is real and the world is dangerous, but love will prevail.” The theme of this book is “be careful what you wish for,” in terms of asking the authorities how far they’d be prepared to go in dealing with urban unrest, and what could spiral out of their control.
By George Ebey
Author Lee Thompson brings us a tale of crime and suspense in his latest novel, A BEAUTIFUL MADNESS.
The story unfolds when a Texas senator and his wife go missing … On the same day, their son is slaughtered by an enigmatic killer on the lawn of ex-Governor Edward Wood’s residence. Sammy, Wood’s drug dealing son, suspects his father of the crime. After all, his old man snapped once before and crippled his wife with a lead pipe. In direct opposition to Homicide Detective Jim Thompson, Sammy begins an investigation of his own, searching for the truth in a labyrinth of lies, deception, depravity, and violence that drags him deeper into darkness and mayhem with each step. And in doing so, brings them all into the sights of an elusive and horrifying killer who may not be what he seems.
We recently caught up with Thompson to find out more about A BEAUTIFUL MADNESS and to get his insight into what elements make up the best crime and suspense fiction.
Let’s talk about the genesis of your story. Where did your inspiration for A BEAUTIFUL MADNESS come from?
A BEAUTIFUL MADNESS started with an image of a rainy day and someone dumping a body on a shamed ex-governor’s lawn while he sits drinking beer on his porch.
From the beginning, I wanted to mess with perception by having my narrator, Sammy—who is biased and conditioned by the people he grew up around and his father’s dark history—share a story built from Sammy’s sister Delilah’s experience, along with a detective named Jim Thompson, and through pilfering the journal of a killer the police had dubbed the Wolverine. It’s all after-the-fact, although the reader doesn’t know how far into the future.
By Brian Knight
LETHAL CODE tells the shocking and frighteningly possible story of a massive, anonymous cyber-attack on the United States by an unknown enemy and the unforgettable men, women, and children who fight back against the invisible invasion.
Thomas Waite’s new novel, LETHAL CODE, is available now, and Mr. Waite is here to talk about it.
Tell us a bit about LETHAL CODE.
Sure. Back in 2012, former CIA Director and Defense Secretary Leon Panetta gave a startling speech about U.S. vulnerability to cyber warfare. He said that our country could face a “cyber Pearl Harbor” attack that would cause massive physical destruction and loss of life. LETHAL CODE is essentially a fictional, yet plausible, novel about such a horrific scenario. In my book, unknown terrorists have crippled the nation’s power grid and brought our country to its knees. Widespread panic and violence ravage the country and the terrorists issue their ultimatums and vow an apocalyptic reckoning.
The heroine in LETHAL CODE is Lana Elkins, head of a major cyber-security company—and former top NSA operative—who returns to her roots to spearhead the Agency’s frantic efforts to combat the enemy’s onslaught on its own terms. While she and her superiors take action to infiltrate a terrorist hotbed overseas, much closer to home ruthless jihadists with a nuclear bomb hijack a busload of schoolchildren—including her own daughter—and race toward a rendezvous with Armageddon in America’s largest city.
LETHAL CODE isn’t meant to just be a fast-paced cyber-thriller; it is a cautionary tale for a public largely unaware of a potential cyber war of cataclysmic proportions from an unseen enemy. I did a lot of research and interviewed quite a few experts for this novel. So while LETHAL CODE is a work of fiction, most of the technologies, cyber attack vulnerabilities and cyber war scenarios are based on facts. The novel is the first of a new series of cyber-thrillers. I am currently working on finishing the second.
By John Clement
I spent an inordinate amount of time in front of the television in my so-called “formative years,” and two shows in particular wormed their way into my permanent consciousness. One was I Dream of Jeannie. The other was Bewitched. I knew full well both these shows were nothing but pure fantasy, but that didn’t quash the sneaky suspicion lingering in the back of my mind that if I just tried hard enough, I could unlock my own as-yet-unrealized magical powers.
Well, I’m still waiting for those powers to reveal themselves, which is probably why I felt a little rush of excitement when I opened up Dawn Eastman’s latest mystery, BE CAREFUL WHAT YOU WITCH FOR, the follow-up to her popular debut, PALL IN THE FAMILY. Both books are set in the small Michigan town of Crystal Haven, where an unusually large population of magically gifted (and hilariously eccentric) residents has transformed the town into a kind of Mecca for hopeful tourists. They come from far and wide in search of psychics, healers, spells, and perhaps even a bridge to the spirit world.
Enter Clyde Fortune, who’s left her stormy career as a cop in nearby Ann Arbor for some quiet reflection in her eccentric hometown—only to find that things in Crystal Haven are anything but quiet, and her telepathic relatives are all hoping she’ll rejoin the family business. As it turns out, Clyde’s experience as a police officer, coupled with her long-suppressed psychic abilities, make her particularly well suited for crime-solving.
I had the pleasure of talking with Dawn about some of the behind-the-scenes work that goes into creating the wonderful world of Crystal Haven.
Let me say this straight out. I am not a cozy reader. Hey, this is THE BIG THRILL, and we’re all fans of International Thriller Writers, right? But I met John Clement at ThrillerFest 2013 and I knew that whatever this guy wrote would be something I’d want to read. Not only did John give the funniest sixty second intro ever heard at a Debut Breakfast, but the story behind how John came to be writing turned out to be as meaningful as the books themselves.
The Dixie Hemingway series pushes the envelope in a lot of ways for murder mysteries, and that’s probably because the author tends to push the envelope in his own life as well, seeking to challenge himself, and never backing down even when the prospect might be daunting. I hope you’ll be as impressed as I am by the open, honest answers that follow, and join me in celebrating the release of THE CAT SITTER’S NINE LIVES.
There is a very poignant background to the way you came to write your first Dixie Hemingway mystery, THE CAT SITTER’S CRADLE. Can you tell us something about how it all happened?
It’s funny. Now, looking back on how it unfolded, I can see what a bizarre story it is, but at the time it all seemed perfectly normal… probably because I was still in a bit of shock. My mother, Blaize Clement, published her first mystery, CURIOSITY KILLED THE CAT SITTER, back in 2005 with St. Martin’s Press. She then went on to write six more books in the series, which follow the adventures of Dixie Hemingway as she struggles to piece her life back together after the loss of her family. It sounds dark, and at times it is, but it’s also hilarious and witty and has lots of cats so it fully qualifies as a cozy mystery, even if it slightly pushes the boundaries. In 2011, after about a year of battling with cancer, my mother’s doctors told us there was little hope of survival. She elected to discontinue treatments. We moved into a hospice home in Sarasota, Florida, and it was there that she put the finishing touches to her last book, THE CAT SITTER’S PAJAMAS.