It’s been five years since Carter Blake parted ways with the top-secret government operation Winterlong. They brokered a deal at the time: he’d keep quiet about what they were doing, and in return he’d be left alone.
But news that one of Blake’s old allies, a man who agreed to the same deal, is dead means only one thing: something has changed and Winterlong is coming for him.
Emma Faraday, newly appointed head of the secret unit, is determined to tie up loose ends. And Blake is a very loose end. He’s been evading them for years, but finally they’ve picked up his trace. Blake may be the best there is at tracking down people who don’t want to be found, but Winterlong taught him everything he knows. If there’s anyone who can find him—and kill him—it’s them.
Mason Cross recently visited with The Big Thrill to discuss WINTERLONG:
What do you hope readers will take away from this book?
Primarily, the experience of reading a fun, fast-paced chase thriller that makes them want to read the next one immediately.
How does this book make a contribution to the genre?
I’ve always loved man-on-the-run thrillers (both books and movies) where a determined protagonist faces seemingly insurmountable odds, from North by Northwest to Three Days of the Condor to The Bourne Identity. This was my attempt at contributing to a venerable sub-genre of thrillers, and I had a blast writing it.
Was there anything new you discovered, or surprised you, as you wrote this book?
I think the one thing that surprised me was that it’s difficult to be too outlandish when writing a book in the 21st century that deals with the shady activities of the intelligence community. You have a lot of latitude because real life stories that occasionally surface sound like the stuff of a thriller.
No spoilers, but what can you tell us about your book that we won’t find in the jacket copy or the PR material?
I realized recently that each of my first four books takes place in a different season. Appropriately, this one is Winter.
What authors or books have influenced your career as a writer, and why?
In no particular order, Ian Fleming, Robert Harris, Patricia Highsmith, Stephen King, Ian Rankin, Lee Child, Kathy Reichs, Lisa Gardner, Michael Connelly, Harlan Coben, Ira Levin, and Raymond Chandler. All of those people have something in common: they know how to tell a great story and keep the reader turning pages into the night. That’s what I hope to do in my own modest way.
“A thriller with pace and action to spare and a new series character with significant potential.” — Shots
“A superior example of the chase thriller.” — Morning Star
“This cinematic action thriller is like reading Reacher crossed with Bourne plus added fabulousness. It’s a total must read. In fact, stop what you’re doing right now and start reading it — you won’t regret it!” — Crime Thriller Girl
Mason Cross was born in Glasgow in 1979. He studied English at the University of Stirling and has worked variously as a tax officer, events coordinator, project manager, and pizza delivery boy. He has written a number of short stories, including “A Living,” which was shortlisted for the Quick Reads ‘Get Britain Reading’ Award and “Expiry Date,” published in Ellery Queen. He lives near Glasgow with his wife and three children.
The Killing Season was his first novel: an action thriller starting Carter Blake, a mystery man who specializes in finding people who don’t want to be found. It was long-listed for the Theakstons Old Peculier Crime Book of the Year 2015. The sequel, The Samaritan, was selected for the Richard and Judy Book Club for Spring 2016. WINTERLONG (titled THE TIME TO KILL in the UK) is the third book in the series, coming February 2017.
To learn more about Mason, please visit his website.
Interested in becoming a member of the International Thriller Writers? ITW offers Active and Associate memberships.
Latest posts by ITW (see all)
- August 19 – 25: “How do you separate yourself from the characters you write?” - August 18, 2019
- August 12 – 18: “What is voice, and what advice can you give to aspiring writers to find their own?” - August 11, 2019
- August 5 – 11: “How do you seamlessly interweave the plots, sub-plots, and filler scenes?” - August 4, 2019